22 - 054 Kilimanjaro - Stim Dzyl

$ 25.00

Listen: https://youtu.be/lK_TV8b5t_c

https://youtu.be/ur_z6dE4w6

Dj Spinna & Mark Francis present “Kilomanjaro” for the first time on Vinyl...

Product Sku:
Categories & Friends, 12s, All, Brand New, Colored Vinyl, House 12'S/45'S
Type: 12 inches

Description

Listen: https://youtu.be/lK_TV8b5t_c

https://youtu.be/ur_z6dE4w6

Dj Spinna & Mark Francis present “Kilomanjaro” for the first time on Vinyl . Produced by Jersey’s Stim Dzyl, this tune has a unique style and sound that is perfectly captured over an Afro infused groove. It is undeniably hypnotic and built to make you wanna dance. This release contains an Original Mix, an Eye Candy Mix, that builds with a myriad of sounds.

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{"id":7854305149140,"title":"Maw - 003 The Bounce \/ Groove Ting - Kenlou (Remastered)","handle":"maw-003-the-bounce-groove-ting-kenlou-remastered","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFinally !! It’s here!!! The high in demand Original version of the KenLou Classic “The Bounce” produced by Masters At Work, but this time it’s remastered giving it a warm, fat, punchy sound, ready for any dance floor worldwide. The Bounce over recent years brought back and played by djs Luciano, Joe Claussell, Jeremy Underground, The Martinez Brothers, Jamie Underground, and more have brought this tune back strong and showed how timeless this masterpiece is. The B side showcases a never released version entitled “Groove Ting” with production duties by Masters At Work, recorded back in 1995 at the famed Bass Hit Studios, NYC. Sink your dj hands into this !!!!\u003c\/span\u003e","published_at":"2023-01-21T09:10:03-05:00","created_at":"2023-01-21T09:10:01-05:00","vendor":"Kay-Dee Records","type":"12 inches","tags":["2023 Maw","Classic House","Emu Sp 1200","House","House Classic","Kenny Dope","Kenny Dope Drum Programming","Kenny Dope Mix","Louie Vega","Masters At Work","Maw","Maw Productions","Maw Records","Nyc House Classic"],"price":1800,"price_min":1800,"price_max":1800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43593204367572,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maw - 003 The Bounce \/ Groove Ting - Kenlou (Remastered)","public_title":null,"options":["Default Title"],"price":1800,"weight":244,"compare_at_price":null,"inventory_quantity":85,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7621.jpg?v=1674310203","\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7622.jpg?v=1674310204"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7621.jpg?v=1674310203","options":["Title"],"media":[{"alt":null,"id":31228564472020,"position":1,"preview_image":{"aspect_ratio":1.009,"height":1043,"width":1052,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7621.jpg?v=1674310203"},"aspect_ratio":1.009,"height":1043,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7621.jpg?v=1674310203","width":1052},{"alt":null,"id":31228564504788,"position":2,"preview_image":{"aspect_ratio":1.013,"height":1281,"width":1298,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7622.jpg?v=1674310204"},"aspect_ratio":1.013,"height":1281,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7622.jpg?v=1674310204","width":1298}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFinally !! It’s here!!! The high in demand Original version of the KenLou Classic “The Bounce” produced by Masters At Work, but this time it’s remastered giving it a warm, fat, punchy sound, ready for any dance floor worldwide. The Bounce over recent years brought back and played by djs Luciano, Joe Claussell, Jeremy Underground, The Martinez Brothers, Jamie Underground, and more have brought this tune back strong and showed how timeless this masterpiece is. The B side showcases a never released version entitled “Groove Ting” with production duties by Masters At Work, recorded back in 1995 at the famed Bass Hit Studios, NYC. Sink your dj hands into this !!!!\u003c\/span\u003e"}

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{"id":7854306361556,"title":"Maw - 2023 It's What We Live, It's What We Are - Masters At Work","handle":"maw-2023-its-what-we-live-its-what-we-are-masters-at-work","description":"\u003cp\u003eListen :\u003ca href=\"https:\/\/youtu.be\/tcbbls0JC60\" title=\"1\"\u003e https:\/\/youtu.be\/tcbbls0JC60\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMAW take it back to the Masters At Work Dub Style with a swinging, deep groove, that brings forth hypnotic tones. “Just keep that dance music alive” in the words of the Late, Great, Donnell Rush (RIP) who recorded over 25 years ago on Maw Records, carries on a message to the world through this new production from Masters At Work. Taking it back to the OG days, Kenny on the beats, Louie Vega on the Keyboards, it’s a Maw Special!!!\u003cbr\u003e\u003c\/p\u003e","published_at":"2023-01-21T09:21:39-05:00","created_at":"2023-01-21T09:21:34-05:00","vendor":"Kay-Dee Records","type":"12 inches","tags":["house","House 12 Inch","House 12\"","House Dub","It's What We Live It's What We Are","Kenlou","Kenlou Dub","Kenny Dope","Kenny Dope Mix","Louie Vega","Masters At Work"],"price":1800,"price_min":1800,"price_max":1800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43593206104276,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maw - 2023 It's What We Live, It's What We Are - Masters At Work","public_title":null,"options":["Default Title"],"price":1800,"weight":244,"compare_at_price":null,"inventory_quantity":80,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7625.jpg?v=1674311336","\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7624.jpg?v=1674311336"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7625.jpg?v=1674311336","options":["Title"],"media":[{"alt":null,"id":31228581707988,"position":1,"preview_image":{"aspect_ratio":1.01,"height":2418,"width":2443,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7625.jpg?v=1674311336"},"aspect_ratio":1.01,"height":2418,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7625.jpg?v=1674311336","width":2443},{"alt":null,"id":31228581675220,"position":2,"preview_image":{"aspect_ratio":0.991,"height":1956,"width":1939,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7624.jpg?v=1674311336"},"aspect_ratio":0.991,"height":1956,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG_7624.jpg?v=1674311336","width":1939}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen :\u003ca href=\"https:\/\/youtu.be\/tcbbls0JC60\" title=\"1\"\u003e https:\/\/youtu.be\/tcbbls0JC60\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMAW take it back to the Masters At Work Dub Style with a swinging, deep groove, that brings forth hypnotic tones. “Just keep that dance music alive” in the words of the Late, Great, Donnell Rush (RIP) who recorded over 25 years ago on Maw Records, carries on a message to the world through this new production from Masters At Work. Taking it back to the OG days, Kenny on the beats, Louie Vega on the Keyboards, it’s a Maw Special!!!\u003cbr\u003e\u003c\/p\u003e"}

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{"id":7801240420564,"title":"KD - 073 UFO \/ B - Boy Strut - The Madd Rackett","handle":"kd-073-ufo-b-boy-strut-the-madd-rackett","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003eListen:\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/bs8ek5cxk3r9rj5\/KD-073%20Side%201%20UFO%20-%20The%20Madd%20Rackett.wav?dl=0\" title=\"1\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003eUFO \u003ca href=\"https:\/\/www.dropbox.com\/s\/jw0t0fk3hbyyp5p\/ufo%20snipp.mp3?dl=0\" title=\"1\"\u003e\/jw0t0fk\u003c\/a\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/jw0t0fk3hbyyp5p\/ufo%20snipp.mp3?dl=0\" title=\"1\"\u003e3hbyyp5p\/ufo%20snipp.mp3?dl=0\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eB-Boy Strut \u003ca href=\"https:\/\/www.dropbox.com\/s\/stxaip3h3fllxsu\/B%20Boy%20Strut%20Snip.mp3?dl=0\" title=\"2\"\u003estxaip3h3fllxsu\/B%20Boy%20Strut%20Snip.mp3?dl=0\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eKenny Dope brings the breaks with this fresh 7” release on Kay-Dee Records. \u003c\/p\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003eThe A-side ‘UFO’, reinterprets the seminal breakbeat anthem from ESG. Shaking the scenes in NYC and beyond on its ‘81 release, it went on to become one of the most sampled tracks in hip-hop. In this new version, iconic US producer Kenny Dope brings his inimitable grooves and rhythms to the table. The beats are tightened up with force, the bass is given a heavy dosage of ‘beef’ and the synth-lines freshened up, resulting in four minutes and twenty seconds of body-shaking goodness. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003eOn the flip-side, we’re treated to ‘B-Boy Strut’: a thumping Kenny Dope original which serves electro-punk flavors over a bed of breakbeats. After a couple rounds of drums, the stage is set for the face-melting bass to enter: a wall of sound so heavy it should carry a warning sign. Sweeping resonances take us into Acid and 303 territory, while wave after wave of funky percussion keep the grooves flowing to perfection. \u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003eWith inspired nods toward classic and future sounds, Kenny Dope has delivered yet another must-have 7”.\u003c\/div\u003e","published_at":"2022-10-28T12:50:05-04:00","created_at":"2022-10-28T12:50:03-04:00","vendor":"Kay-Dee Records","type":"45's - 7inches","tags":["B-Boy Breaks","Break Beats","Breakbeat 45","Breakbeat45","Breakbeats","Breakbeats 45","Breakbeats45","Breaks","Breaks \u0026 Beats","Breaks 45","Breaks45","Bronx Breaks","Drumbreaks 45","Funk Breaks","Kenny Dope","The B - Boy Strut","The Madd Rackett","UFO","Uptown Breaks"],"price":1200,"price_min":1200,"price_max":1200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43428311466196,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"KD - 073 UFO \/ B - Boy Strut - The Madd Rackett","public_title":null,"options":["Default Title"],"price":1200,"weight":62,"compare_at_price":null,"inventory_quantity":369,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG-5980.jpg?v=1666975804","\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG-5981.jpg?v=1666975804"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG-5980.jpg?v=1666975804","options":["Title"],"media":[{"alt":null,"id":30803593232596,"position":1,"preview_image":{"aspect_ratio":1.023,"height":1383,"width":1415,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG-5980.jpg?v=1666975804"},"aspect_ratio":1.023,"height":1383,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG-5980.jpg?v=1666975804","width":1415},{"alt":null,"id":30803593265364,"position":2,"preview_image":{"aspect_ratio":1.036,"height":1480,"width":1534,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG-5981.jpg?v=1666975804"},"aspect_ratio":1.036,"height":1480,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/IMG-5981.jpg?v=1666975804","width":1534}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003eListen:\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/bs8ek5cxk3r9rj5\/KD-073%20Side%201%20UFO%20-%20The%20Madd%20Rackett.wav?dl=0\" title=\"1\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003eUFO \u003ca href=\"https:\/\/www.dropbox.com\/s\/jw0t0fk3hbyyp5p\/ufo%20snipp.mp3?dl=0\" title=\"1\"\u003e\/jw0t0fk\u003c\/a\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/jw0t0fk3hbyyp5p\/ufo%20snipp.mp3?dl=0\" title=\"1\"\u003e3hbyyp5p\/ufo%20snipp.mp3?dl=0\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eB-Boy Strut \u003ca href=\"https:\/\/www.dropbox.com\/s\/stxaip3h3fllxsu\/B%20Boy%20Strut%20Snip.mp3?dl=0\" title=\"2\"\u003estxaip3h3fllxsu\/B%20Boy%20Strut%20Snip.mp3?dl=0\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eKenny Dope brings the breaks with this fresh 7” release on Kay-Dee Records. \u003c\/p\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003eThe A-side ‘UFO’, reinterprets the seminal breakbeat anthem from ESG. Shaking the scenes in NYC and beyond on its ‘81 release, it went on to become one of the most sampled tracks in hip-hop. In this new version, iconic US producer Kenny Dope brings his inimitable grooves and rhythms to the table. The beats are tightened up with force, the bass is given a heavy dosage of ‘beef’ and the synth-lines freshened up, resulting in four minutes and twenty seconds of body-shaking goodness. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003eOn the flip-side, we’re treated to ‘B-Boy Strut’: a thumping Kenny Dope original which serves electro-punk flavors over a bed of breakbeats. After a couple rounds of drums, the stage is set for the face-melting bass to enter: a wall of sound so heavy it should carry a warning sign. Sweeping resonances take us into Acid and 303 territory, while wave after wave of funky percussion keep the grooves flowing to perfection. \u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\" data-mce-fragment=\"1\"\u003eWith inspired nods toward classic and future sounds, Kenny Dope has delivered yet another must-have 7”.\u003c\/div\u003e"}

KD - 073 UFO / B - Boy...

Listen: UFO /jw0t0fk3hbyyp5p/ufo%20snipp.mp3?dl=0 B-Boy Strut stxaip3h3fllxsu/B%20Boy%20Strut%20Snip.mp3?dl=0 Kenny Dope brings the breaks with this fresh 7” release on...

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{"id":166653591580,"title":"KD-057 So Hard To Find\/The Right One - Pazazz","handle":"kd-057-so-hard-to-find-the-right-one-pazazz","description":"\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/saYFslsVjYs\" title=\"1\"\u003ehttps:\/\/youtu.be\/saYFslsVjYs\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/8G8VUopE2wk\" title=\"2\"\u003ehttps:\/\/youtu.be\/8G8VUopE2wk\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is the first official reissue of Pazazz’s deep disco two sider, originally released as an obscure, promotional-only 7” single in South Florida circa 1980. And, while it took nearly two years, this 45 contains the excellent Kenny Dope’s remixes of both tracks. Naturally, Kenny brought the funkiest parts of each track to the fore and, while they’re DJ friendly, they’re now our preferred way to listen to these tunes.\u2028 – check out his take on “So Hard To Find\" \u0026amp; The Right One.\u003c\/p\u003e","published_at":"2017-10-02T14:34:47-04:00","created_at":"2017-10-02T15:02:32-04:00","vendor":"Kay-Dee Records","type":"45's - 7inches","tags":["45","45friday","45s","45s7inch","7inch","kay-dee","Kay-Dee Records","KAYDEE","Kenny Dope","Kenny Dope Edit","Kenny Dope Mix","Now Again Reocrds","Pazazz","Soul 45"],"price":1400,"price_min":1400,"price_max":1400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1974054256668,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"KD-057 So Hard To Find\/The Right One - Pazazz","public_title":null,"options":["Default Title"],"price":1400,"weight":74,"compare_at_price":null,"inventory_quantity":197,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/pazzaz_front_cover.jpg?v=1513378442","\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/pazzaz_Back_Cover.jpg?v=1513378453"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/pazzaz_front_cover.jpg?v=1513378442","options":["Title"],"media":[{"alt":null,"id":663279501411,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3000,"width":3000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/pazzaz_front_cover.jpg?v=1513378442"},"aspect_ratio":1.0,"height":3000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/pazzaz_front_cover.jpg?v=1513378442","width":3000},{"alt":null,"id":663279566947,"position":2,"preview_image":{"aspect_ratio":1.0,"height":3000,"width":3000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/pazzaz_Back_Cover.jpg?v=1513378453"},"aspect_ratio":1.0,"height":3000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/pazzaz_Back_Cover.jpg?v=1513378453","width":3000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/saYFslsVjYs\" title=\"1\"\u003ehttps:\/\/youtu.be\/saYFslsVjYs\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/8G8VUopE2wk\" title=\"2\"\u003ehttps:\/\/youtu.be\/8G8VUopE2wk\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is the first official reissue of Pazazz’s deep disco two sider, originally released as an obscure, promotional-only 7” single in South Florida circa 1980. And, while it took nearly two years, this 45 contains the excellent Kenny Dope’s remixes of both tracks. Naturally, Kenny brought the funkiest parts of each track to the fore and, while they’re DJ friendly, they’re now our preferred way to listen to these tunes.\u2028 – check out his take on “So Hard To Find\" \u0026amp; The Right One.\u003c\/p\u003e"}

KD-057 So Hard To Find...

https://youtu.be/saYFslsVjYs https://youtu.be/8G8VUopE2wk This is the first official reissue of Pazazz’s deep disco two sider,...

$ 14.00

{"id":7830873637076,"title":"22-051 Blue To Red - Chip Wickham","handle":"22-051-blue-to-red-chip-wickham","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eListen:\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/WqAo_R2BVZY\" title=\"1\"\u003ehttps:\/\/youtu.be\/WqAo_R2BVZY\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/pl0GKamCl7E\" title=\"1\"\u003ehttps:\/\/youtu.be\/pl0GKamCl7E\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/efSvEg58mL0\" title=\"1\"\u003ehttps:\/\/youtu.be\/efSvEg58mL0\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/760LGr6s0sM\" title=\"6\"\u003ehttps:\/\/youtu.be\/760LGr6s0sM\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/OKcDgCsA6tw\" title=\"2\"\u003ehttps:\/\/youtu.be\/OKcDgCsA6tw\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/eSLpb4IvR9U\" title=\"5\"\u003ehttps:\/\/youtu.be\/eSLpb4IvR9U\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eFlautist and saxophonist, Chip Wickham returns with Blue to Red, his most absorbing and cosmically-charged offering to date. Soaring flute melodies, lush harp arpeggios and glistening Rhodes keys interact across six journeying, spiritual jazz compositions, leaning on a rich palette of sounds beyond borders, space and time. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eChanneling the spirit of Alice Coltrane and Yusef Lateef via the lens of a hip-hop, electronic and club music educated ear, Blue to Red encompasses Wickham’s disparate set of production influences with his Manchester and spiritual jazz education. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album, not only seeks to forewarn Earth’s possible Mars-like future but seeks to tap into the interplanetary, cosmic nature of music. “It’s a culture crisis rather than a climate crisis, one that can only be solved if we go right to the core of how we live as human beings”. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn and raised in Brighton, UK, Wickham moved to Manchester to attend college. He soon moved into music going on to perform and record with a formidable and diverse list of artists from his Manchester base including Nightmares on Wax and Andy Votel as well as regular funk excursions with The New Mastersounds. However it was upon his meeting of Mancunian trumpeter\/bandleader of Gondwana Orchestra, Matthew Halsall, and other influential\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e players connected to the Manchester’s spiritual jazz circuit such as Nat Birchall that Wickham’s musical course was re-routed for good. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLeaving the UK for Madrid in 2007, Wickham set out on his Iberian-facing debut a decade later with La Sombra (2017), before moving again from Madrid to Doha (Qatar), where Wickham released his follow up Shamal Wind (2018), a lively and international melding of modal jazz, Arabic sounds and other disparate sonic territories, that blends Wickham’s penchant for ethereal, beatless composition and Dingwalls-esque, jazz dance numbers. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving recorded, produced and mixed everything himself, Wickham’s meticulous approach to production and unswerving ambition for Blue to Red, led him to a phenomenal group of musicians across the UK’s thriving jazz scene, including Sons of Kemet and Mulatu Astatke drummer, Jon Scott, Fingathing head honcho, Simon ‘Sneaky’ Houghton (double bass\/cello) and Nightmares On Wax affiliate Dan ‘JD 73’ Goldman (keys). Making up the lineup is Gondwana Orchestra alumni Amanda Whiting, whose celestial and mystical harp playing is a particularly prominent and enchanting feature of the record. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his group (that will feature British jazz pillar, Greg Foat on keys), Wickham will be embarking on a tour across the UK and Europe this April with headline dates at London’s Ronnie Scott’s and Paris’s La Petite Halle. Alongside playing with Dwight Tribble, Allysha Joy (30\/70), The Sorcerers, Scrimshire and Joe Tatton (The New Mastersounds), Chip's previous and recent live endeavours saw him perform at the mainstage of Love Supreme last year and he continues to tour the world with Halsall and The Gondwana Orchestra. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhilst we pray Wickham’s prediction that the planet’s decline from Blue to Red is proven incorrect, it’s hard to imagine a time in the future where pieces of music do not represent markers of our own personal growth or catalysts for structural, societal change. The vanguard of spiritual jazz past and present are no stranger to this, and on Blue to Red, Wickham not only salutes but earnestly contributes to this legacy. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen life started 4 billion years ago, Mars was also a blue planet. It lost its atmosphere and ever since then, there has been red and dead. It’s our own senselessness that we’re pushing our planet in the same direction. It’s a culture crisis rather than a climate crisis, one that can only be solved if we go right to the core of how we live as human beings. Jazz has always had a big spiritual connection with life and our place in the cosmos, searching for answers and finding meaning above us, but now we need to stop looking up and look around before its too late and blue becomes red. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eChip Wickham, Flute and Sax \u003cbr data-mce-fragment=\"1\"\u003eJon Scott, Drums \u003cbr data-mce-fragment=\"1\"\u003eSimon ‘Sneaky’ Houghton, Double Bass and Cello \u003cbr data-mce-fragment=\"1\"\u003eDan ‘JD 73’ Goldman, Keys \u003cbr data-mce-fragment=\"1\"\u003eAmanda Whiting, Harp \u003cbr data-mce-fragment=\"1\"\u003eRick Weedon, Percussion \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written and arranged by Chip Wickham \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded at Big Noise Studios in Essex + \u003cbr data-mce-fragment=\"1\"\u003eRecording Engineer: Simon ‘Stingray’ Davies \u003cbr data-mce-fragment=\"1\"\u003eMastering: Pete Maher \u003cbr data-mce-fragment=\"1\"\u003eMixed \u0026amp; Produced: Chip Wickham\u003c\/div\u003e","published_at":"2022-12-09T09:30:27-05:00","created_at":"2022-12-07T11:39:29-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["Blue To Red","Chip Wickham","Double Cross","Interstellar","Jazz","Lovemonk","Lovemonk Records","Mighty Yusef","Route One","Spiritual Jazz","The Cosmos"],"price":2200,"price_min":2200,"price_max":2200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43521627291860,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-051 Blue To Red - Chip Wickham","public_title":null,"options":["Default Title"],"price":2200,"weight":198,"compare_at_price":null,"inventory_quantity":6,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/image_a8c9820b-fccd-4c6b-a4bf-bdf7633490c1.jpg?v=1670595754"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/image_a8c9820b-fccd-4c6b-a4bf-bdf7633490c1.jpg?v=1670595754","options":["Title"],"media":[{"alt":null,"id":31013823152340,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/image_a8c9820b-fccd-4c6b-a4bf-bdf7633490c1.jpg?v=1670595754"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0761\/5143\/products\/image_a8c9820b-fccd-4c6b-a4bf-bdf7633490c1.jpg?v=1670595754","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eListen:\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/WqAo_R2BVZY\" title=\"1\"\u003ehttps:\/\/youtu.be\/WqAo_R2BVZY\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/pl0GKamCl7E\" title=\"1\"\u003ehttps:\/\/youtu.be\/pl0GKamCl7E\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/efSvEg58mL0\" title=\"1\"\u003ehttps:\/\/youtu.be\/efSvEg58mL0\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/760LGr6s0sM\" title=\"6\"\u003ehttps:\/\/youtu.be\/760LGr6s0sM\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/OKcDgCsA6tw\" title=\"2\"\u003ehttps:\/\/youtu.be\/OKcDgCsA6tw\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/eSLpb4IvR9U\" title=\"5\"\u003ehttps:\/\/youtu.be\/eSLpb4IvR9U\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eFlautist and saxophonist, Chip Wickham returns with Blue to Red, his most absorbing and cosmically-charged offering to date. Soaring flute melodies, lush harp arpeggios and glistening Rhodes keys interact across six journeying, spiritual jazz compositions, leaning on a rich palette of sounds beyond borders, space and time. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eChanneling the spirit of Alice Coltrane and Yusef Lateef via the lens of a hip-hop, electronic and club music educated ear, Blue to Red encompasses Wickham’s disparate set of production influences with his Manchester and spiritual jazz education. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album, not only seeks to forewarn Earth’s possible Mars-like future but seeks to tap into the interplanetary, cosmic nature of music. “It’s a culture crisis rather than a climate crisis, one that can only be solved if we go right to the core of how we live as human beings”. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn and raised in Brighton, UK, Wickham moved to Manchester to attend college. He soon moved into music going on to perform and record with a formidable and diverse list of artists from his Manchester base including Nightmares on Wax and Andy Votel as well as regular funk excursions with The New Mastersounds. However it was upon his meeting of Mancunian trumpeter\/bandleader of Gondwana Orchestra, Matthew Halsall, and other influential\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e players connected to the Manchester’s spiritual jazz circuit such as Nat Birchall that Wickham’s musical course was re-routed for good. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLeaving the UK for Madrid in 2007, Wickham set out on his Iberian-facing debut a decade later with La Sombra (2017), before moving again from Madrid to Doha (Qatar), where Wickham released his follow up Shamal Wind (2018), a lively and international melding of modal jazz, Arabic sounds and other disparate sonic territories, that blends Wickham’s penchant for ethereal, beatless composition and Dingwalls-esque, jazz dance numbers. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving recorded, produced and mixed everything himself, Wickham’s meticulous approach to production and unswerving ambition for Blue to Red, led him to a phenomenal group of musicians across the UK’s thriving jazz scene, including Sons of Kemet and Mulatu Astatke drummer, Jon Scott, Fingathing head honcho, Simon ‘Sneaky’ Houghton (double bass\/cello) and Nightmares On Wax affiliate Dan ‘JD 73’ Goldman (keys). Making up the lineup is Gondwana Orchestra alumni Amanda Whiting, whose celestial and mystical harp playing is a particularly prominent and enchanting feature of the record. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his group (that will feature British jazz pillar, Greg Foat on keys), Wickham will be embarking on a tour across the UK and Europe this April with headline dates at London’s Ronnie Scott’s and Paris’s La Petite Halle. Alongside playing with Dwight Tribble, Allysha Joy (30\/70), The Sorcerers, Scrimshire and Joe Tatton (The New Mastersounds), Chip's previous and recent live endeavours saw him perform at the mainstage of Love Supreme last year and he continues to tour the world with Halsall and The Gondwana Orchestra. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhilst we pray Wickham’s prediction that the planet’s decline from Blue to Red is proven incorrect, it’s hard to imagine a time in the future where pieces of music do not represent markers of our own personal growth or catalysts for structural, societal change. The vanguard of spiritual jazz past and present are no stranger to this, and on Blue to Red, Wickham not only salutes but earnestly contributes to this legacy. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen life started 4 billion years ago, Mars was also a blue planet. It lost its atmosphere and ever since then, there has been red and dead. It’s our own senselessness that we’re pushing our planet in the same direction. It’s a culture crisis rather than a climate crisis, one that can only be solved if we go right to the core of how we live as human beings. Jazz has always had a big spiritual connection with life and our place in the cosmos, searching for answers and finding meaning above us, but now we need to stop looking up and look around before its too late and blue becomes red. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eChip Wickham, Flute and Sax \u003cbr data-mce-fragment=\"1\"\u003eJon Scott, Drums \u003cbr data-mce-fragment=\"1\"\u003eSimon ‘Sneaky’ Houghton, Double Bass and Cello \u003cbr data-mce-fragment=\"1\"\u003eDan ‘JD 73’ Goldman, Keys \u003cbr data-mce-fragment=\"1\"\u003eAmanda Whiting, Harp \u003cbr data-mce-fragment=\"1\"\u003eRick Weedon, Percussion \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written and arranged by Chip Wickham \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded at Big Noise Studios in Essex + \u003cbr data-mce-fragment=\"1\"\u003eRecording Engineer: Simon ‘Stingray’ Davies \u003cbr data-mce-fragment=\"1\"\u003eMastering: Pete Maher \u003cbr data-mce-fragment=\"1\"\u003eMixed \u0026amp; Produced: Chip Wickham\u003c\/div\u003e"}

22-051 Blue To Red - C...

Listen: https://youtu.be/WqAo_R2BVZY https://youtu.be/pl0GKamCl7E https://youtu.be/efSvEg58mL0 https://youtu.be/760LGr6s0sM https://youtu.be/OKcDgCsA6tw https://youtu.be/eSLpb4IvR9U Flautist and saxophonist, Chip Wickham returns with Blue...

$ 22.00