#2401 Just What The World Needs 14 - Various Artists

$ 18.00

Walking into the Light, this next installment carries the weight. A1 drives right thru all the stops &...

Product Sku:
Categories & Friends, 12s, All, Disco 12's/45's
Type: Unknown Type

Description

Walking into the Light, this next installment carries the weight. A1 drives right thru all the stops & storms the dance floor like a holy ghost on a mission to send a message. It does not miss its mark!
The flip showcases the range we love exploring, jazzy dance floor vibes that brighten any rooms' sonics. Then, we close this chapter with a super charged leftfield bomb that will fit into any discerning DJ / selector's playlist. DO NOT SLEEP! LIMITED PRESSING!

More Products by Complete

{"id":8088209293524,"title":"#1157 Fritz The Cat \/ You Believed In Me - Mr. K","handle":"1157-fritz-the-cat-you-believed-in-me-mr-k","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen: \u003ca href=\"https:\/\/youtu.be\/DrQJhSthKuM?si=81B8ZAvUruCrIHWg\" title=\"1\"\u003ehttps:\/\/youtu.be\/DrQJhSthKuM?si=81B8ZAvUruCrIHWg\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAny self-respecting music head is well familiar with the Most Excellent Unlimited series \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003efrom Mr K aka Danny Krivit by now, and the latest entry into it is another doozy on 45rpm. The A-side features an edit of the title tune from a 1972 Ralph Bakshi animation originally played by a top crew of San Francisco area musicians. It is a steamy funk workout in a Latin jazz style with plenty of reverb and DJ friendly grooves. Flip it over and you'll find a gem from Philadelphia's Executive Suite which In Mr. K's hands is lit up with addictive strings and driving rhythms that never let up.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-01-03T23:57:05-05:00","created_at":"2024-01-03T13:53:29-05:00","vendor":"Complete","type":"","tags":["\u0026 Friends","45","45friday","45s7inch","7inch","B-Boy Breaks","Breaks","Breaks 45","Breaks45","Cal Tjader","Disco 45","Disco 7","Drum Breaks","Fritz The Cat","Funk Breaks","limited edition","Mr. K","Mr. K Edits","You Believed In Me"],"price":1500,"price_min":1500,"price_max":1500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44231413694676,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#1157 Fritz The Cat \/ You Believed In Me - Mr. K","public_title":null,"options":["Default Title"],"price":1500,"weight":40,"compare_at_price":null,"inventory_quantity":6,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2268.jpg?v=1704344207","\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2269.jpg?v=1704344210"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2268.jpg?v=1704344207","options":["Title"],"media":[{"alt":null,"id":32539792670932,"position":1,"preview_image":{"aspect_ratio":1.025,"height":1373,"width":1408,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2268.jpg?v=1704344207"},"aspect_ratio":1.025,"height":1373,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2268.jpg?v=1704344207","width":1408},{"alt":null,"id":32539792867540,"position":2,"preview_image":{"aspect_ratio":1.041,"height":1307,"width":1361,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2269.jpg?v=1704344210"},"aspect_ratio":1.041,"height":1307,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2269.jpg?v=1704344210","width":1361}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen: \u003ca href=\"https:\/\/youtu.be\/DrQJhSthKuM?si=81B8ZAvUruCrIHWg\" title=\"1\"\u003ehttps:\/\/youtu.be\/DrQJhSthKuM?si=81B8ZAvUruCrIHWg\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAny self-respecting music head is well familiar with the Most Excellent Unlimited series \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003efrom Mr K aka Danny Krivit by now, and the latest entry into it is another doozy on 45rpm. The A-side features an edit of the title tune from a 1972 Ralph Bakshi animation originally played by a top crew of San Francisco area musicians. It is a steamy funk workout in a Latin jazz style with plenty of reverb and DJ friendly grooves. Flip it over and you'll find a gem from Philadelphia's Executive Suite which In Mr. K's hands is lit up with addictive strings and driving rhythms that never let up.\u003c\/span\u003e\u003c\/p\u003e"}

#1157 Fritz The Cat / ...

Listen: https://youtu.be/DrQJhSthKuM?si=81B8ZAvUruCrIHWg Any self-respecting music head is well familiar with the Most Excellent Unlimited series from...

$ 15.00

{"id":8088203657428,"title":"#1155 Funky Music \/ Giving Up - Mr. K","handle":"1155-funky-city-giving-up-mr-k","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTwo exceptional deep classic album gems skillfully cut down to a maximum 7\" 45rpm format, Luther’s “Funky Music (Is a Part of Me)” and Zulema’s “Giving Up.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLong before “Never Too Much” and his other solo hits, Luther Vandross was an in-demand backup singer and vocal arranger, working with luminaries like Carly Simon, Bette Midler, and Donna Summer, along with his stand out performances in Change, Bionic Boogie, \u0026amp; so many more. Perhaps his most significant role, however, was backing David Bowie on the 1975 Young Americans album. It was during these sessions that Bowie heard Luther’s song “Funky Music (Is a Part of Me)” and re-tooled it to become the Bowie\/Vandross joint composition “Fascination,” which went on to become a successful Bowie single.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor the latest edition of Most Excellent Unlimited’s series of edits, Mr. K has gone back to the original source, credited to the group (not the solo artist) Luther (which also features Christine Wiltshire). Mr. K's technique on this edit is cleverly subtle, in the process giving us the first opportunity to get almost the entire full-length song on compact 7-inch wax, keeping that irresistible building energy that places the track firmly on dancefloor-friendly territory.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Giving Up” was the opening track on Zulema’s second LP, and given the drama of the intro, with its rolling piano, string ensemble, and piercing guitar, it’s not hard to hear why it was effective in that role. Mr. K’s edit benefits from a crystal clear remastering in which each element of the band is distinct in the soundfield, led by Zulema’s gutsy vocals upfront. Originally a 1964 Gladys Knight tearjerker that crept along at a tango’s pace, Zulema’s 1973 cover gives the song a new, powerfully soulful arrangement, championed by such disparate eras and tastemakers as Nicky Siano at the Gallery in the ’70s and breakbeat hunters the Beatnuts in the ’90s that has easily found favor with a wide variety of listeners and DJs, and this new issue should solidify that position. Never before available on 7-inch, “Giving Up” is a bonafide funk and proto-disco classic —\u003c\/p\u003e","published_at":"2024-01-04T00:03:23-05:00","created_at":"2024-01-03T13:42:25-05:00","vendor":"Complete","type":"45's - 7inches","tags":["Danny Krivit","Danny Krivit Re - Edit","Danny Krivit Series Two Re-Edits","Disco Edit 45","Funky Music","Giving up","Mr. K"],"price":1500,"price_min":1500,"price_max":1500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44231381909716,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#1155 Funky Music \/ Giving Up - Mr. K","public_title":null,"options":["Default Title"],"price":1500,"weight":40,"compare_at_price":null,"inventory_quantity":10,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2272.jpg?v=1704344520","\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2273.jpg?v=1704344558"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2272.jpg?v=1704344520","options":["Title"],"media":[{"alt":null,"id":32539811512532,"position":1,"preview_image":{"aspect_ratio":1.044,"height":1360,"width":1420,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2272.jpg?v=1704344520"},"aspect_ratio":1.044,"height":1360,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2272.jpg?v=1704344520","width":1420},{"alt":null,"id":32539813773524,"position":2,"preview_image":{"aspect_ratio":1.019,"height":1316,"width":1341,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2273.jpg?v=1704344558"},"aspect_ratio":1.019,"height":1316,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2273.jpg?v=1704344558","width":1341}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTwo exceptional deep classic album gems skillfully cut down to a maximum 7\" 45rpm format, Luther’s “Funky Music (Is a Part of Me)” and Zulema’s “Giving Up.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLong before “Never Too Much” and his other solo hits, Luther Vandross was an in-demand backup singer and vocal arranger, working with luminaries like Carly Simon, Bette Midler, and Donna Summer, along with his stand out performances in Change, Bionic Boogie, \u0026amp; so many more. Perhaps his most significant role, however, was backing David Bowie on the 1975 Young Americans album. It was during these sessions that Bowie heard Luther’s song “Funky Music (Is a Part of Me)” and re-tooled it to become the Bowie\/Vandross joint composition “Fascination,” which went on to become a successful Bowie single.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor the latest edition of Most Excellent Unlimited’s series of edits, Mr. K has gone back to the original source, credited to the group (not the solo artist) Luther (which also features Christine Wiltshire). Mr. K's technique on this edit is cleverly subtle, in the process giving us the first opportunity to get almost the entire full-length song on compact 7-inch wax, keeping that irresistible building energy that places the track firmly on dancefloor-friendly territory.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Giving Up” was the opening track on Zulema’s second LP, and given the drama of the intro, with its rolling piano, string ensemble, and piercing guitar, it’s not hard to hear why it was effective in that role. Mr. K’s edit benefits from a crystal clear remastering in which each element of the band is distinct in the soundfield, led by Zulema’s gutsy vocals upfront. Originally a 1964 Gladys Knight tearjerker that crept along at a tango’s pace, Zulema’s 1973 cover gives the song a new, powerfully soulful arrangement, championed by such disparate eras and tastemakers as Nicky Siano at the Gallery in the ’70s and breakbeat hunters the Beatnuts in the ’90s that has easily found favor with a wide variety of listeners and DJs, and this new issue should solidify that position. Never before available on 7-inch, “Giving Up” is a bonafide funk and proto-disco classic —\u003c\/p\u003e"}

#1155 Funky Music / Gi...

Two exceptional deep classic album gems skillfully cut down to a maximum 7" 45rpm format,...

$ 15.00

{"id":8088206704852,"title":"#1156 No Matter Where \/ Time Is What You Need - Mr. K","handle":"1156-no-matter-where-time-is-what-you-need-mr-k","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen: \u003ca href=\"https:\/\/youtu.be\/nhHs5-5CNC8?si=sl1SbGLYXY9UhY-J\" title=\"1\"\u003ehttps:\/\/youtu.be\/nhHs5-5CNC8?si=sl1SbGLYXY9UhY-J\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe legendary edit king Mr. K is back with more of his trademark sonic treatments here, this time focussing on some lick funk sounds from the Motor City. His mid-tempo selections on this Detroit-themed 7\" open-up with G.C. Cameron, a Motown mainstay with a wide vocal range as demonstrated on this classic rare groove cut, 'No Matter Where.' On the backside is more rare groove from Detroit but this time from the 80s and Candye Edwards's 'Time Is What You Need.' Edwards was part of the Detroit funk powerhouse One Way and through that got connected with songwriter and multi-instrumentalist Kevin McCord. They cooked up real gold together on a solo debut album with this being the standout cut from it. Perfect for warm outdoor dancing.\u003cbr\u003e\u003c\/p\u003e","published_at":"2024-01-04T00:00:37-05:00","created_at":"2024-01-03T13:49:29-05:00","vendor":"Complete","type":"45's - 7inches","tags":["Breaks","Danny Krivit","Danny Krivit Re - Edit","Funk Samples","Giving up","Hip Hop Samples","Mr. K","Mr. K Edits","No Matter Where","Samples","Samples Loops","Soul Samples"],"price":1500,"price_min":1500,"price_max":1500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44231406747860,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#1156 No Matter Where \/ Time Is What You Need - Mr. K","public_title":null,"options":["Default Title"],"price":1500,"weight":40,"compare_at_price":null,"inventory_quantity":10,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2266.jpg?v=1704344500","\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2267.jpg?v=1704344500"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2266.jpg?v=1704344500","options":["Title"],"media":[{"alt":null,"id":32539810070740,"position":1,"preview_image":{"aspect_ratio":1.039,"height":1388,"width":1442,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2266.jpg?v=1704344500"},"aspect_ratio":1.039,"height":1388,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2266.jpg?v=1704344500","width":1442},{"alt":null,"id":32539808858324,"position":2,"preview_image":{"aspect_ratio":1.026,"height":1371,"width":1407,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2267.jpg?v=1704344500"},"aspect_ratio":1.026,"height":1371,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2267.jpg?v=1704344500","width":1407}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen: \u003ca href=\"https:\/\/youtu.be\/nhHs5-5CNC8?si=sl1SbGLYXY9UhY-J\" title=\"1\"\u003ehttps:\/\/youtu.be\/nhHs5-5CNC8?si=sl1SbGLYXY9UhY-J\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe legendary edit king Mr. K is back with more of his trademark sonic treatments here, this time focussing on some lick funk sounds from the Motor City. His mid-tempo selections on this Detroit-themed 7\" open-up with G.C. Cameron, a Motown mainstay with a wide vocal range as demonstrated on this classic rare groove cut, 'No Matter Where.' On the backside is more rare groove from Detroit but this time from the 80s and Candye Edwards's 'Time Is What You Need.' Edwards was part of the Detroit funk powerhouse One Way and through that got connected with songwriter and multi-instrumentalist Kevin McCord. They cooked up real gold together on a solo debut album with this being the standout cut from it. Perfect for warm outdoor dancing.\u003cbr\u003e\u003c\/p\u003e"}

#1156 No Matter Where ...

Listen: https://youtu.be/nhHs5-5CNC8?si=sl1SbGLYXY9UhY-J The legendary edit king Mr. K is back with more of his trademark sonic...

$ 15.00

{"id":8088769560788,"title":"#2400 I Found Love \/ Heaven Knows - Mr. K","handle":"2400","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s back to the heart of disco with the next release — our sixtieth! — in Most Excellent Unlimited’s long-running series of collaborations with master editor Danny Krivit, this installment on long-play 12-inch vinyl.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen: \u003ca href=\"https:\/\/youtu.be\/cNjecRtxLD4?si=KyAedUsF2755AfhV\" title=\"1\"\u003ehttps:\/\/youtu.be\/cNjecRtxLD4?si=KyAedUsF2755AfhV\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOur A-side features the work of Euro-disco maestro Alec Constandinos, whose symphonic suites and long form arrangements for stars like Cerrone and Don Ray made him an essential ingredient on many a glittering dancefloor in the late ’70s. Love \u0026amp; Kisses was one of his earliest disco projects, and one of his most popular. Their song (the “band” was a studio fabrication of Constandinos) “I Found Love” stretches across the entire side of an LP in its original form, but for discerning disc jockeys who leaned towards the funkier side of the spectrum, the percussion and bass breakdown is where it’s at. And if you are a long-time follower of Mr. K, it will come as no surprise that it is here that he focuses his metaphoric razor on the iconic breakdown, and we are left with a tough, driving track that will suit throwback sets as well as slot nicely into modern uptempo programming. As an added bonus, stick around to the very end when Krivit lets the song’s memorable acapella sample (“And I suppose you thought it was all over??”) finish it out.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt simply does not get much bigger than Donna Summer in the world of disco. Her song “Heaven Knows,” a duet with Brooklyn Dreams singer “Bean” Esposito, is one of the many gems in her catalog, and one that still evokes powerful reactions in heads, both old and new. Produced by the dream team of Giorgio Moroder and Pete Bellotte, the power and groove are propulsive and indisputable. Krivit begins with an extended \"Mac Arthur Park\" horn crescendo that teases the emotion before introducing a newly stripped down singalong verses and chorus of “Heaven Knows”. As the song progresses, a fabulous building effect until the end, a six-minute run through the clouds, enveloped in the ecstasy of that same horn crescendo. A sudden finale, fading into the ether, takes us out and leaves the listener (and DJ) with an open path of which musical road to take next, a master’s touch from an editor who excels at his craft.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-01-04T12:25:29-05:00","created_at":"2024-01-04T00:05:58-05:00","vendor":"Complete","type":"12 inches","tags":["\u0026 Friends","12","12 Inch","12 Inch Disco Edits","12 inches","12\" Disco","12\" Disco Edits","12\" Edits","12's","12inch","Heaven Knows","I Found Love","Mr. K Edits","The Mr. K Edits"],"price":1700,"price_min":1700,"price_max":1700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44233277407444,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#2400 I Found Love \/ Heaven Knows - Mr. K","public_title":null,"options":["Default Title"],"price":1700,"weight":275,"compare_at_price":null,"inventory_quantity":8,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2276.jpg?v=1704344759","\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2277.jpg?v=1704344760"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2276.jpg?v=1704344759","options":["Title"],"media":[{"alt":null,"id":32539831042260,"position":1,"preview_image":{"aspect_ratio":1.021,"height":1427,"width":1457,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2276.jpg?v=1704344759"},"aspect_ratio":1.021,"height":1427,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2276.jpg?v=1704344759","width":1457},{"alt":null,"id":32539831075028,"position":2,"preview_image":{"aspect_ratio":1.041,"height":1331,"width":1386,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2277.jpg?v=1704344760"},"aspect_ratio":1.041,"height":1331,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/IMG_2277.jpg?v=1704344760","width":1386}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s back to the heart of disco with the next release — our sixtieth! — in Most Excellent Unlimited’s long-running series of collaborations with master editor Danny Krivit, this installment on long-play 12-inch vinyl.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen: \u003ca href=\"https:\/\/youtu.be\/cNjecRtxLD4?si=KyAedUsF2755AfhV\" title=\"1\"\u003ehttps:\/\/youtu.be\/cNjecRtxLD4?si=KyAedUsF2755AfhV\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOur A-side features the work of Euro-disco maestro Alec Constandinos, whose symphonic suites and long form arrangements for stars like Cerrone and Don Ray made him an essential ingredient on many a glittering dancefloor in the late ’70s. Love \u0026amp; Kisses was one of his earliest disco projects, and one of his most popular. Their song (the “band” was a studio fabrication of Constandinos) “I Found Love” stretches across the entire side of an LP in its original form, but for discerning disc jockeys who leaned towards the funkier side of the spectrum, the percussion and bass breakdown is where it’s at. And if you are a long-time follower of Mr. K, it will come as no surprise that it is here that he focuses his metaphoric razor on the iconic breakdown, and we are left with a tough, driving track that will suit throwback sets as well as slot nicely into modern uptempo programming. As an added bonus, stick around to the very end when Krivit lets the song’s memorable acapella sample (“And I suppose you thought it was all over??”) finish it out.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt simply does not get much bigger than Donna Summer in the world of disco. Her song “Heaven Knows,” a duet with Brooklyn Dreams singer “Bean” Esposito, is one of the many gems in her catalog, and one that still evokes powerful reactions in heads, both old and new. Produced by the dream team of Giorgio Moroder and Pete Bellotte, the power and groove are propulsive and indisputable. Krivit begins with an extended \"Mac Arthur Park\" horn crescendo that teases the emotion before introducing a newly stripped down singalong verses and chorus of “Heaven Knows”. As the song progresses, a fabulous building effect until the end, a six-minute run through the clouds, enveloped in the ecstasy of that same horn crescendo. A sudden finale, fading into the ether, takes us out and leaves the listener (and DJ) with an open path of which musical road to take next, a master’s touch from an editor who excels at his craft.\u003c\/span\u003e\u003c\/p\u003e"}

#2400 I Found Love / H...

It’s back to the heart of disco with the next release — our sixtieth! —...

$ 17.00

{"id":7801351405780,"title":"#978 Pleasure Boys \/ Emotional Disguise - Mr.K","handle":"978-pleasure-boys-emotional-disguise-mr-k","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe early ’80s were a fertile time for electronic music, as the explosion of relatively affordable synthesizers and drum machines gave creative musicians a new way to express themselves. For Danny Krivit, DJing at the Roxy and soaking in the sonics of the Paradise Garage, it meant an exciting collision of the worlds of dance music and hip hop. For our latest release, Mr. K has pulled out two of his sureshots from that era and given them a tune-up for today’s sound systems.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Pleasure Boys” by Visage was released in 1982 and epitomized the new wave crossover sound that would be co-opted and expanded on under the Freestyle banner. While the track was conceived with the vocal taking the lead, that vocal was never heard at the Roxy, Krivit’s focus being the thunderous synth bass break that he’d extend to epic proportions using twin copies of the single. It’s this routine that he’s recreated on our featured edit, a bare bones riff that still sounds enormous on a club system.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor the flip, Krivit goes a little deeper with his edit of “Emotional Disguise” by Peter Godwin. Another cut originally released in 1982, Krivit again ditches the overwrought new wave vocal in favor of the atmospheric synth stylings of the instrumental, which he accurately describes as a standout, “played at the Garage and at the Roxy for the hip hop crowd.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnergetic, atmospheric, and with huge sonic impact, these edits are appearing on 7-inch for the first time.\u003c\/span\u003e","published_at":"2022-10-28T16:19:20-04:00","created_at":"2022-10-28T16:19:19-04:00","vendor":"Complete","type":"45's - 7inches","tags":["Danny Krivit","Danny Krivit Re - Edit","Disco","Disco 45","Disco Classic 45","Mr.K","Mr.K Edits"],"price":1300,"price_min":1300,"price_max":1300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43428896211156,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#978 Pleasure Boys \/ Emotional Disguise - Mr.K","public_title":null,"options":["Default Title"],"price":1300,"weight":91,"compare_at_price":null,"inventory_quantity":11,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-5997.jpg?v=1666988577","\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-5998.jpg?v=1666988577"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-5997.jpg?v=1666988577","options":["Title"],"media":[{"alt":null,"id":30804894875860,"position":1,"preview_image":{"aspect_ratio":0.999,"height":1553,"width":1551,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-5997.jpg?v=1666988577"},"aspect_ratio":0.999,"height":1553,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-5997.jpg?v=1666988577","width":1551},{"alt":null,"id":30804894843092,"position":2,"preview_image":{"aspect_ratio":1.019,"height":1590,"width":1620,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-5998.jpg?v=1666988577"},"aspect_ratio":1.019,"height":1590,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-5998.jpg?v=1666988577","width":1620}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe early ’80s were a fertile time for electronic music, as the explosion of relatively affordable synthesizers and drum machines gave creative musicians a new way to express themselves. For Danny Krivit, DJing at the Roxy and soaking in the sonics of the Paradise Garage, it meant an exciting collision of the worlds of dance music and hip hop. For our latest release, Mr. K has pulled out two of his sureshots from that era and given them a tune-up for today’s sound systems.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Pleasure Boys” by Visage was released in 1982 and epitomized the new wave crossover sound that would be co-opted and expanded on under the Freestyle banner. While the track was conceived with the vocal taking the lead, that vocal was never heard at the Roxy, Krivit’s focus being the thunderous synth bass break that he’d extend to epic proportions using twin copies of the single. It’s this routine that he’s recreated on our featured edit, a bare bones riff that still sounds enormous on a club system.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor the flip, Krivit goes a little deeper with his edit of “Emotional Disguise” by Peter Godwin. Another cut originally released in 1982, Krivit again ditches the overwrought new wave vocal in favor of the atmospheric synth stylings of the instrumental, which he accurately describes as a standout, “played at the Garage and at the Roxy for the hip hop crowd.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnergetic, atmospheric, and with huge sonic impact, these edits are appearing on 7-inch for the first time.\u003c\/span\u003e"}

#978 Pleasure Boys / E...

The early ’80s were a fertile time for electronic music, as the explosion of relatively...

$ 13.00

{"id":6962185306296,"title":"#753 Marbles \/ Shoot You Down - Mr. K","handle":"753-marbles-shoot-you-down-mr-k","description":"\u003cp\u003eThe new batch from the bottomless edit archives of Danny Krivit is an uptempo, guitar-heavy excursion into two cuts of danceable rock from opposite sides of a decade.\u003c\/p\u003e\n\u003cp\u003e“Marbles” originally came out late in 1970, the result of a collaboration between the fiery British guitarist John McLaughlin and drummer Buddy Miles. Miles was hot off his time with Jimi Hendrix, and producer Alan Douglas, who’d been instrumental in putting together the Band of Gypsys group, attempted another crossover combination with a brand new, blazing guitar god. Also on the date was Larry Young, an organ player best known for his expansive jazzy albums on Blue Note, and several veterans of Buddy Miles’ funk-rock combos. The resulting mixture produced in “Marbles” a powerful, driving rhythm anchoring an addictive riff that steamrolls through the cut in a fashion not unlike the motorik sound of Velvet Underground or Can. Mr. K’s edit leans heavily on the drums, naturally, with a long, tailor-made intro and a mesmerizing focus on the main riff, extending things well past the seven-minute mark.\u003c\/p\u003e\n\u003cp\u003eTen years later, the world of music was in an entirely different place but a good guitar riff coupled with a driving beat was still powerful currency on the dancefloor. This time, the group was Scottish new wave-punk group APB, whose single “Shoot You Down” had garnered unexpected peak time play in cutting edge NYC hotspots Danceteria, the Peppermint Lounge, the Ritz and the Mudd Club. “Shoot You Down” combines the urgency of the Clash with the free for all vibe that characterized the downtown scene (and throws in a chant borrowed from P-Funk for good measure). Mr. K has created a long instrumental opening that leads into the vocals, giving the tightly-wound 7-inch single a proper extended 12-inch treatment it deserved but never had before.\u003c\/p\u003e\n\u003cp\u003eThe sound is crisply remastered for club play, and stretched over the breadth of a 12-inch single. Both of these tracks are appearing on the long-format player for the first time\u003c\/p\u003e","published_at":"2021-10-29T22:03:07-04:00","created_at":"2021-10-29T21:43:00-04:00","vendor":"Complete","type":"12 inches","tags":["\u0026 Friends","12","12 inches","12\" Edits","12's","12inch","Danny Krivit","Disco 12\"","Edits","limited edition","Marbles","Mr.K","Rock 12\"","Shoot You Down"],"price":1400,"price_min":1400,"price_max":1400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40767919095992,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#753 Marbles \/ Shoot You Down - Mr. K","public_title":null,"options":["Default Title"],"price":1400,"weight":275,"compare_at_price":null,"inventory_quantity":11,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-2596.jpg?v=1635559238","\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-2597.jpg?v=1635559240"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-2596.jpg?v=1635559238","options":["Title"],"media":[{"alt":null,"id":25634527084728,"position":1,"preview_image":{"aspect_ratio":1.04,"height":1706,"width":1775,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-2596.jpg?v=1635559238"},"aspect_ratio":1.04,"height":1706,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-2596.jpg?v=1635559238","width":1775},{"alt":null,"id":25634527871160,"position":2,"preview_image":{"aspect_ratio":1.015,"height":1499,"width":1522,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-2597.jpg?v=1635559240"},"aspect_ratio":1.015,"height":1499,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG-2597.jpg?v=1635559240","width":1522}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe new batch from the bottomless edit archives of Danny Krivit is an uptempo, guitar-heavy excursion into two cuts of danceable rock from opposite sides of a decade.\u003c\/p\u003e\n\u003cp\u003e“Marbles” originally came out late in 1970, the result of a collaboration between the fiery British guitarist John McLaughlin and drummer Buddy Miles. Miles was hot off his time with Jimi Hendrix, and producer Alan Douglas, who’d been instrumental in putting together the Band of Gypsys group, attempted another crossover combination with a brand new, blazing guitar god. Also on the date was Larry Young, an organ player best known for his expansive jazzy albums on Blue Note, and several veterans of Buddy Miles’ funk-rock combos. The resulting mixture produced in “Marbles” a powerful, driving rhythm anchoring an addictive riff that steamrolls through the cut in a fashion not unlike the motorik sound of Velvet Underground or Can. Mr. K’s edit leans heavily on the drums, naturally, with a long, tailor-made intro and a mesmerizing focus on the main riff, extending things well past the seven-minute mark.\u003c\/p\u003e\n\u003cp\u003eTen years later, the world of music was in an entirely different place but a good guitar riff coupled with a driving beat was still powerful currency on the dancefloor. This time, the group was Scottish new wave-punk group APB, whose single “Shoot You Down” had garnered unexpected peak time play in cutting edge NYC hotspots Danceteria, the Peppermint Lounge, the Ritz and the Mudd Club. “Shoot You Down” combines the urgency of the Clash with the free for all vibe that characterized the downtown scene (and throws in a chant borrowed from P-Funk for good measure). Mr. K has created a long instrumental opening that leads into the vocals, giving the tightly-wound 7-inch single a proper extended 12-inch treatment it deserved but never had before.\u003c\/p\u003e\n\u003cp\u003eThe sound is crisply remastered for club play, and stretched over the breadth of a 12-inch single. Both of these tracks are appearing on the long-format player for the first time\u003c\/p\u003e"}

#753 Marbles / Shoot Y...

The new batch from the bottomless edit archives of Danny Krivit is an uptempo, guitar-heavy...

$ 14.00

{"id":6707028426936,"title":"#610 Stick Together \/ Body Language - Mr. K","handle":"610-stick-together-body-language-mr-k","description":"\u003cp\u003eListen:\u003c\/p\u003e\n\u003cp\u003eStick Together \u003ca href=\"https:\/\/youtu.be\/d6NY11XaEkY\" title=\"1\"\u003ehttps:\/\/youtu.be\/d6NY11XaEkY\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eBody language \u003ca href=\"https:\/\/youtu.be\/X5yNYJulo5I\" title=\"2\"\u003ehttps:\/\/youtu.be\/X5yNYJulo5I\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMinnie Riperton’s 1977 single “Stick Together” was an outlier in her catalog of smooth modern soul, an intentional nod in the direction of the prevailing disco sound. Co-written with Stevie Wonder, “Stick Together” in its original single release was divided into two parts, the first a fairly conventional uptempo cut with all the catchy qualities you’d expect from Stevie and the husband and wife team of Richard Rudolph and Minnie. It was the second half of the song that caught the ears of DJs who played for funkier dancefloors, however. Freddie Perren, a former member of Motown’s legendary Corporation collective of songwriters and producers, and a man then red-hot off his success with Tavares’ “Heaven Must Be Missing An Angel” and the Sylvers’ “Boogie Fever,” was on production duties, and the song clearly benefits from his disco-friendly touch. In Mr. K’s epic edit we are treated to a lengthy exploration of the second part of “Stick Together,” featuring keyboardist Sonny Burke (veteran of Marvin Gaye’s band and fresh from playing on Candi Staton’s disco smash “Young Hearts Run Free”) working out an irresistible Jingo-esque piano part, Riperton’s sensual ad-libs, and, as if that wasn’t enough, a cameo appearance by Pam Grier on finger snaps! Krivit’s 8-minute-plus edit passes way too quickly to get enough of the hypnotic groove — rewinds are called for!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOur flip side, “Body Language,” originated as an album cut on the Jackson Five’s last album of original material for Motown, Moving Violation, recorded before Jermaine left to go solo and the remaining brothers joined Epic Records in a new incarnation as the Jacksons. For such an obvious heater it’s puzzling why the label never released it as a single; but regardless of that apparent misstep, “Body Language” has long been a sure shot in many DJs’ bags. With his new edit, Mr. K presents the track in its ultimate form, loud, remastered, stretched out and rippling with energy over a full six minutes. With an iconic bass line that just doesn’t quit, and Michael and the boys in fine form, it’s impossible to imagine a situation where this wouldn’t set the room on fire.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-06-04T18:31:40-04:00","created_at":"2021-06-04T18:31:38-04:00","vendor":"Complete","type":"12 inches","tags":["12\" Disco","12\" Disco Edits","12\" Edits","12\" Inch","Body Language","Disco 12\"","Disco Classic 12\"","Disco Edits","Mr. K","Stick Together"],"price":1400,"price_min":1400,"price_max":1400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39823117222072,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#610 Stick Together \/ Body Language - Mr. K","public_title":null,"options":["Default Title"],"price":1400,"weight":261,"compare_at_price":null,"inventory_quantity":8,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_1254d9b9-3114-4b51-ab06-cbc8c2ee6204.jpg?v=1622845900","\/\/kaydeerecords.com\/cdn\/shop\/products\/image_6f4b1b29-ba4b-4625-b8df-d3e7a32ea388.jpg?v=1622845900"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_1254d9b9-3114-4b51-ab06-cbc8c2ee6204.jpg?v=1622845900","options":["Title"],"media":[{"alt":null,"id":22150612811960,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_1254d9b9-3114-4b51-ab06-cbc8c2ee6204.jpg?v=1622845900"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_1254d9b9-3114-4b51-ab06-cbc8c2ee6204.jpg?v=1622845900","width":600},{"alt":null,"id":22150612877496,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_6f4b1b29-ba4b-4625-b8df-d3e7a32ea388.jpg?v=1622845900"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_6f4b1b29-ba4b-4625-b8df-d3e7a32ea388.jpg?v=1622845900","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen:\u003c\/p\u003e\n\u003cp\u003eStick Together \u003ca href=\"https:\/\/youtu.be\/d6NY11XaEkY\" title=\"1\"\u003ehttps:\/\/youtu.be\/d6NY11XaEkY\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eBody language \u003ca href=\"https:\/\/youtu.be\/X5yNYJulo5I\" title=\"2\"\u003ehttps:\/\/youtu.be\/X5yNYJulo5I\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMinnie Riperton’s 1977 single “Stick Together” was an outlier in her catalog of smooth modern soul, an intentional nod in the direction of the prevailing disco sound. Co-written with Stevie Wonder, “Stick Together” in its original single release was divided into two parts, the first a fairly conventional uptempo cut with all the catchy qualities you’d expect from Stevie and the husband and wife team of Richard Rudolph and Minnie. It was the second half of the song that caught the ears of DJs who played for funkier dancefloors, however. Freddie Perren, a former member of Motown’s legendary Corporation collective of songwriters and producers, and a man then red-hot off his success with Tavares’ “Heaven Must Be Missing An Angel” and the Sylvers’ “Boogie Fever,” was on production duties, and the song clearly benefits from his disco-friendly touch. In Mr. K’s epic edit we are treated to a lengthy exploration of the second part of “Stick Together,” featuring keyboardist Sonny Burke (veteran of Marvin Gaye’s band and fresh from playing on Candi Staton’s disco smash “Young Hearts Run Free”) working out an irresistible Jingo-esque piano part, Riperton’s sensual ad-libs, and, as if that wasn’t enough, a cameo appearance by Pam Grier on finger snaps! Krivit’s 8-minute-plus edit passes way too quickly to get enough of the hypnotic groove — rewinds are called for!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOur flip side, “Body Language,” originated as an album cut on the Jackson Five’s last album of original material for Motown, Moving Violation, recorded before Jermaine left to go solo and the remaining brothers joined Epic Records in a new incarnation as the Jacksons. For such an obvious heater it’s puzzling why the label never released it as a single; but regardless of that apparent misstep, “Body Language” has long been a sure shot in many DJs’ bags. With his new edit, Mr. K presents the track in its ultimate form, loud, remastered, stretched out and rippling with energy over a full six minutes. With an iconic bass line that just doesn’t quit, and Michael and the boys in fine form, it’s impossible to imagine a situation where this wouldn’t set the room on fire.\u003c\/span\u003e\u003c\/p\u003e"}

#610 Stick Together / ...

Listen: Stick Together https://youtu.be/d6NY11XaEkY Body language https://youtu.be/X5yNYJulo5I Minnie Riperton’s 1977 single “Stick Together” was an outlier in...

$ 14.00

{"id":6084217897144,"title":"#289 Mr. K - Time Of Season \/ Theme From Great Cities 12\"","handle":"289-mr-k-time-of-season-theme-from-great-cities","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cblockquote type=\"cite\" data-mce-fragment=\"1\"\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cblockquote type=\"cite\" data-mce-fragment=\"1\"\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eArtist\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMr. K \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eTitle\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEdits by Mr. K-\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eTime Of The Season\/\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTheme For Great Cities\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCatalog: MXMRK-2037 12 Inch\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cb data-mce-fragment=\"1\"\u003eLabel:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMost Excellent Limited NYC\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\nReaching deep into the earliest foundations of his voluminous collection, Danny Krivit presents a psychedelic pop classic rearranged for today’s sound systems and setlists. Recorded in the Beatles’ Abbey Road studio at the height of the Summer Of Love, the Zombies’ “Time Of The Season” is firmly linked in pop culture to the late ‘60s and the Vietnam era, although it almost never made it out to a wider audience. Ignored on its initial release, it was given a second chance by the label as the last gasp from a band that had officially split up a year before. This time around the song steadily gained fans and word-of-mouth plays in the U.S. and by the summer of 1969, two years after it had been recorded, “Time Of The Season” was ubiquitous and well on its way to being firmly enshrined as an emblem of the era.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKrivit’s edit highlights the parade of lush sonic textures that ornament the hip composition, from the iconic, exquisitely echoed bass-clap-exhale riff that opens the song to the cascading Hammond organ solos of Rod Argent. Naturally, this MEU issue keeps the audio quality at its highest level, the better to appreciate these nuances. “It’s a song from my childhood that really struck a chord,” Danny says. “Over the years I often played a rough edit which always seemed to go over great. The song seemed to get better and better, and age like fine wine.” We agree!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom flowers and incense, we move to glass and steel. “Theme For Great Cities” envelops us in a soaring, intense groove, as emblematic of the post-punk no wave style of 1981 as “Time of the Season” was to its own era. Produced by Gong’s Steve Hillage, this futuristic instrumental is a bit like Bowie’s wordless works with Eno, with an added downtown edge. “The original really struck me,” Danny recalls, “especially at Roxy in the early ’80s hip hop nights, on that Richard Long sound system… It really blew me away with its atmosphere!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDanny’s edit combines the lean and mean original with a trackier remixed version, cleanly lifting off on an epic ride that clocks in at nearly ten minutes. With the revised rhythm section and its quick-punched low end sandwiching the meat of the original’s punishing drums and aggressive, picked bass line, Mr. K gives us the best of the expanded sonics of the remix without losing the atmospherics of the original take.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","published_at":"2020-11-20T08:46:20-05:00","created_at":"2020-11-20T08:42:24-05:00","vendor":"Complete","type":"12 inches","tags":["\u0026 Friends","12","12 inches","12\" Edits","12's","12inch","Danny Krivit","Disco Edits","limited edition","Mr. K"],"price":1500,"price_min":1500,"price_max":1500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37568699302072,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#289 Mr. K - Time Of Season \/ Theme From Great Cities 12\"","public_title":null,"options":["Default Title"],"price":1500,"weight":196,"compare_at_price":null,"inventory_quantity":7,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/unnamed.jpg?v=1605879746","\/\/kaydeerecords.com\/cdn\/shop\/products\/unnamed-1.jpg?v=1605879746"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/unnamed.jpg?v=1605879746","options":["Title"],"media":[{"alt":null,"id":15054682161336,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1234,"width":1234,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/unnamed.jpg?v=1605879746"},"aspect_ratio":1.0,"height":1234,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/unnamed.jpg?v=1605879746","width":1234},{"alt":null,"id":15054682194104,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1234,"width":1234,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/unnamed-1.jpg?v=1605879746"},"aspect_ratio":1.0,"height":1234,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/unnamed-1.jpg?v=1605879746","width":1234}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cblockquote type=\"cite\" data-mce-fragment=\"1\"\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cblockquote type=\"cite\" data-mce-fragment=\"1\"\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eArtist\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMr. K \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eTitle\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEdits by Mr. K-\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eTime Of The Season\/\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTheme For Great Cities\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCatalog: MXMRK-2037 12 Inch\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cb data-mce-fragment=\"1\"\u003eLabel:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMost Excellent Limited NYC\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\nReaching deep into the earliest foundations of his voluminous collection, Danny Krivit presents a psychedelic pop classic rearranged for today’s sound systems and setlists. Recorded in the Beatles’ Abbey Road studio at the height of the Summer Of Love, the Zombies’ “Time Of The Season” is firmly linked in pop culture to the late ‘60s and the Vietnam era, although it almost never made it out to a wider audience. Ignored on its initial release, it was given a second chance by the label as the last gasp from a band that had officially split up a year before. This time around the song steadily gained fans and word-of-mouth plays in the U.S. and by the summer of 1969, two years after it had been recorded, “Time Of The Season” was ubiquitous and well on its way to being firmly enshrined as an emblem of the era.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKrivit’s edit highlights the parade of lush sonic textures that ornament the hip composition, from the iconic, exquisitely echoed bass-clap-exhale riff that opens the song to the cascading Hammond organ solos of Rod Argent. Naturally, this MEU issue keeps the audio quality at its highest level, the better to appreciate these nuances. “It’s a song from my childhood that really struck a chord,” Danny says. “Over the years I often played a rough edit which always seemed to go over great. The song seemed to get better and better, and age like fine wine.” We agree!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom flowers and incense, we move to glass and steel. “Theme For Great Cities” envelops us in a soaring, intense groove, as emblematic of the post-punk no wave style of 1981 as “Time of the Season” was to its own era. Produced by Gong’s Steve Hillage, this futuristic instrumental is a bit like Bowie’s wordless works with Eno, with an added downtown edge. “The original really struck me,” Danny recalls, “especially at Roxy in the early ’80s hip hop nights, on that Richard Long sound system… It really blew me away with its atmosphere!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDanny’s edit combines the lean and mean original with a trackier remixed version, cleanly lifting off on an epic ride that clocks in at nearly ten minutes. With the revised rhythm section and its quick-punched low end sandwiching the meat of the original’s punishing drums and aggressive, picked bass line, Mr. K gives us the best of the expanded sonics of the remix without losing the atmospherics of the original take.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e"}

#289 Mr. K - Time Of S...

Artist Mr. K Title Edits by Mr. K-Time Of The Season/Theme For Great CitiesCatalog: MXMRK-2037...

$ 15.00

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#612 Don't Let Go / I ...

$ 13.00