#176 TR-909 Beatbox A Drum Machine Obsession Flexi Set

$ 20.00

The book, which is written by Get on Down co-founder Joe Mansfield, is something we all have been looking forward...

Product Sku:
Categories & Friends, 45s, All, Box Sets / Books / Toys / Cases / Dvd
Type: 45's - 7inches

Description

The book, which is written by Get on Down co-founder Joe Mansfield, is something we all have been looking forward to for some time now. This unique package features two 7” flexi-discs (one clear, one orange) in a gatefold package. Included on these flexis are the sounds of the famed Roland TR-909 drum machine; narration and explanations by the legendary Schoolly-D, one of the machine’s early masters in the mid-80s (who is interviewed in Beat Box); cuts by DJ 7L; and instrumental remakes of the drum tracks for Schoolly-D’s “P.S.K. What Does It Mean?” and “Gucci Time,” programmed on the TR-909 by Joe himself.

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#175 Glow In The Dark ...

From the creative labs @ Get On Down, we proudly present the world's first ever...

$ 12.00

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Axelrod's fortunes turned radically in the '90s when artists like DJ Shadow and Dr. Dre rediscovered the hard edge transcendental beauty of music and started sampling his work with fervor as it was seen as \"60s solo masterpieces as songs of innocence and songs of experience.\" Tonight, a crowd of mainly 25 to 35 year olds wait eagerly to see David Axelrod live and experience exactly what those sampled songs and original hits such as \"Holy Thursday\" truly sound like when played by a full orchestra. And he does not disappoint. Programming a greatest hits selection culled from his late 60s work, he sets the mood by taking the stage with a raised fist salute and a smile, delivering an opening \"rap\" over 1968's \"The Edge\" in which he announces, \"I hate samples.\" Coincidentally, he also continues by stating that it is through these samples that he is allowed to travel to London and perform. 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Programming a greatest hits selection culled from his late 60s work, he sets the mood by taking the stage with a raised fist salute and a smile, delivering an opening \"rap\" over 1968's \"The Edge\" in which he announces, \"I hate samples.\" Coincidentally, he also continues by stating that it is through these samples that he is allowed to travel to London and perform. The audience is in awe, unaware that, at heart, this is a Jazz performance and they should be applauding the soloists and are taken aback when Richard Ashcroft takes the stage to deliver the vocals on \"Holy Are You\", Axelrod's 1968 composition for the Electric Prunes. His vocals are of hushed, understated beauty and the next track is a revelation. \"So Low\" is the only new track of the evening and comes across like Jazz Stravinsky reinterpreting Duke Ellington's oriental suite and he has fans confused, pondering which lost Axelrod classic is its origin. The rest of the evening settles into a mood of nocturnal, big city transcendence, from the blissful, driving melancholy of Cannonball Adderley's \"Tensity\", to the \"Holy Thursday\/Urizen\" double header from Song of Innocence. All restless soaring spirit, anchored to a hard-eyed Jazz club back-beat, it's safe to say that the record-bag kids have never seen or heard anything like this. Despite the standing ovations, there was no encore. \"I don't do encores\" he shouted.\u003c\/p\u003e"}

David Axelrod Live/Roy...

A happy David Axelrod sits backstage at Royal Festival Hall, shaking hands with fans who...

$ 25.00

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Brian Coleman-Check Th...

BOOK STATS: 540+ PAGES, 25 CHAPTERS, 80+ INTERVIEWS, AND OVER 350 IMAGES. FEATURING INTERVIEWS WITH:...

$ 28.00