DW-602 Kenny Dope - House Brakes Vol.2

$ 20.00

Sold By: Dopewax
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Categories Albums, All, LP's

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DW-056 Kenny Dope Foun...

$ 8.00

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{"id":521007044,"title":"DAP-034 The Budos Band-Burnt Offering","handle":"the-budos-band-burnt-offering","description":"\u003cp\u003eThe Budos Band return with Burnt Offering; a wild, booze-fueled ride of hazy riffs, take-no-prisoners horn lines and relentless percussion that summons the occult – an evolved sound for this mighty 10-piece band sparked by their love of Black Sabbath and Pentagram. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBurnt Offering was recorded live in the studio, engineered and produced by Thomas Brenneck, a founding member and guitarist in The Budos Band who runs Dunham Records and Studios. It was written at the band's longtime Staten Island studio, where they've gathered for weekly rehearsals for over fifteen years. The haunting album cover was created by drummer Brian Profilio, a NYC public school art teacher. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe new album is dripping with the psychedelic sounds of early heavy metal fused with the tight-knit propulsion of Fela Kuti. \"The Sticks\" kicks off with a snarling riff seamlessly doubled on bass and guitar and unfurls into sludgy breakdowns and searing guitars.\u003c\/p\u003e","published_at":"2015-05-07T15:21:00-04:00","created_at":"2015-05-07T15:23:15-04:00","vendor":"Daptone","type":"Vinyl Lp","tags":["\u0026 Friends","Burnt Offering","Dopewax","kay-dee","KAYDEE","kaydeerecords","Kenny Dope","The Budos Band","The Budos Band-Burnt Offering"],"price":1900,"price_min":1900,"price_max":1900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1627457348,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DAP-034 The Budos Band-Burnt Offering","public_title":null,"options":["Default Title"],"price":1900,"weight":357,"compare_at_price":null,"inventory_quantity":7,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/DAPT34LP.jpg?v=1431026596","\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/DAPT34LP-2.jpg?v=1431026597"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/DAPT34LP.jpg?v=1431026596","options":["Title"],"content":"\u003cp\u003eThe Budos Band return with Burnt Offering; a wild, booze-fueled ride of hazy riffs, take-no-prisoners horn lines and relentless percussion that summons the occult – an evolved sound for this mighty 10-piece band sparked by their love of Black Sabbath and Pentagram. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBurnt Offering was recorded live in the studio, engineered and produced by Thomas Brenneck, a founding member and guitarist in The Budos Band who runs Dunham Records and Studios. It was written at the band's longtime Staten Island studio, where they've gathered for weekly rehearsals for over fifteen years. The haunting album cover was created by drummer Brian Profilio, a NYC public school art teacher. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe new album is dripping with the psychedelic sounds of early heavy metal fused with the tight-knit propulsion of Fela Kuti. \"The Sticks\" kicks off with a snarling riff seamlessly doubled on bass and guitar and unfurls into sludgy breakdowns and searing guitars.\u003c\/p\u003e"}

DAP-034 The Budos Band...

The Budos Band return with Burnt Offering; a wild, booze-fueled ride of hazy riffs, take-no-prisoners...

$ 19.00

DW-056 Kenny Dope Foun...

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{"id":513650500,"title":"GET-51297 LP Nas-Illmatic","handle":"nas-illmatic","description":"\u003cp\u003eIn 1994, hip-hop was going through an at-times painful growth spurt. Since N.W.A.'s and Ice-T's ascent in the late '80s, the rap game was no longer owned by the East Coast. After the worldwide popularity of Dr. Dre's The Chronic in 1992, things were looking even worse for hip-hop's hometown. The East Coast \/ West Coast feud that would later indirectly claim the lives of Biggie and Pac was still in its infancy, but New York needed a shot in the arm. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe hype behind young Queensbridge native Nasir \"Nas\" Jones had been in full swing months before his smash debut album Illmatic, thanks to Columbia Records' promo machine. From his earliest appearance on Main Source's \"Live at the BBQ,\" to his own accomplished debut \"Half Time\" (as Nasty Nas, on the Zebrahead soundtrack in late 1992), it was clear that this kid was something special. In fact, the pressure on him must have been overwhelming at times. April 19, 1994 couldn't have come soon enough. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAnd as soon as the first lines of \"N.Y. State of Mind\" kick in, bolstered by perhaps DJ Premier's darkest beat of all time, the entire East Coast breathed a collective sigh of relief. God's Son had arrived. Backed by an absolute all-star cast of New York's top-shelf producers - Premier, Pete Rock, Large Professor, Q-Tip and a youngster named L.E.S. - the album never lets up. Serious to a fault, and lyrically dense to an extent that has possibly never been matched, the 20-year old Nas stood on the shoulders of his predecessors and proudly proclaimed, \"Don't f*** with the East... we are BACK.\" \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIllmatic was actually a slow-burn, which might surprise fans that have come to its genius more recently. Despite an unheard-of \"5 Mics\" in The Source - despite an unwritten rule of never awarding classic status to debuts - it didn't go gold until early 1996, and didn't hit platinum status until late 2001. But when you dive deeper that shouldn't be a shock: like Black Moon and Wu-Tang's debuts, it was a dark, hard record, made for heads in New York, not teeny-boppers in Des Moines. There were no dance beats, no crossover love songs. Just boom-bap and rhymes, skills and heart.\u003c\/p\u003e","published_at":"2015-05-06T14:54:00-04:00","created_at":"2015-05-06T14:56:18-04:00","vendor":"Traffic","type":"Vinyl Lp","tags":["\u0026 Friends","12","12 inches","12's","12inch","Dopewax","Illmatic","kay-dee","KAYDEE","kaydeerecords","Kenny Dope","Nas"],"price":2100,"price_min":2100,"price_max":2100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1597162116,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GET-51297 LP Nas-Illmatic","public_title":null,"options":["Default Title"],"price":2100,"weight":241,"compare_at_price":null,"inventory_quantity":6,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/GET51297LP.jpg?v=1430938579","\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/GET51297LP-2-Back.jpg?v=1430938580"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/GET51297LP.jpg?v=1430938579","options":["Title"],"content":"\u003cp\u003eIn 1994, hip-hop was going through an at-times painful growth spurt. Since N.W.A.'s and Ice-T's ascent in the late '80s, the rap game was no longer owned by the East Coast. After the worldwide popularity of Dr. Dre's The Chronic in 1992, things were looking even worse for hip-hop's hometown. The East Coast \/ West Coast feud that would later indirectly claim the lives of Biggie and Pac was still in its infancy, but New York needed a shot in the arm. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe hype behind young Queensbridge native Nasir \"Nas\" Jones had been in full swing months before his smash debut album Illmatic, thanks to Columbia Records' promo machine. From his earliest appearance on Main Source's \"Live at the BBQ,\" to his own accomplished debut \"Half Time\" (as Nasty Nas, on the Zebrahead soundtrack in late 1992), it was clear that this kid was something special. In fact, the pressure on him must have been overwhelming at times. April 19, 1994 couldn't have come soon enough. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAnd as soon as the first lines of \"N.Y. State of Mind\" kick in, bolstered by perhaps DJ Premier's darkest beat of all time, the entire East Coast breathed a collective sigh of relief. God's Son had arrived. Backed by an absolute all-star cast of New York's top-shelf producers - Premier, Pete Rock, Large Professor, Q-Tip and a youngster named L.E.S. - the album never lets up. Serious to a fault, and lyrically dense to an extent that has possibly never been matched, the 20-year old Nas stood on the shoulders of his predecessors and proudly proclaimed, \"Don't f*** with the East... we are BACK.\" \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIllmatic was actually a slow-burn, which might surprise fans that have come to its genius more recently. Despite an unheard-of \"5 Mics\" in The Source - despite an unwritten rule of never awarding classic status to debuts - it didn't go gold until early 1996, and didn't hit platinum status until late 2001. But when you dive deeper that shouldn't be a shock: like Black Moon and Wu-Tang's debuts, it was a dark, hard record, made for heads in New York, not teeny-boppers in Des Moines. There were no dance beats, no crossover love songs. Just boom-bap and rhymes, skills and heart.\u003c\/p\u003e"}

GET-51297 LP Nas-Illmatic

In 1994, hip-hop was going through an at-times painful growth spurt. Since N.W.A.'s and Ice-T's...

$ 21.00

GET-58008 K-Rob & Rammellzee - Beat Bop Record Carrying Case

{"id":3411707653,"title":"GET-58008 K-Rob \u0026 Rammellzee - Beat Bop Record Carrying Case","handle":"rammellzee-and-k-rob-beat-bop-record-carrying-case","description":"\u003cp\u003eHolding up to 50 records, this ultra-sturdy record case, with an interior tiled with Basquiat’s famous crown logo, is a true and literal work of art, covered in classic images from the original Tartown Records version of the 1983 classic hip-hop track “Beat Bop\". \u003cbr\u003e\u003cbr\u003e The original vinyl issue of “Beat Bop” by Rammellzee and K-Rob – which is the inspiration for the Box – has been heard by many, but held by few. Only a reputed 500 of the song’s initial run, on Jean-Michel Basquiat’s one-off Tartown Records label, were made with jacket cover art by the infinitely influential graphic artist (and moonlighting musician and producer). They remain one of hip-hop’s “Holy Grail” items, selling north of $1,500 if you can even find one. The audio, which clocked in at over 10 minutes, was issued – with no picture sleeve – on Profile Records soon after the Tartown pressings, and went on to influence countless MCs, with its minimal, languishing funk beat (produced by Basquiat) and Rammellzee’s and K-Rob’s next-level lyricism.\u003cbr\u003e\u003cbr\u003e The picture sleeve version of the release has – until late last year – never been officially re-issued. For this edition, Get On Down has officially licensed the original artwork directly from the Basquiat estate and included a four-panel folded insert with in-depth background on the original single’s creation. Compiled by Andrew “Noz” Nosnitsky, the insert includes interviews with many of the artists involved in the song’s production: Rammellzee, K-Rob, Glenn O’Brien, percussionist Al Diaz, Profile’s Cory Robbins and more.\u003cbr\u003e\u003cbr\u003e Jean-Michel Basquiat passed away in 1988 and Rammellzee left this Earth in 2010. With this Record Box, Get On Down celebrates and remembers Basquiat’s important contributions to the formative years of hip-hop, visually and on wax. And besides being a “trophy piece,” the Box is a vision of ultilitarianism, which will keep your most previous wax safe for years to come.\u003c\/p\u003e","published_at":"2018-02-20T16:32:00-05:00","created_at":"2016-01-06T11:56:32-05:00","vendor":"Traffic","type":"Case","tags":["45s7inch","Beat Bop Record Carrying Case","Carrying Case","case"],"price":10000,"price_min":10000,"price_max":10000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":9993607685,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GET-58008 K-Rob \u0026 Rammellzee - Beat Bop Record Carrying Case","public_title":null,"options":["Default Title"],"price":10000,"weight":3856,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/Beat_Bop_04_copy_1.jpg?v=1452099394","\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/1443113520-h_1.jpg?v=1452099396"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/Beat_Bop_04_copy_1.jpg?v=1452099394","options":["Title"],"content":"\u003cp\u003eHolding up to 50 records, this ultra-sturdy record case, with an interior tiled with Basquiat’s famous crown logo, is a true and literal work of art, covered in classic images from the original Tartown Records version of the 1983 classic hip-hop track “Beat Bop\". \u003cbr\u003e\u003cbr\u003e The original vinyl issue of “Beat Bop” by Rammellzee and K-Rob – which is the inspiration for the Box – has been heard by many, but held by few. Only a reputed 500 of the song’s initial run, on Jean-Michel Basquiat’s one-off Tartown Records label, were made with jacket cover art by the infinitely influential graphic artist (and moonlighting musician and producer). They remain one of hip-hop’s “Holy Grail” items, selling north of $1,500 if you can even find one. The audio, which clocked in at over 10 minutes, was issued – with no picture sleeve – on Profile Records soon after the Tartown pressings, and went on to influence countless MCs, with its minimal, languishing funk beat (produced by Basquiat) and Rammellzee’s and K-Rob’s next-level lyricism.\u003cbr\u003e\u003cbr\u003e The picture sleeve version of the release has – until late last year – never been officially re-issued. For this edition, Get On Down has officially licensed the original artwork directly from the Basquiat estate and included a four-panel folded insert with in-depth background on the original single’s creation. Compiled by Andrew “Noz” Nosnitsky, the insert includes interviews with many of the artists involved in the song’s production: Rammellzee, K-Rob, Glenn O’Brien, percussionist Al Diaz, Profile’s Cory Robbins and more.\u003cbr\u003e\u003cbr\u003e Jean-Michel Basquiat passed away in 1988 and Rammellzee left this Earth in 2010. With this Record Box, Get On Down celebrates and remembers Basquiat’s important contributions to the formative years of hip-hop, visually and on wax. And besides being a “trophy piece,” the Box is a vision of ultilitarianism, which will keep your most previous wax safe for years to come.\u003c\/p\u003e"}

GET-58008 K-Rob & Ramm...

Holding up to 50 records, this ultra-sturdy record case, with an interior tiled with Basquiat’s...

$ 100.00

{"id":513624836,"title":"MF-90 ST-90 MF Doom-Operation Doomsday LP","handle":"mf-doom-operation-doomsday-lp","description":"\u003cp\u003eThis special edition 2xLP package comes housed in an all new exclusive jacket featuring DOOM's infamous metal mask icon ebbossed out of a metallic silver foil. An absolute must have for the DOOM completist.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUnderneath his mysterious metal mask, MF Doom hides the cachet underground legends are made of. After KMD's 1994 sophomore album Bl_ck B_st_rds was turfed by Elektra in 1994 and Subroc (one half of the sibling rhyme duo) passed away, surviving KMD member Zev Love X mutated into the MC Avenger known as MF Doom. The Rap world is better for it. This 19-cut deep album is ridiculously dope, in a bizarro Ol' Dirty Bastard kind of way. Doom sounds either high or drunk on most of the tracks, his self-produced beats are gritty, and his rhyme styles are almost indecipherable. On arguably the best track, \"Rhymes Like Dimes,\" Doom weaves some pointed lyrics through his abstract wordplay, spitting 'only in America could you find a way to earn a healthy buck \/ And still keep your attitude on self-destruct.' Doomsday features female vocalist Pebbles the Invisible accompanying the masked rhyme avenger on his journey to denounce wack MCs, while on \"?\" he trades hot verses with former Columbia artist Kurious Jorge. Doom's avant-garde ghetto-rhyme philosophies take even more intentionally weird twists on \"Tick, Tick...\" where he and guest MC MF Grimm's flows warble over a rhythm track whose tempo speeds up and slows down continually. The comic-book themed skits, many of which include snippets of dialogue from Marvel's Dr. Doom series, will help take you deep into the mind of an MC who is as otherworldly as they come. And in today's bland commercial Rap universe, Operation Doomsday's left-of-center beats and rhymes are the perfect remedy.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","published_at":"2015-05-06T14:42:00-04:00","created_at":"2015-05-06T14:47:35-04:00","vendor":"Traffic","type":"12 inches","tags":["\u0026 Friends","12","12 inches","12's","12inch","Dopewax","kay-dee","KAYDEE","kaydeerecords","Kenny Dope","MF Doom","Operation Doomsday","Operation Doomsday LP"],"price":2500,"price_min":2500,"price_max":2500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1597034244,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MF-90 ST-90 MF Doom-Operation Doomsday LP","public_title":null,"options":["Default Title"],"price":2500,"weight":227,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/R-3619762-1388378784-9891.jpeg?v=1430938056"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/R-3619762-1388378784-9891.jpeg?v=1430938056","options":["Title"],"content":"\u003cp\u003eThis special edition 2xLP package comes housed in an all new exclusive jacket featuring DOOM's infamous metal mask icon ebbossed out of a metallic silver foil. An absolute must have for the DOOM completist.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUnderneath his mysterious metal mask, MF Doom hides the cachet underground legends are made of. After KMD's 1994 sophomore album Bl_ck B_st_rds was turfed by Elektra in 1994 and Subroc (one half of the sibling rhyme duo) passed away, surviving KMD member Zev Love X mutated into the MC Avenger known as MF Doom. The Rap world is better for it. This 19-cut deep album is ridiculously dope, in a bizarro Ol' Dirty Bastard kind of way. Doom sounds either high or drunk on most of the tracks, his self-produced beats are gritty, and his rhyme styles are almost indecipherable. On arguably the best track, \"Rhymes Like Dimes,\" Doom weaves some pointed lyrics through his abstract wordplay, spitting 'only in America could you find a way to earn a healthy buck \/ And still keep your attitude on self-destruct.' Doomsday features female vocalist Pebbles the Invisible accompanying the masked rhyme avenger on his journey to denounce wack MCs, while on \"?\" he trades hot verses with former Columbia artist Kurious Jorge. Doom's avant-garde ghetto-rhyme philosophies take even more intentionally weird twists on \"Tick, Tick...\" where he and guest MC MF Grimm's flows warble over a rhythm track whose tempo speeds up and slows down continually. The comic-book themed skits, many of which include snippets of dialogue from Marvel's Dr. Doom series, will help take you deep into the mind of an MC who is as otherworldly as they come. And in today's bland commercial Rap universe, Operation Doomsday's left-of-center beats and rhymes are the perfect remedy.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e"}