#716 Jazz Rock - Tadao Sawai / Kazue Sawai /Takeshi Inmata / Tatsuro Takimoto / Sadanori Nakamure
#716 Jazz Rock - Tadao Sawai / Kazue Sawai /Takeshi Inmata / Tatsuro Takimoto / Sadanori Nakamure
$ 32.00
Listen https://youtube.com/playlist?list=PLrLvgihxRcGTIeU2XHItMAFSsdiNKHE1K
A1. Kuroda Bushi / A2. Hanagasa Odori / A3. Soran Bushi / A4. Sansa Shigure / A5. Hietsuki Bushi / A6. Sado...
- Product Sku:
- Categories & Friends, Albums, All, Breakbeats, Funk & Soul
- Type: Album
Listen https://youtube.com/playlist?list=PLrLvgihxRcGTIeU2XHItMAFSsdiNKHE1K
A1. Kuroda Bushi / A2. Hanagasa Odori / A3. Soran Bushi / A4. Sansa Shigure / A5. Hietsuki Bushi / A6. Sado Okesa / B1. Itsuki no Komoriuta / B2. Hokkaibonuta / B3. Kiso Bushi / B4. Kaigara Bushi / B5. Iso Bushi /B6. Nanbu Ushioi Uta
They say you can't judge a book by its cover, and going by 'Jazz Rock’, nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'yō music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'yō players at a recording session. The record features some amazing shakuhachi (bamboo flute) playing by Hozan Yamamoto, which gives the music a haunting, dreamlike atmosphere. You can almost visualise the long grass blowing in the wind, and hear the bamboo rustling in the distance on a long hot summer’s day. Takeshi Inomata, Tadao Sawai and Kazue Sawai anchor the session. Takeshi’s exceptionally funky-drum work will almost certainly get some producers dusting off and firing up their MPC's. Whilst Kazue and Tadao work their magic on the koto (a traditional string instrument).
Though certainly not an ambient record, 'Jazz-Rock' has the same meditative, other-worldly quality that invites you to sit back, listen and be transported somewhere else. Unfortunately, until now the 'Jazz Rock' album is a scarcity that commanded a high price-tag only for the most hardened of record collectors. So it is pleasure to make it accessible to all, and we hope you dig this lost, obscure future-classic as much as we do.
More Products by Kay-Dee Records
{"id":8648179089620,"title":"#2422 House Masters - Marshall Jefferson","handle":"2422-house-masters-marshall-jefferson","description":"\u003cp\u003eDefected welcomes one of Chicago house’s founding fathers Marshall Jefferson into the illustrious list of House Masters with this exclusive wax release. An artist that has successfully navigated major cross-over success while retaining utmost respect from the inner circle of electronic music’s underground, Marshall has been behind countless seminal records over his five-decade career. Now a selection of the very best tracks from his new House Masters compilation appear together on vinyl for the very first time, showcasing the impressive output of this house pioneer from his most well-known solo records, to major production credits, key remixes and the underground gems still favoured by selectors today.\u003c\/p\u003e\n\u003cp\u003eCutting his teeth as a producer for Chicago’s Universal Recording Studios, Marshall was one of the most active DJ and producers on the Windy City’s music scene during the 1980’s house music boom. Working under a plethora of aliases such as Virgo, Jungle Wonz, Truth and On The House, as well as producing for names such as CeCe Rogers, Curtis McClain and Evelyn \"Champagne\" King, Marshall’s status as a bona fide house music luminary is well documented.\u003c\/p\u003e\n\u003cp\u003e‘Defected presents House Masters - Marshall Jefferson’ is an all-encompassing guide to his tremendous career. A trailblazer and genre-defining artist, Defected is honoured to welcome Marshall into the House Masters Hall of Fame with this very special vinyl compilation.\u003c\/p\u003e","published_at":"2024-10-04T16:36:59-04:00","created_at":"2024-10-04T16:36:59-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["House Masters","Marshall Jefferson"],"price":3800,"price_min":3800,"price_max":3800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45694083956948,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#2422 House Masters - Marshall Jefferson","public_title":null,"options":["Default Title"],"price":3800,"weight":530,"compare_at_price":null,"inventory_quantity":3,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_56120d2a-0e49-4667-a04b-a8feba3d3f11.jpg?v=1728073970"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_56120d2a-0e49-4667-a04b-a8feba3d3f11.jpg?v=1728073970","options":["Title"],"media":[{"alt":null,"id":34483395297492,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_56120d2a-0e49-4667-a04b-a8feba3d3f11.jpg?v=1728073970"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_56120d2a-0e49-4667-a04b-a8feba3d3f11.jpg?v=1728073970","width":1500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDefected welcomes one of Chicago house’s founding fathers Marshall Jefferson into the illustrious list of House Masters with this exclusive wax release. An artist that has successfully navigated major cross-over success while retaining utmost respect from the inner circle of electronic music’s underground, Marshall has been behind countless seminal records over his five-decade career. Now a selection of the very best tracks from his new House Masters compilation appear together on vinyl for the very first time, showcasing the impressive output of this house pioneer from his most well-known solo records, to major production credits, key remixes and the underground gems still favoured by selectors today.\u003c\/p\u003e\n\u003cp\u003eCutting his teeth as a producer for Chicago’s Universal Recording Studios, Marshall was one of the most active DJ and producers on the Windy City’s music scene during the 1980’s house music boom. Working under a plethora of aliases such as Virgo, Jungle Wonz, Truth and On The House, as well as producing for names such as CeCe Rogers, Curtis McClain and Evelyn \"Champagne\" King, Marshall’s status as a bona fide house music luminary is well documented.\u003c\/p\u003e\n\u003cp\u003e‘Defected presents House Masters - Marshall Jefferson’ is an all-encompassing guide to his tremendous career. A trailblazer and genre-defining artist, Defected is honoured to welcome Marshall into the House Masters Hall of Fame with this very special vinyl compilation.\u003c\/p\u003e"}
#2422 House Masters - ...
Defected welcomes one of Chicago house’s founding fathers Marshall Jefferson into the illustrious list of...
$ 38.00
{"id":8648010498260,"title":"#2407 Some For This And That - Timmy Regisford","handle":"2407-some-for-this-and-that-timmy-regisford","description":"\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/qtW2boHGwVk?si=tugCjXTG3Pydkvtt\" title=\"1\"\u003ehttps:\/\/youtu.be\/qtW2boHGwVk?si=tugCjXTG3Pydkvtt\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eTimmy Regisford’s enduring career is a testament to his talent and ability to always stay ahead of the House Music curve. For his new 2X12” album “Some For This and That” on Nervous Records he has combined afro house vibes with classic R\u0026amp;B vocals and signature Shelter chords and synths to create a musical mosaic unlike anything else currently on the market. “If You Ever Need to Cry” and “Go Outside In The Rain” are the stand-out songs on the album that feature stellar vocal performances, while “Heaven 10 Zillion” and “I Love” will transport the listener straight back to NYC in the 90’s to the best Shelter party they could imagine. “Africa” and “Khannyisa” exhibit the next level of percussion and authentic Afro House vocal elements that will set the direction for this very popular sub genre for years to come.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-10-04T14:05:01-04:00","created_at":"2024-10-04T14:05:01-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["Africa","Easy Ride","Go Outside In The Rain","Heaven 10 Zillion","house","I Love","If You Ever Need To Cry","Khannyisa","Nervous","Nervous Records","Some For This And That","Soulful House","Stay With Me Tonight","Timmy Regsiford"],"price":3800,"price_min":3800,"price_max":3800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45693631267028,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#2407 Some For This And That - Timmy Regisford","public_title":null,"options":["Default Title"],"price":3800,"weight":536,"compare_at_price":null,"inventory_quantity":5,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_414c677c-23b5-44b4-b651-373a33dc3557.jpg?v=1728065036"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_414c677c-23b5-44b4-b651-373a33dc3557.jpg?v=1728065036","options":["Title"],"media":[{"alt":null,"id":34482609193172,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3000,"width":3000,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_414c677c-23b5-44b4-b651-373a33dc3557.jpg?v=1728065036"},"aspect_ratio":1.0,"height":3000,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_414c677c-23b5-44b4-b651-373a33dc3557.jpg?v=1728065036","width":3000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/qtW2boHGwVk?si=tugCjXTG3Pydkvtt\" title=\"1\"\u003ehttps:\/\/youtu.be\/qtW2boHGwVk?si=tugCjXTG3Pydkvtt\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eTimmy Regisford’s enduring career is a testament to his talent and ability to always stay ahead of the House Music curve. For his new 2X12” album “Some For This and That” on Nervous Records he has combined afro house vibes with classic R\u0026amp;B vocals and signature Shelter chords and synths to create a musical mosaic unlike anything else currently on the market. “If You Ever Need to Cry” and “Go Outside In The Rain” are the stand-out songs on the album that feature stellar vocal performances, while “Heaven 10 Zillion” and “I Love” will transport the listener straight back to NYC in the 90’s to the best Shelter party they could imagine. “Africa” and “Khannyisa” exhibit the next level of percussion and authentic Afro House vocal elements that will set the direction for this very popular sub genre for years to come.\u003c\/span\u003e\u003c\/p\u003e"}
#2407 Some For This An...
Listen: https://youtu.be/qtW2boHGwVk?si=tugCjXTG3Pydkvtt Timmy Regisford’s enduring career is a testament to his talent and ability to...
$ 38.00
{"id":8631024353492,"title":"OP - 064 Cracker Beats 2000 - Nubian Crackers","handle":"op-064-cracker-beats-2000-nubian-crackers","description":"\u003cp\u003eSealed \u003c\/p\u003e","published_at":"2024-09-18T18:12:37-04:00","created_at":"2024-09-18T18:12:37-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["2000","Ain't No Sunshine My Cracker","Breakbeats","Buckwild Style","Can U Dig It","Crack Drums 1","Crackers In My Bed","Hobo Crack","I Feel Hoeish","Los Crackers","Nubian Crackers","Sexy Cracker","To Dope To NAme","Undercover Brother"],"price":1400,"price_min":1400,"price_max":1400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45645066469588,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"OP - 064 Cracker Beats 2000 - Nubian Crackers","public_title":null,"options":["Default Title"],"price":1400,"weight":275,"compare_at_price":null,"inventory_quantity":3,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_03e8f589-b06c-40c2-ba89-f035afcd89a7.jpg?v=1726697086","\/\/kaydeerecords.com\/cdn\/shop\/files\/image_e8a03166-471d-40cf-88f8-f1d69ad00508.jpg?v=1726697095"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_03e8f589-b06c-40c2-ba89-f035afcd89a7.jpg?v=1726697086","options":["Title"],"media":[{"alt":null,"id":34393565462740,"position":1,"preview_image":{"aspect_ratio":1.0,"height":394,"width":394,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_03e8f589-b06c-40c2-ba89-f035afcd89a7.jpg?v=1726697086"},"aspect_ratio":1.0,"height":394,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_03e8f589-b06c-40c2-ba89-f035afcd89a7.jpg?v=1726697086","width":394},{"alt":null,"id":34393565724884,"position":2,"preview_image":{"aspect_ratio":1.035,"height":480,"width":497,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_e8a03166-471d-40cf-88f8-f1d69ad00508.jpg?v=1726697095"},"aspect_ratio":1.035,"height":480,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_e8a03166-471d-40cf-88f8-f1d69ad00508.jpg?v=1726697095","width":497}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSealed \u003c\/p\u003e"}
{"id":8631024419028,"title":"OP - 065 Cracker Beats Vol. IV - Nubian Crackers","handle":"op-064-cracker-beats-2000-nubian-crackers-copy","description":"\u003cp\u003eSealed \u003c\/p\u003e","published_at":"2024-09-18T18:17:37-04:00","created_at":"2024-09-18T18:13:15-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["\u0026 Friends","Aint No Crackers In HArlem","Breakbeats","Chitlins \u0026 Crackers","Drives","Flash One Time","Give Da Drum Some","limited edition","Mister Ed Groove","Raw Ham","Sho Nuff Phat Shiet","The Funky Punani Break","Undercover Brother"],"price":2500,"price_min":2500,"price_max":2500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45645066535124,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"OP - 065 Cracker Beats Vol. IV - Nubian Crackers","public_title":null,"options":["Default Title"],"price":2500,"weight":275,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_870611a3-b4fc-49fe-ac3f-748b80875446.jpg?v=1726697675","\/\/kaydeerecords.com\/cdn\/shop\/files\/image_231f4a03-4688-4e5c-94f2-d127ccf3dfdd.jpg?v=1726697682","\/\/kaydeerecords.com\/cdn\/shop\/files\/image_9853e492-7172-41a5-b518-d84881425634.jpg?v=1726697687"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_870611a3-b4fc-49fe-ac3f-748b80875446.jpg?v=1726697675","options":["Title"],"media":[{"alt":null,"id":34393574473940,"position":1,"preview_image":{"aspect_ratio":1.007,"height":596,"width":600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_870611a3-b4fc-49fe-ac3f-748b80875446.jpg?v=1726697675"},"aspect_ratio":1.007,"height":596,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_870611a3-b4fc-49fe-ac3f-748b80875446.jpg?v=1726697675","width":600},{"alt":null,"id":34393574670548,"position":2,"preview_image":{"aspect_ratio":1.014,"height":592,"width":600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_231f4a03-4688-4e5c-94f2-d127ccf3dfdd.jpg?v=1726697682"},"aspect_ratio":1.014,"height":592,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_231f4a03-4688-4e5c-94f2-d127ccf3dfdd.jpg?v=1726697682","width":600},{"alt":null,"id":34393574768852,"position":3,"preview_image":{"aspect_ratio":0.998,"height":600,"width":599,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_9853e492-7172-41a5-b518-d84881425634.jpg?v=1726697687"},"aspect_ratio":0.998,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_9853e492-7172-41a5-b518-d84881425634.jpg?v=1726697687","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSealed \u003c\/p\u003e"}
{"id":7937502052564,"title":"#2302 Victor Simonelli - The Early Years Vol.2","handle":"2302-victor-simonelli-the-early-years-vol-2","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘At the turn of the 1990s, there were few more successful New York house producers than Victor Simonelli. Under a dizzying array of aliases – Solution, NY’s Finest, Groove Committee, Critical Rhythm and Cloud 9 being amongst the better-known – the Brooklyn-born DJ\/producer delivered a string of underground club hits during the city’s early ’90s house boom.’\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release - 2 X 12’s in each Vol\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLaunching the first Behind The Groove collectors edition vinyl series is New York’s finest Victor Simonelli with ‘The Early Years Vol 1 \u0026amp; 2’ double Vinyl releases. Featuring seminal house tracks such as Cloud 9’s ‘Do You Want Me’, Solution’s ‘Feel So Right’, Instant Exposure’s ‘Wanna Be With You’ and rare mixes of Raiana Page and EZ-AL, this collection brings together classic and rare Victor Simonelli cuts that reflect the early raw energy and buzz of the New York House scene. With ‘Vol 2” scheduled to follow shortly after, this is the most comprehensive collection of rare Simonelli cuts that firmly establishes his esteemed role in 90s House Music as well as introducing new fans to his inimitable sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVictor Simonelli is one of the early kings of NYC sampling In house music. The real deal - Victor danced at the legendary David Mancuso’s Loft sessions and developed a serious appreciation for good music. He interned for Arthur Baker at his renown Shakedown Studios (where Arthur worked with the iconic Afrika Bambatta on the seminal dance floor ’Planet Rock’ track) and went on to release hugely influential releases on seminal NYC labels 4th Floor and Nu Groove. Victor’s music was championed by the hugely celebrated iconic House Music DJ pioneers, Larry Levan and Tony Humphries at Paradise Garage \u0026amp; Zanzibar\/WBLS\/Kiss FM respectively.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRevered as a New York house heavyweight and prolific producer since the turn of the 1990s, Victor Simonelli grew up in Brooklyn, NYC, nurtured by a music loving family, with an avid record collecting father who also worked as a local party DJ. He took music lessons in piano, drums, guitar and bass, before discovering his first love, tuning into NY’s Radio Mix Shows on WBLS, WKTU and WRKS,98.7 Kiss FM) where he discovered the art of mixing and in his own words, ’I just simply got lost in the music’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGraduating from NYC’s Centre For Media Arts, Victor got an internship in the legendary producer, Arthur Baker’s Shakedown Studios. Soon graduating to editing, mixing and then producing he worked for artists David Bowie, Quincy Jones, Debbie Harry, Sinead O’Connor and Talking Heads. Teaming up with fellow NYC producer Lenny Dee to become the Brooklyn Funk Essentials, they released records ‘Critical Rhythm’ and ‘Subliminal Aurra’ on 4th Floor before Victor went solo as Groove Committee releasing the classic ‘I Want You To Know’ on the legendary Nu Groove Records. Paradise Garage legend, Larry Levan broke ‘I Want You To Know’ rocking 2 copies on his last tour of Japan whilst King of NY House Music,Tony Humphries broke Victor’s new ‘Feels So Right’ across New York on his WBLS\/Kiss FM Mastermix show and at his legendary Zanzibar club sessions. It was only a matter of time before Victor’s name became synonymous with quality House music ensuring a worldwide platform for his productions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the early 90s alongside his own productions, Victor Simonelli worked on high profile projects, including James Brown’s album, “Love Overdue” BeBe and CeCe Winans single featuring Mavis Staples “I’ll Take You There” and Quincy Jones’ “I’ll Be Good To You” featuring Chaka Khan and the legendary Ray Charles. Never straying too far from his clubland roots, Victor worked with Danny Tenaglia on his classic “The Harmonica Track”.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDJ gigs across the world started flooding in and Victor found himself recording for a dizzying array of labels including Tribal America, Sub-Urban, Bassline, King Street Sounds and Vibe, under a wide range of aliases. He also produced, wrote and remixed for artists such Nile Rodgers (Chic), Afrika Baambata, Hall \u0026amp; Oates, Frankie Knuckles, Kerri Chandler, Madonna and Michael Jackson. Famed for his own productions “It’s So Good” by Creative Force, “I Know A Place” as Sound Of One - the first release on Roger Sanchez One Records -, “Dirty Games” as well as the “Street Players Vol 1 EP”, Victor went on to set up Suburban Records with Tommy Musto and Bassline Records with two other partners. Notable releases on this label include “Do You Feel Me”, Connie Harvey’s gospel inspired, “Thank You Lord”, Urban Blues Project’s “Deliver Me”, Colonel Abrams “Not Gonna Let”, and Mone’s “Better Way”. Never ceasing to produce, DJ, run his own label and host radio shows like Groove Lift, Victor has worked with virtually every NYC producer and has nurtured a next generation talents including Angel Moraes, Jazz ‘N’ Groove, Urban Blues Project, Harlem Hustlers, Jay Jay and Julius Papp. Victor’s releases have also been used on M\u0026amp;S’s “Salsoul Nuggett” hit and Eddie Amador’s underground smash ‘House Music’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the late 90’s Victor launched his new Westside Productions, notable for the “Latin Impressions 1 \u0026amp; 2” releases, opened up a studio in Italy as he found himself increasingly working in Europe and now divides his time between New York and Italy. Suffice to say his unique sound of uplifting and spiritual music has kept him at the forefront of House Music and he is credited as one of its leading exponents with his string of classic releases and remixes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBehind the Groove, branches out from its digital platform to embark on a programme of releases from the iconic pioneer producers of House Music. Esteemed for their high quality features and mixes that continue to explore, celebrate and venerate the contributions of highly respected, scene-shaping Labels, Artists, DJs and Special Events, BTG seeks to bring these talents and tales to the attention of the wider community. Unlocking the stories surrounding the pivotal roles they played and continue to play today in shaping the underground music scene we have come to know and love.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release, released on May 12th 2023. ‘Vol 2” follows on May 26th 2023 . These releases are the most comprehensive collection of rare Victor Simonelli cuts that firmly establish his esteemed role in 90s House Music and introduces new fans to his carefree sound. With Victor Simonelli Live in the UK on Sunday April 30th, please go to www.behindthegroove.co.uk for all the latest news and features.\u003c\/p\u003e","published_at":"2024-10-04T15:34:59-04:00","created_at":"2023-07-05T18:01:38-04:00","vendor":"Kay-Dee Records","type":"12 inches","tags":["Classic House","house","House 12","House 12 Inch","House12","Nyc House","Soulful House","The Early Years Vol.2","Victor Simonelli","Victor Simonelli - The Early Years Vol.2"],"price":4500,"price_min":4500,"price_max":4500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43842186412244,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#2302 Victor Simonelli - The Early Years Vol.2","public_title":null,"options":["Default Title"],"price":4500,"weight":473,"compare_at_price":null,"inventory_quantity":4,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_4bba5fb7-2144-4b97-9282-46d32cb89c76.jpg?v=1688594500"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_4bba5fb7-2144-4b97-9282-46d32cb89c76.jpg?v=1688594500","options":["Title"],"media":[{"alt":null,"id":31846308577492,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1600,"width":1600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_4bba5fb7-2144-4b97-9282-46d32cb89c76.jpg?v=1688594500"},"aspect_ratio":1.0,"height":1600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_4bba5fb7-2144-4b97-9282-46d32cb89c76.jpg?v=1688594500","width":1600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘At the turn of the 1990s, there were few more successful New York house producers than Victor Simonelli. Under a dizzying array of aliases – Solution, NY’s Finest, Groove Committee, Critical Rhythm and Cloud 9 being amongst the better-known – the Brooklyn-born DJ\/producer delivered a string of underground club hits during the city’s early ’90s house boom.’\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release - 2 X 12’s in each Vol\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLaunching the first Behind The Groove collectors edition vinyl series is New York’s finest Victor Simonelli with ‘The Early Years Vol 1 \u0026amp; 2’ double Vinyl releases. Featuring seminal house tracks such as Cloud 9’s ‘Do You Want Me’, Solution’s ‘Feel So Right’, Instant Exposure’s ‘Wanna Be With You’ and rare mixes of Raiana Page and EZ-AL, this collection brings together classic and rare Victor Simonelli cuts that reflect the early raw energy and buzz of the New York House scene. With ‘Vol 2” scheduled to follow shortly after, this is the most comprehensive collection of rare Simonelli cuts that firmly establishes his esteemed role in 90s House Music as well as introducing new fans to his inimitable sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVictor Simonelli is one of the early kings of NYC sampling In house music. The real deal - Victor danced at the legendary David Mancuso’s Loft sessions and developed a serious appreciation for good music. He interned for Arthur Baker at his renown Shakedown Studios (where Arthur worked with the iconic Afrika Bambatta on the seminal dance floor ’Planet Rock’ track) and went on to release hugely influential releases on seminal NYC labels 4th Floor and Nu Groove. Victor’s music was championed by the hugely celebrated iconic House Music DJ pioneers, Larry Levan and Tony Humphries at Paradise Garage \u0026amp; Zanzibar\/WBLS\/Kiss FM respectively.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRevered as a New York house heavyweight and prolific producer since the turn of the 1990s, Victor Simonelli grew up in Brooklyn, NYC, nurtured by a music loving family, with an avid record collecting father who also worked as a local party DJ. He took music lessons in piano, drums, guitar and bass, before discovering his first love, tuning into NY’s Radio Mix Shows on WBLS, WKTU and WRKS,98.7 Kiss FM) where he discovered the art of mixing and in his own words, ’I just simply got lost in the music’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGraduating from NYC’s Centre For Media Arts, Victor got an internship in the legendary producer, Arthur Baker’s Shakedown Studios. Soon graduating to editing, mixing and then producing he worked for artists David Bowie, Quincy Jones, Debbie Harry, Sinead O’Connor and Talking Heads. Teaming up with fellow NYC producer Lenny Dee to become the Brooklyn Funk Essentials, they released records ‘Critical Rhythm’ and ‘Subliminal Aurra’ on 4th Floor before Victor went solo as Groove Committee releasing the classic ‘I Want You To Know’ on the legendary Nu Groove Records. Paradise Garage legend, Larry Levan broke ‘I Want You To Know’ rocking 2 copies on his last tour of Japan whilst King of NY House Music,Tony Humphries broke Victor’s new ‘Feels So Right’ across New York on his WBLS\/Kiss FM Mastermix show and at his legendary Zanzibar club sessions. It was only a matter of time before Victor’s name became synonymous with quality House music ensuring a worldwide platform for his productions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the early 90s alongside his own productions, Victor Simonelli worked on high profile projects, including James Brown’s album, “Love Overdue” BeBe and CeCe Winans single featuring Mavis Staples “I’ll Take You There” and Quincy Jones’ “I’ll Be Good To You” featuring Chaka Khan and the legendary Ray Charles. Never straying too far from his clubland roots, Victor worked with Danny Tenaglia on his classic “The Harmonica Track”.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDJ gigs across the world started flooding in and Victor found himself recording for a dizzying array of labels including Tribal America, Sub-Urban, Bassline, King Street Sounds and Vibe, under a wide range of aliases. He also produced, wrote and remixed for artists such Nile Rodgers (Chic), Afrika Baambata, Hall \u0026amp; Oates, Frankie Knuckles, Kerri Chandler, Madonna and Michael Jackson. Famed for his own productions “It’s So Good” by Creative Force, “I Know A Place” as Sound Of One - the first release on Roger Sanchez One Records -, “Dirty Games” as well as the “Street Players Vol 1 EP”, Victor went on to set up Suburban Records with Tommy Musto and Bassline Records with two other partners. Notable releases on this label include “Do You Feel Me”, Connie Harvey’s gospel inspired, “Thank You Lord”, Urban Blues Project’s “Deliver Me”, Colonel Abrams “Not Gonna Let”, and Mone’s “Better Way”. Never ceasing to produce, DJ, run his own label and host radio shows like Groove Lift, Victor has worked with virtually every NYC producer and has nurtured a next generation talents including Angel Moraes, Jazz ‘N’ Groove, Urban Blues Project, Harlem Hustlers, Jay Jay and Julius Papp. Victor’s releases have also been used on M\u0026amp;S’s “Salsoul Nuggett” hit and Eddie Amador’s underground smash ‘House Music’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the late 90’s Victor launched his new Westside Productions, notable for the “Latin Impressions 1 \u0026amp; 2” releases, opened up a studio in Italy as he found himself increasingly working in Europe and now divides his time between New York and Italy. Suffice to say his unique sound of uplifting and spiritual music has kept him at the forefront of House Music and he is credited as one of its leading exponents with his string of classic releases and remixes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBehind the Groove, branches out from its digital platform to embark on a programme of releases from the iconic pioneer producers of House Music. Esteemed for their high quality features and mixes that continue to explore, celebrate and venerate the contributions of highly respected, scene-shaping Labels, Artists, DJs and Special Events, BTG seeks to bring these talents and tales to the attention of the wider community. Unlocking the stories surrounding the pivotal roles they played and continue to play today in shaping the underground music scene we have come to know and love.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release, released on May 12th 2023. ‘Vol 2” follows on May 26th 2023 . These releases are the most comprehensive collection of rare Victor Simonelli cuts that firmly establish his esteemed role in 90s House Music and introduces new fans to his carefree sound. With Victor Simonelli Live in the UK on Sunday April 30th, please go to www.behindthegroove.co.uk for all the latest news and features.\u003c\/p\u003e"}
#2302 Victor Simonelli...
‘At the turn of the 1990s, there were few more successful New York house producers...
$ 45.00
{"id":8647983399124,"title":"$2405 Music For The Uninvited - Leon Vynehall (10th Anniversary Re-Issue)","handle":"2305-music-for-the-uninvited-leon-vynehall-10th-anniversary-re-issue","description":"\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/WwVCSVmSNgs?si=R6D4mKDt6_adaYxz\" title=\"1\"\u003ehttps:\/\/youtu.be\/WwVCSVmSNgs?si=R6D4mKDt6_adaYxz\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eLeon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.\u003c\/p\u003e\n\u003cp\u003eThere’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.\u003c\/p\u003e\n\u003cp\u003eA warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree\u003c\/p\u003e\n\u003cp\u003eand Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.\u003c\/p\u003e\n\u003cp\u003eReflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart.\u003c\/p\u003e","published_at":"2024-10-04T13:44:45-04:00","created_at":"2024-10-04T13:44:45-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["\u0026 Friends","house","Leon Vynehall","limited edition"],"price":3500,"price_min":3500,"price_max":3500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45693578182868,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"$2405 Music For The Uninvited - Leon Vynehall (10th Anniversary Re-Issue)","public_title":null,"options":["Default Title"],"price":3500,"weight":507,"compare_at_price":null,"inventory_quantity":8,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_7b4a87ce-9a0f-4f4a-8690-01dc9f8ba78d.jpg?v=1728063758"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_7b4a87ce-9a0f-4f4a-8690-01dc9f8ba78d.jpg?v=1728063758","options":["Title"],"media":[{"alt":null,"id":34482487165140,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3000,"width":3000,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_7b4a87ce-9a0f-4f4a-8690-01dc9f8ba78d.jpg?v=1728063758"},"aspect_ratio":1.0,"height":3000,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_7b4a87ce-9a0f-4f4a-8690-01dc9f8ba78d.jpg?v=1728063758","width":3000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/WwVCSVmSNgs?si=R6D4mKDt6_adaYxz\" title=\"1\"\u003ehttps:\/\/youtu.be\/WwVCSVmSNgs?si=R6D4mKDt6_adaYxz\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eLeon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.\u003c\/p\u003e\n\u003cp\u003eThere’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.\u003c\/p\u003e\n\u003cp\u003eA warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree\u003c\/p\u003e\n\u003cp\u003eand Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.\u003c\/p\u003e\n\u003cp\u003eReflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart.\u003c\/p\u003e"}
$2405 Music For The Un...
Listen: https://youtu.be/WwVCSVmSNgs?si=R6D4mKDt6_adaYxz Leon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth,...
$ 35.00
{"id":7974992249044,"title":"#2335 Electronic Designs - Gianni Safred","handle":"2335-electronic-designs-gianni-safred","description":"\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/5ipp6Lr_mAg?si=DGnLOoAiyFs-YU_r\" title=\"1\"\u003ehttps:\/\/youtu.be\/5ipp6Lr_mAg?si=DGnLOoAiyFs-YU_r\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eEntirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGianni Safred's Electronic Designs was released in 1977 on the Milanese label Jump, in their \"Music Scene\" series, simply as a collection of musical pieces intended for use in television programmes. However, hidden behind a nondescript cover were twelve electronic music tracks revealing a recognizable style of composition; twelve little gems masterly combining experimentation, catchiness and practical functionality thanks to a unified and unique style. Each through a specific mood, these tracks give expression to Safred's distinctive sound, where irresistible mechanical grooves are over-layered with melodic lines perfectly played on a Polymoog or ARP Odyssey. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA native of Trieste, Safred started out with little swing bands soon after WW2, before eventually playing with great soloists like Django Rheinhardt. Ultimately, it is his background as a jazz pianist that makes Electronic Designs so special. As with other\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Italian jazzmen who got into synthesizers (above all, Piero Umiliani), Safred's blend of complex harmonies and (quasi-) bebop virtuoso flourishes, with its obsessive repetitions and refined tone colours, gives a retro-futuristic quality to this library album, whose electronic music islight-years ahead ofthe 'pop' electronic music of the time and, in many ways, anticipates the best stylistic features of early-Nineties dance music. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSafred best expresses his experimental verve – and does a great job in creating the 'electronic designs' of the title – in \"Mystification\", \"City Problems\", \"Trapdoor\", \"Planetarium\" and \"Poe's Clock\", all of which unfold through hypnotic beats and sinusoid or square wave explosions. In other tracks, however, the compositional style is less unconventional, with relaxed yet not banal atmospheres (\"Spheres\", \"Elastic Points\", \"Sacred Interlude\"), as well as flashes of irresistible groove inspired by Herbie Hancock's more pop-oriented work (\"Automation Age\", \"Jazz Motion Study\", \"Bottom Up\"). The album's masterpiece is arguably \"Hasty Chant\", a detective-funk ride with an unforgettable theme, which manages to pull all of the album's various strands into a cohesive whole – as a side note, the allusive and apt description of the song on the back cover reads: \"Things are happening\".\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-09-14T10:09:13-04:00","created_at":"2023-09-14T10:09:13-04:00","vendor":"Kay-Dee Records","type":"","tags":["Electronic","Electronic Designs","Electronic Designs - Gianni Safred","Four Flies","Four Flies Records","Gianni Safred"],"price":3200,"price_min":3200,"price_max":3200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43937155907796,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#2335 Electronic Designs - Gianni Safred","public_title":null,"options":["Default Title"],"price":3200,"weight":275,"compare_at_price":null,"inventory_quantity":3,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_ae52c89c-dfb6-4480-807c-a850703a437a.jpg?v=1694700555"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_ae52c89c-dfb6-4480-807c-a850703a437a.jpg?v=1694700555","options":["Title"],"media":[{"alt":null,"id":32088512856276,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_ae52c89c-dfb6-4480-807c-a850703a437a.jpg?v=1694700555"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_ae52c89c-dfb6-4480-807c-a850703a437a.jpg?v=1694700555","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/5ipp6Lr_mAg?si=DGnLOoAiyFs-YU_r\" title=\"1\"\u003ehttps:\/\/youtu.be\/5ipp6Lr_mAg?si=DGnLOoAiyFs-YU_r\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eEntirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGianni Safred's Electronic Designs was released in 1977 on the Milanese label Jump, in their \"Music Scene\" series, simply as a collection of musical pieces intended for use in television programmes. However, hidden behind a nondescript cover were twelve electronic music tracks revealing a recognizable style of composition; twelve little gems masterly combining experimentation, catchiness and practical functionality thanks to a unified and unique style. Each through a specific mood, these tracks give expression to Safred's distinctive sound, where irresistible mechanical grooves are over-layered with melodic lines perfectly played on a Polymoog or ARP Odyssey. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA native of Trieste, Safred started out with little swing bands soon after WW2, before eventually playing with great soloists like Django Rheinhardt. Ultimately, it is his background as a jazz pianist that makes Electronic Designs so special. As with other\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Italian jazzmen who got into synthesizers (above all, Piero Umiliani), Safred's blend of complex harmonies and (quasi-) bebop virtuoso flourishes, with its obsessive repetitions and refined tone colours, gives a retro-futuristic quality to this library album, whose electronic music islight-years ahead ofthe 'pop' electronic music of the time and, in many ways, anticipates the best stylistic features of early-Nineties dance music. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSafred best expresses his experimental verve – and does a great job in creating the 'electronic designs' of the title – in \"Mystification\", \"City Problems\", \"Trapdoor\", \"Planetarium\" and \"Poe's Clock\", all of which unfold through hypnotic beats and sinusoid or square wave explosions. In other tracks, however, the compositional style is less unconventional, with relaxed yet not banal atmospheres (\"Spheres\", \"Elastic Points\", \"Sacred Interlude\"), as well as flashes of irresistible groove inspired by Herbie Hancock's more pop-oriented work (\"Automation Age\", \"Jazz Motion Study\", \"Bottom Up\"). The album's masterpiece is arguably \"Hasty Chant\", a detective-funk ride with an unforgettable theme, which manages to pull all of the album's various strands into a cohesive whole – as a side note, the allusive and apt description of the song on the back cover reads: \"Things are happening\".\u003c\/span\u003e\u003c\/p\u003e"}
#2335 Electronic Desig...
Listen: https://youtu.be/5ipp6Lr_mAg?si=DGnLOoAiyFs-YU_r Entirely remastered from the original analogue tapes and featuring brand new artwork designed by...
$ 32.00
{"id":7792509223124,"title":"22-023 Machine - Machine","handle":"22-023-machine-machine","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/ETpNmKI5k68\" title=\"6\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/ETpNmKI5k68\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/X2MWaexFozE\" title=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/X2MWaexFozE\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/bg83tHrH5KU\" title=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/bg83tHrH5KU\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/j5nmc5V2DeQ\" title=\"7\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/j5nmc5V2DeQ\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/tUzjQBoxMhQ\" title=\"4\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/tUzjQBoxMhQ\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/qQfbMeWXunQ\" title=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/qQfbMeWXunQ\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/sb6cZwhaRT4\" title=\"8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/sb6cZwhaRT4\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMachine's self-titled album is shrouded in mystery. Supposedly released in 1972 on All Platinum Records, it completely disappeared without a trace and only a few copies seem to have survived, making it one of the rarest Funk albums on the planet. The album, only known to a handful of hardcore collectors, fetches prices in excess of $5000 whenever one turns up on the auction market, which happened four times in the last twenty years. Consisting of three young session musicians backing their label mates The Whatnauts, the group display a superb mix of socially conscious hard-hitting funk and earthy soul, the album is reissued here in its original artwork and remastered by Colorsound Studio in Paris. It includes a 2-page insert with new liner notes by Charles Waring. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNobody seems to have an explanation as to why this elusive album is so rare fuelling rumours it actually never came out. We will probably never know the full story of Machine, but Wewantsounds is glad to make up for this injustice and put this funky gem back into circulation for the pleasure of all the soul and funk heads.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-12-20T11:28:04-05:00","created_at":"2022-10-17T17:16:15-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["funk","funk \u0026 soul","Funk Breaks","Machine","Samples","soul","The Whatnauts"],"price":3600,"price_min":3600,"price_max":3600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43396891967700,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-023 Machine - Machine","public_title":null,"options":["Default Title"],"price":3600,"weight":247,"compare_at_price":null,"inventory_quantity":9,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_8c0e55f5-4e49-4cb6-831a-8c2f6103e62d.png?v=1666041376"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_8c0e55f5-4e49-4cb6-831a-8c2f6103e62d.png?v=1666041376","options":["Title"],"media":[{"alt":null,"id":30736198467796,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1272,"width":1272,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_8c0e55f5-4e49-4cb6-831a-8c2f6103e62d.png?v=1666041376"},"aspect_ratio":1.0,"height":1272,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_8c0e55f5-4e49-4cb6-831a-8c2f6103e62d.png?v=1666041376","width":1272}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/ETpNmKI5k68\" title=\"6\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/ETpNmKI5k68\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/X2MWaexFozE\" title=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/X2MWaexFozE\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/bg83tHrH5KU\" title=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/bg83tHrH5KU\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/j5nmc5V2DeQ\" title=\"7\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/j5nmc5V2DeQ\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/tUzjQBoxMhQ\" title=\"4\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/tUzjQBoxMhQ\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/qQfbMeWXunQ\" title=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/qQfbMeWXunQ\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/sb6cZwhaRT4\" title=\"8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/sb6cZwhaRT4\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMachine's self-titled album is shrouded in mystery. Supposedly released in 1972 on All Platinum Records, it completely disappeared without a trace and only a few copies seem to have survived, making it one of the rarest Funk albums on the planet. The album, only known to a handful of hardcore collectors, fetches prices in excess of $5000 whenever one turns up on the auction market, which happened four times in the last twenty years. Consisting of three young session musicians backing their label mates The Whatnauts, the group display a superb mix of socially conscious hard-hitting funk and earthy soul, the album is reissued here in its original artwork and remastered by Colorsound Studio in Paris. It includes a 2-page insert with new liner notes by Charles Waring. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNobody seems to have an explanation as to why this elusive album is so rare fuelling rumours it actually never came out. We will probably never know the full story of Machine, but Wewantsounds is glad to make up for this injustice and put this funky gem back into circulation for the pleasure of all the soul and funk heads.\u003c\/span\u003e\u003c\/p\u003e"}
22-023 Machine - Machine
Listen: https://youtu.be/ETpNmKI5k68 https://youtu.be/X2MWaexFozE https://youtu.be/bg83tHrH5KU https://youtu.be/j5nmc5V2DeQ https://youtu.be/tUzjQBoxMhQ https://youtu.be/qQfbMeWXunQ https://youtu.be/sb6cZwhaRT4 Machine's self-titled album is shrouded in mystery....
$ 36.00
{"id":7909721800916,"title":"#22 - 071 Ina Different Styley - Essence Of Redemption","handle":"22-071-ina-different-styley-essence-of-redemption","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eListen: \u003ca href=\"https:\/\/youtube.com\/playlist?list=OLAK5uy_k2MqUYo7muXKiPWPUS5vAQv_9w7asHEdM\" title=\"1\"\u003ehttps:\/\/youtube.com\/playlist?list=OLAK5uy_k2MqUYo7muXKiPWPUS5vAQv_9w7asHEdM\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eFounded in 1981 in Britain's second city Birmingham, the band Sceptre were part of a thriving local music scene, a scene that for the most part revolved around live shows in the region's community centres, university campuses, pubs and nightclubs. Neglected by major labels, many bands went unrecorded and of those that did get documented most managed to release just one or two singles. Fortunately, Sceptre recorded and released an entire album, 1984's “Essence of Redemption Ina Dif'rent Styley”. \u003cbr\u003e\u003cbr\u003ePoorly pressed, in very small numbers and with limited distribution, the album didn't sell well and barely made an impact on its release. However, whatever its problems the music itself was first class and over the last three decades, has acquired numerous fans and an ever growing reputation as a classic of the British reggae genre. Whilst still remaining underground and unknown to the vast majority of reggae fans, demand amongst those in the know has been such that used copies have fetched as much as £180. \u003cbr\u003e\u003cbr\u003eAs part of our mission to document and reissue Britain's lost, forgotten and unreleased reggae heritage, Sceptre were high on our list of projects. Through the good offices of Black Symbol who had released Sceptre's previous two recordings\u003cspan\u003e\u003cspan class=\"bcTruncateEllipsis\"\u003e...\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003ca\u003emore\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003ch3 class=\"credits-label\"\u003eTracks \u003cbr\u003e1. Ina Dif’rent Styley (Beverley March\/ Jean Mclean) \u003cbr\u003e2. Pestilance and Bombing (Michael Johnson) \u003cbr\u003e3. Nuclear Disaster (Lenford March) \u003cbr\u003e4. Play The Music (Jean Mclean) \u003cbr\u003e5. Get Up and Go (Lenford March) \u003cbr\u003e6. Essence of Redemption (Michael Johnson) \u003cbr\u003e7. Goodbye (Jean Mclean) \u003cbr\u003e8. Right Time Coming (Lenford March) \u003cbr\u003e9. Me On My Own (Jean Mclean) \u003cbr\u003e10. Soul Searching (Michael Johnson) \u003cbr\u003e\u003cbr\u003eMusicians \u003cbr\u003eBass \u0026amp; Horns by Lenford March (Blacka) \u003cbr\u003eRhythm Guitar, Keyboards \u0026amp; Horns by Jean McLean (Jeanus) \u003cbr\u003eBongos \u0026amp; Percussion by Michael Johnson (Rasiwa) \u003cbr\u003eSax \u0026amp; Percussion by Kenny Reid (Juicy) \u003cbr\u003e\u003cbr\u003eStudio Musicians \u003cbr\u003eDrums Brian Blake (Drum I) \u003cbr\u003eDrums Tony Gold (Goofy) \u003cbr\u003e\u003cbr\u003eGuest Toaster \u003cbr\u003e\u003cbr\u003eBeverley March “Rankin Bev” (Ina Dif’rent Styley) \u003cbr\u003eAll tracks copyright control 1984 \u003cbr\u003eRecorded at Outlaw Studios Birmingham 1983\/84 \u003cbr\u003eProduced by Sceptre \u003cbr\u003eAll rights reserved \u003cbr\u003eP\u0026amp;C Reggae Archive Records 2014 \u003cbr\u003e\u003cbr\u003eAll tracks owned by Sceptre and licensed to Reggae Archive Records \u003cbr\u003e\u003cbr\u003eTransfer \u0026amp; Audio Restoration by Sean Pennycook \u003cbr\u003eMastered by Steve Street July 2014 \u003cbr\u003eSleeve reconstruction and design by Sam Giles\u003c\/h3\u003e","published_at":"2023-05-05T17:17:01-04:00","created_at":"2023-05-05T17:17:01-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["Essence Of Redemption","Ina Dif'rent Styley"],"price":3000,"price_min":3000,"price_max":3000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43769427919060,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#22 - 071 Ina Different Styley - Essence Of Redemption","public_title":null,"options":["Default Title"],"price":3000,"weight":275,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_93cf9242-81ad-4298-b748-6d09c27b1d40.jpg?v=1683321423"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_93cf9242-81ad-4298-b748-6d09c27b1d40.jpg?v=1683321423","options":["Title"],"media":[{"alt":null,"id":31627966054612,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_93cf9242-81ad-4298-b748-6d09c27b1d40.jpg?v=1683321423"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_93cf9242-81ad-4298-b748-6d09c27b1d40.jpg?v=1683321423","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eListen: \u003ca href=\"https:\/\/youtube.com\/playlist?list=OLAK5uy_k2MqUYo7muXKiPWPUS5vAQv_9w7asHEdM\" title=\"1\"\u003ehttps:\/\/youtube.com\/playlist?list=OLAK5uy_k2MqUYo7muXKiPWPUS5vAQv_9w7asHEdM\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eFounded in 1981 in Britain's second city Birmingham, the band Sceptre were part of a thriving local music scene, a scene that for the most part revolved around live shows in the region's community centres, university campuses, pubs and nightclubs. Neglected by major labels, many bands went unrecorded and of those that did get documented most managed to release just one or two singles. Fortunately, Sceptre recorded and released an entire album, 1984's “Essence of Redemption Ina Dif'rent Styley”. \u003cbr\u003e\u003cbr\u003ePoorly pressed, in very small numbers and with limited distribution, the album didn't sell well and barely made an impact on its release. However, whatever its problems the music itself was first class and over the last three decades, has acquired numerous fans and an ever growing reputation as a classic of the British reggae genre. Whilst still remaining underground and unknown to the vast majority of reggae fans, demand amongst those in the know has been such that used copies have fetched as much as £180. \u003cbr\u003e\u003cbr\u003eAs part of our mission to document and reissue Britain's lost, forgotten and unreleased reggae heritage, Sceptre were high on our list of projects. Through the good offices of Black Symbol who had released Sceptre's previous two recordings\u003cspan\u003e\u003cspan class=\"bcTruncateEllipsis\"\u003e...\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003ca\u003emore\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003ch3 class=\"credits-label\"\u003eTracks \u003cbr\u003e1. Ina Dif’rent Styley (Beverley March\/ Jean Mclean) \u003cbr\u003e2. Pestilance and Bombing (Michael Johnson) \u003cbr\u003e3. Nuclear Disaster (Lenford March) \u003cbr\u003e4. Play The Music (Jean Mclean) \u003cbr\u003e5. Get Up and Go (Lenford March) \u003cbr\u003e6. Essence of Redemption (Michael Johnson) \u003cbr\u003e7. Goodbye (Jean Mclean) \u003cbr\u003e8. Right Time Coming (Lenford March) \u003cbr\u003e9. Me On My Own (Jean Mclean) \u003cbr\u003e10. Soul Searching (Michael Johnson) \u003cbr\u003e\u003cbr\u003eMusicians \u003cbr\u003eBass \u0026amp; Horns by Lenford March (Blacka) \u003cbr\u003eRhythm Guitar, Keyboards \u0026amp; Horns by Jean McLean (Jeanus) \u003cbr\u003eBongos \u0026amp; Percussion by Michael Johnson (Rasiwa) \u003cbr\u003eSax \u0026amp; Percussion by Kenny Reid (Juicy) \u003cbr\u003e\u003cbr\u003eStudio Musicians \u003cbr\u003eDrums Brian Blake (Drum I) \u003cbr\u003eDrums Tony Gold (Goofy) \u003cbr\u003e\u003cbr\u003eGuest Toaster \u003cbr\u003e\u003cbr\u003eBeverley March “Rankin Bev” (Ina Dif’rent Styley) \u003cbr\u003eAll tracks copyright control 1984 \u003cbr\u003eRecorded at Outlaw Studios Birmingham 1983\/84 \u003cbr\u003eProduced by Sceptre \u003cbr\u003eAll rights reserved \u003cbr\u003eP\u0026amp;C Reggae Archive Records 2014 \u003cbr\u003e\u003cbr\u003eAll tracks owned by Sceptre and licensed to Reggae Archive Records \u003cbr\u003e\u003cbr\u003eTransfer \u0026amp; Audio Restoration by Sean Pennycook \u003cbr\u003eMastered by Steve Street July 2014 \u003cbr\u003eSleeve reconstruction and design by Sam Giles\u003c\/h3\u003e"}
#22 - 071 Ina Differen...
Listen: https://youtube.com/playlist?list=OLAK5uy_k2MqUYo7muXKiPWPUS5vAQv_9w7asHEdM Founded in 1981 in Britain's second city Birmingham, the band Sceptre were part of...
$ 30.00
{"id":7793862639828,"title":"OP-006 Ultimate Breaks \u0026 Beats Vol.10 SBR-525 (Sealed)","handle":"op-006-dusty-fingers-vol-3","description":"\u003cp\u003e1986 Original Pressing *** \u003cem\u003e\u003cstrong\u003eSealed ***\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1.Funky President\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2.Theme From The Planets\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e3.The From S.W.A.T.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e4.It's Great To Be Here\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e5.Ain't We Funk' Now\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6.Shangri LA\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e7.Last Night Changed It All\u003c\/em\u003e\u003c\/p\u003e","published_at":"2024-09-18T13:40:14-04:00","created_at":"2022-10-19T14:41:13-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["1986 Pressing","Ain't We Funk' Now","Breaks","Breaks \u0026 Beats","Funky President","It's Great To Be Here","Last Night Changed It All","Original Pressing","Shangri LA","Them From S.W.A.T.","Theme From The Planets","Various Artists","Various Ultimate Breaks \u0026 Beats"],"price":3500,"price_min":3500,"price_max":3500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43402090184916,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"OP-006 Ultimate Breaks \u0026 Beats Vol.10 SBR-525 (Sealed)","public_title":null,"options":["Default Title"],"price":3500,"weight":275,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_4dc8bd78-519d-49f7-afa3-9e54db82b14c.jpg?v=1726680904"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_4dc8bd78-519d-49f7-afa3-9e54db82b14c.jpg?v=1726680904","options":["Title"],"media":[{"alt":null,"id":34392299372756,"position":1,"preview_image":{"aspect_ratio":1.002,"height":450,"width":451,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_4dc8bd78-519d-49f7-afa3-9e54db82b14c.jpg?v=1726680904"},"aspect_ratio":1.002,"height":450,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_4dc8bd78-519d-49f7-afa3-9e54db82b14c.jpg?v=1726680904","width":451}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1986 Original Pressing *** \u003cem\u003e\u003cstrong\u003eSealed ***\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1.Funky President\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2.Theme From The Planets\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e3.The From S.W.A.T.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e4.It's Great To Be Here\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e5.Ain't We Funk' Now\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6.Shangri LA\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e7.Last Night Changed It All\u003c\/em\u003e\u003c\/p\u003e"}
OP-006 Ultimate Breaks...
1986 Original Pressing *** Sealed *** 1.Funky President 2.Theme From The Planets 3.The From S.W.A.T....
$ 35.00
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OP-007 Ultimate Breaks...
Original 1986 Pressing SEALED 1.Impeach The President 2.God Make Me Funky 3.Gotta Get Out Of...
$ 60.00
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OP-008 Ultimate Breaks...
Original 1986 Pressing Sealed 1.Got To Be Real 2.Apache 3.Danxe To The Drummers Beat 4.Bongo...
$ 35.00
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OP-010 Ultimate Breaks...
Original 1987 Pressing Sealed 1.The Assembly Line 2.I Walk On Guilded Splinters 3.Gimmie What You...
$ 35.00
{"id":7793887314132,"title":"OP-011 Ultimate Breaks \u0026 Beats Vol.15 SBR 515 - Various Artists","handle":"op-011-strictly-breaks-vol-5-various-artists","description":"\u003cp\u003eOriginal 1987 Pressing \u003cem\u003e\u003cstrong\u003e Sealed \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1.Change\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2.Brother Green\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e3.Mister Magic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e4.Star Wars\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e5.Jack \u0026amp; Diane\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6.Bouncy Lady\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e7.Rock Music\u003c\/em\u003e\u003c\/p\u003e","published_at":"2024-09-18T14:22:26-04:00","created_at":"2022-10-19T15:18:34-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["Bouncy Lady","Brother Green","Change","Funk Samples","Hip Hop Samples","Jack \u0026 Diane","Mister MAgic","Originals","Rock Music","Samples","Samples Loops","SBR 515","Soul Samples","Star Wars","Ultimate Breaks \u0026 Beats","Various Ultimate Breaks \u0026 Beats"],"price":3500,"price_min":3500,"price_max":3500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43402156867796,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"OP-011 Ultimate Breaks \u0026 Beats Vol.15 SBR 515 - Various Artists","public_title":null,"options":["Default Title"],"price":3500,"weight":275,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_1e4d0045-fcc9-40bb-a10e-ba0c09b2a933.jpg?v=1726683646","\/\/kaydeerecords.com\/cdn\/shop\/files\/image_f35c79b2-9c1a-487d-a735-847e1f582f41.jpg?v=1726683615","\/\/kaydeerecords.com\/cdn\/shop\/files\/image_e2e60c62-c21e-42c0-a1e2-472d876a9b54.jpg?v=1726683624"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_1e4d0045-fcc9-40bb-a10e-ba0c09b2a933.jpg?v=1726683646","options":["Title"],"media":[{"alt":null,"id":34392574394580,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_1e4d0045-fcc9-40bb-a10e-ba0c09b2a933.jpg?v=1726683646"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_1e4d0045-fcc9-40bb-a10e-ba0c09b2a933.jpg?v=1726683646","width":600},{"alt":null,"id":34392572231892,"position":2,"preview_image":{"aspect_ratio":0.993,"height":600,"width":596,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_f35c79b2-9c1a-487d-a735-847e1f582f41.jpg?v=1726683615"},"aspect_ratio":0.993,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_f35c79b2-9c1a-487d-a735-847e1f582f41.jpg?v=1726683615","width":596},{"alt":null,"id":34392572526804,"position":3,"preview_image":{"aspect_ratio":0.998,"height":600,"width":599,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_e2e60c62-c21e-42c0-a1e2-472d876a9b54.jpg?v=1726683624"},"aspect_ratio":0.998,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_e2e60c62-c21e-42c0-a1e2-472d876a9b54.jpg?v=1726683624","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eOriginal 1987 Pressing \u003cem\u003e\u003cstrong\u003e Sealed \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1.Change\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2.Brother Green\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e3.Mister Magic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e4.Star Wars\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e5.Jack \u0026amp; Diane\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6.Bouncy Lady\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e7.Rock Music\u003c\/em\u003e\u003c\/p\u003e"}
OP-011 Ultimate Breaks...
Original 1987 Pressing Sealed 1.Change 2.Brother Green 3.Mister Magic 4.Star Wars 5.Jack & Diane 6.Bouncy...
$ 35.00
{"id":7836529918164,"title":"22-062 Africa 5000 - Wganda Kenya","handle":"22-062-africa-5000-wganda-kenya","description":"\u003cp\u003eListen\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/2SYqzn4zM04\" title=\"1\"\u003ehttps:\/\/youtu.be\/2SYqzn4zM04\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst time reissue of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWganda Kenya\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAfrica 5.000\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e, originally released in 1975. \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAfrica 5.000\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1975) has a legendary reputation as one of Colombia's best hard-to-find Afro-funk records and is a highly prized collector's piece today. The epic \"La Torta\" (The Cake) kicks things off with a lively Colombian interpretation of Haitian compas. The tune is still remembered as a big picó (amplified sound system) hit at the verbenas (outdoor dance parties). \"Fiebre De Lepra\" (Leprosy Fever) was also released as a 45 single and is certainly one of Wganda Kenya's wilder tracks. Funky wah-wah guitar, makossa style bass, manic organ, and feverishly insane vocals (from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWilson \"Saoko\" Manyoma\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJoe Arroyo\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e) indicate that \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFruko\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and his pals were having a ball goofing around in the studio. If for no other reason, \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAfrica 5.000\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e is sought-after for being the album containing Fruko and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJavier García\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's outrageously funky and off-kilter \"Tifit Hayed\", which has become a tropical dancefloor favorite in recent years. Again the \"kitchen sink\" approach is employed, including massive Latin bass lines, tasty Farfisa organ stabs, a bluesy, jazzy piano solo, and plenty of humorous vocal sound effects (including animal noises and lip burbling). However, it's the stomping break beats and cowbell counterpoint that has kept dance floors busy. Side B leaps out of the speakers with the heavy, strutting \"El Caterete\", which was the flipside to the \"Fiebre De Lepra\" single and is based on the 1970 song \"Cateretê\" by Brazilian singer\/songwriter \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMarku Ribas\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Like its sibling Fuentes studio band \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAfrosound\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Wganda Kenya was ahead of its time, anticipating current contemporary Afro-Latin-funk trends in a prescient way that has inspired a legion of fans across the globe, and this reissue of \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAfrica 5.000\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003ewill only serve to further cement the band's growing reputation amongst today's diggers of tropical psychedelia. Includes a non-album bonus cut, plus informative notes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2022-12-20T12:39:15-05:00","created_at":"2022-12-20T12:39:13-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["Africa 5000","afro","Afro Beat","Afro Beats","Afro Breaks","Afro Disco","Afro Funk","Afro Psych","Afrobeat","Fuentes","Psychedelic","Psychedelic Rock","Wganda Kenya"],"price":3000,"price_min":3000,"price_max":3000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43543421157588,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-062 Africa 5000 - Wganda Kenya","public_title":null,"options":["Default Title"],"price":3000,"weight":275,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/71U2TtpxZeL._SL1200.jpg?v=1671557955"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/71U2TtpxZeL._SL1200.jpg?v=1671557955","options":["Title"],"media":[{"alt":null,"id":31056837017812,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/71U2TtpxZeL._SL1200.jpg?v=1671557955"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/71U2TtpxZeL._SL1200.jpg?v=1671557955","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/2SYqzn4zM04\" title=\"1\"\u003ehttps:\/\/youtu.be\/2SYqzn4zM04\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst time reissue of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWganda Kenya\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAfrica 5.000\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e, originally released in 1975. \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAfrica 5.000\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1975) has a legendary reputation as one of Colombia's best hard-to-find Afro-funk records and is a highly prized collector's piece today. The epic \"La Torta\" (The Cake) kicks things off with a lively Colombian interpretation of Haitian compas. The tune is still remembered as a big picó (amplified sound system) hit at the verbenas (outdoor dance parties). \"Fiebre De Lepra\" (Leprosy Fever) was also released as a 45 single and is certainly one of Wganda Kenya's wilder tracks. Funky wah-wah guitar, makossa style bass, manic organ, and feverishly insane vocals (from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWilson \"Saoko\" Manyoma\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJoe Arroyo\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e) indicate that \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFruko\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and his pals were having a ball goofing around in the studio. If for no other reason, \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAfrica 5.000\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e is sought-after for being the album containing Fruko and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJavier García\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's outrageously funky and off-kilter \"Tifit Hayed\", which has become a tropical dancefloor favorite in recent years. Again the \"kitchen sink\" approach is employed, including massive Latin bass lines, tasty Farfisa organ stabs, a bluesy, jazzy piano solo, and plenty of humorous vocal sound effects (including animal noises and lip burbling). However, it's the stomping break beats and cowbell counterpoint that has kept dance floors busy. Side B leaps out of the speakers with the heavy, strutting \"El Caterete\", which was the flipside to the \"Fiebre De Lepra\" single and is based on the 1970 song \"Cateretê\" by Brazilian singer\/songwriter \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMarku Ribas\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Like its sibling Fuentes studio band \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAfrosound\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Wganda Kenya was ahead of its time, anticipating current contemporary Afro-Latin-funk trends in a prescient way that has inspired a legion of fans across the globe, and this reissue of \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAfrica 5.000\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003ewill only serve to further cement the band's growing reputation amongst today's diggers of tropical psychedelia. Includes a non-album bonus cut, plus informative notes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e"}
22-062 Africa 5000 - W...
Listen https://youtu.be/2SYqzn4zM04 First time reissue of Wganda Kenya's Africa 5.000, originally released in 1975. Africa...
$ 30.00
{"id":7909737595092,"title":"#22 - 078 Yagana - Pigeon","handle":"22-078-pigeon-pigeon-1","description":"\u003cp\u003eListen:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"%20https:\/\/youtu.be\/9rDZTx83wbs\" title=\"1\"\u003ehttps:\/\/youtu.be\/9rDZTx83wbs\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/u0jZLvRe20g\" title=\"2\"\u003ehttps:\/\/youtu.be\/u0jZLvRe20g\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/hA6g8AIofnQ\" title=\"3\"\u003ehttps:\/\/youtu.be\/hA6g8AIofnQ\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/iOdFgrMHgkY\" title=\"4\"\u003ehttps:\/\/youtu.be\/iOdFgrMHgkY\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eBorn out of an impromptu post-pub jam session in Margate, the 5-piece group Pigeon swoops onto the scene with their blistering debut EP Yagana.\u003c\/p\u003e\n\u003cp\u003eAs the tracks cross effortlessly between Afro-disco, grunge, no wave and jazz, the cohesive symbiotic relationship of the band members is obvious from the start. The powerful vocals of Guinean singer Falle Nioke are complemented by a wealth of talent from Graham Godfrey on drums, Steve Pringle on keys, Tom Dream on guitar and Josh Ludlow on bass.\u003c\/p\u003e\n\u003cp\u003eHaving moved to the UK from West Africa in 2018, Falle Nioke has recently been in the spotlight with EPs heavily supported by indie radio and BBC 6 Music playlisters. On Yagana, he continues to sing in a multitude of languages, but this time shifts towards a more organic musical direction, showcasing his incredible versatility as a vocalist.\u003c\/p\u003e\n\u003cp\u003eThis new path can be attributed to the pedigree of the rest of the group – veteran musicians Steve Pringle and Graham Godfrey are key members of Michael Kiwanuka’s band, the latter also performing with Little Simz, Cleo Sol and SAULT, among others.\u003c\/p\u003e\n\u003cp\u003eFurthermore, Tom Dream and Josh Ludlow are electronic artists in their own right – with a number of artistic projects in the works, as well as having performed together as ambient duo Soma World. Both used to play in metal and grunge bands in earlier years, an influence which has made its way into Pigeon’s distinctive sound.\u003c\/p\u003e\n\u003cp\u003eThe Yagana EP is an emotionally-charged offering, exploring themes of lust, saudade, homesickness, and hope for peace. The title track ‘Yagana’ translates to “it’s been a while”, and though its up-tempo disco rhythm and wild synth solos lend a cheerful disposition, the lyrics describe a melancholic yearning for Africa. Nioke sings in Susu, Wolof and Malinke – as he describes the struggle of being separated from one’s family, as well as hustling to support them financially from afar.\u003c\/p\u003e\n\u003cp\u003eAs a teenager, Nioke would train his voice by the great river Rio Nunez in Boké, among the remnants of the slave trade, pathways and crumbling buildings being swallowed up by the forest. While most Western teenagers grew up with traditional pets, Nioke disclosed to his band members that his closest animal friend in West Africa was the pigeon – and so the name of the group was chosen.\u003c\/p\u003e\n\u003cp\u003eMoving through the record, ‘Nothing Grows’ follows on from the Afro-disco opener, bringing down the tempo and intensity. The heavily swung jazz rhythm is driven by the drums, while soft guitar tremolo picking and synth pads produce a delicate atmosphere over which the singer mournfully longs for a lost love.\u003c\/p\u003e\n\u003cp\u003eBut having lured the listener into a meditative and pensive state in ‘Nothing Grows’, feathers are suddenly ruffled by the entrance of “It’s You” - a sultry story of burning desire. Channelling grunge and elements of no wave, the song is defined by a rumbling bass that pulses alongside the kick, while an atonal synth riff and fuzzy guitar licks provide the minimal melody. Piercing through it all is the hypnotic spoken word of Nioke, switching between French and English, as he beckons – and at times even demands - a lover to enter his room.\u003c\/p\u003e\n\u003cp\u003eFinally, ‘War (Jam)’ returns the record to its 4x4 disco pace, featuring rapid-fire hats and high-pitched guitar riffs seemingly nodding to Mugithi, a genre often associated with political commentary. This concept is built upon with lyrics sung in Susu, as Nioke condemns wars around the world and their ongoing futility, pleading for people to unite and create a better place. Running just over 7 minutes, ‘War (Jam)’ is an improvised long take which continuously evolves, allowing each musician an opportunity to shine.\u003c\/p\u003e\n\u003cp\u003eRecorded in a single weekend, Pigeon’s Yagana EP is a clear testament to each member’s skilfulness and varied experiences, creating a fully-fledged being that is greater than the sum of its parts. With an opening hand like this, we await with bated breath to see what more the humble Pigeon can bring to the world.\u003c\/p\u003e\n\u003cp\u003eCREDITS: All songs written and produced by Pigeon Mastering by Frank Merritt, The Carvery London Cover art by Raissa Pardini Layout by Meurig Rees Recorded at The Albion Rooms, Margate Engineering by Jason Stafford\u003c\/p\u003e","published_at":"2023-05-05T18:39:21-04:00","created_at":"2023-05-05T18:39:21-04:00","vendor":"Kay-Dee Records","type":"12 inches","tags":["It's You","Nothing Grows","Pigeon","Soundway","Soundway Records","War (Jam)","Yagana"],"price":2200,"price_min":2200,"price_max":2200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43769491620052,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#22 - 078 Yagana - Pigeon","public_title":null,"options":["Default Title"],"price":2200,"weight":275,"compare_at_price":null,"inventory_quantity":3,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_444f0b61-e4b5-4098-88e6-57bc21c36c0f.jpg?v=1683326363"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_444f0b61-e4b5-4098-88e6-57bc21c36c0f.jpg?v=1683326363","options":["Title"],"media":[{"alt":null,"id":31628047581396,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2953,"width":2953,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_444f0b61-e4b5-4098-88e6-57bc21c36c0f.jpg?v=1683326363"},"aspect_ratio":1.0,"height":2953,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_444f0b61-e4b5-4098-88e6-57bc21c36c0f.jpg?v=1683326363","width":2953}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"%20https:\/\/youtu.be\/9rDZTx83wbs\" title=\"1\"\u003ehttps:\/\/youtu.be\/9rDZTx83wbs\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/u0jZLvRe20g\" title=\"2\"\u003ehttps:\/\/youtu.be\/u0jZLvRe20g\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/hA6g8AIofnQ\" title=\"3\"\u003ehttps:\/\/youtu.be\/hA6g8AIofnQ\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/iOdFgrMHgkY\" title=\"4\"\u003ehttps:\/\/youtu.be\/iOdFgrMHgkY\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eBorn out of an impromptu post-pub jam session in Margate, the 5-piece group Pigeon swoops onto the scene with their blistering debut EP Yagana.\u003c\/p\u003e\n\u003cp\u003eAs the tracks cross effortlessly between Afro-disco, grunge, no wave and jazz, the cohesive symbiotic relationship of the band members is obvious from the start. The powerful vocals of Guinean singer Falle Nioke are complemented by a wealth of talent from Graham Godfrey on drums, Steve Pringle on keys, Tom Dream on guitar and Josh Ludlow on bass.\u003c\/p\u003e\n\u003cp\u003eHaving moved to the UK from West Africa in 2018, Falle Nioke has recently been in the spotlight with EPs heavily supported by indie radio and BBC 6 Music playlisters. On Yagana, he continues to sing in a multitude of languages, but this time shifts towards a more organic musical direction, showcasing his incredible versatility as a vocalist.\u003c\/p\u003e\n\u003cp\u003eThis new path can be attributed to the pedigree of the rest of the group – veteran musicians Steve Pringle and Graham Godfrey are key members of Michael Kiwanuka’s band, the latter also performing with Little Simz, Cleo Sol and SAULT, among others.\u003c\/p\u003e\n\u003cp\u003eFurthermore, Tom Dream and Josh Ludlow are electronic artists in their own right – with a number of artistic projects in the works, as well as having performed together as ambient duo Soma World. Both used to play in metal and grunge bands in earlier years, an influence which has made its way into Pigeon’s distinctive sound.\u003c\/p\u003e\n\u003cp\u003eThe Yagana EP is an emotionally-charged offering, exploring themes of lust, saudade, homesickness, and hope for peace. The title track ‘Yagana’ translates to “it’s been a while”, and though its up-tempo disco rhythm and wild synth solos lend a cheerful disposition, the lyrics describe a melancholic yearning for Africa. Nioke sings in Susu, Wolof and Malinke – as he describes the struggle of being separated from one’s family, as well as hustling to support them financially from afar.\u003c\/p\u003e\n\u003cp\u003eAs a teenager, Nioke would train his voice by the great river Rio Nunez in Boké, among the remnants of the slave trade, pathways and crumbling buildings being swallowed up by the forest. While most Western teenagers grew up with traditional pets, Nioke disclosed to his band members that his closest animal friend in West Africa was the pigeon – and so the name of the group was chosen.\u003c\/p\u003e\n\u003cp\u003eMoving through the record, ‘Nothing Grows’ follows on from the Afro-disco opener, bringing down the tempo and intensity. The heavily swung jazz rhythm is driven by the drums, while soft guitar tremolo picking and synth pads produce a delicate atmosphere over which the singer mournfully longs for a lost love.\u003c\/p\u003e\n\u003cp\u003eBut having lured the listener into a meditative and pensive state in ‘Nothing Grows’, feathers are suddenly ruffled by the entrance of “It’s You” - a sultry story of burning desire. Channelling grunge and elements of no wave, the song is defined by a rumbling bass that pulses alongside the kick, while an atonal synth riff and fuzzy guitar licks provide the minimal melody. Piercing through it all is the hypnotic spoken word of Nioke, switching between French and English, as he beckons – and at times even demands - a lover to enter his room.\u003c\/p\u003e\n\u003cp\u003eFinally, ‘War (Jam)’ returns the record to its 4x4 disco pace, featuring rapid-fire hats and high-pitched guitar riffs seemingly nodding to Mugithi, a genre often associated with political commentary. This concept is built upon with lyrics sung in Susu, as Nioke condemns wars around the world and their ongoing futility, pleading for people to unite and create a better place. Running just over 7 minutes, ‘War (Jam)’ is an improvised long take which continuously evolves, allowing each musician an opportunity to shine.\u003c\/p\u003e\n\u003cp\u003eRecorded in a single weekend, Pigeon’s Yagana EP is a clear testament to each member’s skilfulness and varied experiences, creating a fully-fledged being that is greater than the sum of its parts. With an opening hand like this, we await with bated breath to see what more the humble Pigeon can bring to the world.\u003c\/p\u003e\n\u003cp\u003eCREDITS: All songs written and produced by Pigeon Mastering by Frank Merritt, The Carvery London Cover art by Raissa Pardini Layout by Meurig Rees Recorded at The Albion Rooms, Margate Engineering by Jason Stafford\u003c\/p\u003e"}
#22 - 078 Yagana - Pigeon
Listen: https://youtu.be/9rDZTx83wbs https://youtu.be/u0jZLvRe20g https://youtu.be/hA6g8AIofnQ https://youtu.be/iOdFgrMHgkY Born out of an impromptu post-pub jam session in Margate,...
$ 22.00
{"id":7836518842580,"title":"22-055 Alice Clark - Alice Clark","handle":"22-055-alice-clark","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/4qXVEgEopk8\" title=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/4qXVEgEopk8\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst official worldwide LP reissue of Alice Clark’s highly sought-after Soul Jazz classic produced by Mainstream Records’ Bob Shad in 1972 and hailed as a classic by Eddie Piller, Gilles Peterson and many DJs. Featuring original artwork, remastered sound plus a deluxe 20 page booklet telling the whole story for the first time. The booklet will include many never-seen jaw-dropping photos of the session by legendary NY jazz photographer Ray Ross plus an introduction by Shad’s grandchildren, film director and producer Judd Apatow and his sister, liner notes by New York music journalist Marcus J. Moore (Pitchfork, Bandcamp etc), a tribute by Clark’s grandson and a note by the session’s original engineer, Carmine Rubino. The booklet will also reveal most of the line up for the first time (the original LP didn’t contain any musician credit) making this set a long overdue hommage to one of the best Soul albums ever recorded.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-12-20T11:32:26-05:00","created_at":"2022-12-20T11:32:24-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["Alice Clark","funk","funk \u0026 soul","Jazz Funk","Mainstream Records","Soul","We Want Sounds"],"price":3600,"price_min":3600,"price_max":3600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43543346348244,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-055 Alice Clark - Alice Clark","public_title":null,"options":["Default Title"],"price":3600,"weight":275,"compare_at_price":null,"inventory_quantity":3,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_41bc5b64-43c3-423d-948a-35735b3c0aab.jpg?v=1671553946"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_41bc5b64-43c3-423d-948a-35735b3c0aab.jpg?v=1671553946","options":["Title"],"media":[{"alt":null,"id":31056668786900,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_41bc5b64-43c3-423d-948a-35735b3c0aab.jpg?v=1671553946"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_41bc5b64-43c3-423d-948a-35735b3c0aab.jpg?v=1671553946","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eListen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/4qXVEgEopk8\" title=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/4qXVEgEopk8\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst official worldwide LP reissue of Alice Clark’s highly sought-after Soul Jazz classic produced by Mainstream Records’ Bob Shad in 1972 and hailed as a classic by Eddie Piller, Gilles Peterson and many DJs. Featuring original artwork, remastered sound plus a deluxe 20 page booklet telling the whole story for the first time. The booklet will include many never-seen jaw-dropping photos of the session by legendary NY jazz photographer Ray Ross plus an introduction by Shad’s grandchildren, film director and producer Judd Apatow and his sister, liner notes by New York music journalist Marcus J. Moore (Pitchfork, Bandcamp etc), a tribute by Clark’s grandson and a note by the session’s original engineer, Carmine Rubino. The booklet will also reveal most of the line up for the first time (the original LP didn’t contain any musician credit) making this set a long overdue hommage to one of the best Soul albums ever recorded.\u003c\/span\u003e\u003c\/p\u003e"}
22-055 Alice Clark - A...
Listen https://youtu.be/4qXVEgEopk8 First official worldwide LP reissue of Alice Clark’s highly sought-after Soul Jazz classic...
$ 36.00
{"id":7836525265108,"title":"22-059 Confusion - Fela Ransome Kuti \u0026 The Africa 70","handle":"22-059-confusion-fela-ransome-kuti-the-africa-70","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eListen:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/x_D-Hh0hglk\" title=\"1\"\u003ehttps:\/\/youtu.be\/x_D-Hh0hglk\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFela Kuti also known as Fela Anikulapo Kuti or simply Fela, was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre, human rights activist, and political maverick. Over a decade after his death, vindication has come to Kuti, Africa’s musical genius. AfroBeat, his gift to the world, is now an international staple.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout his life, Fela contended that AfroBeat was a modern form of danceable, African classical music with an urgent message for the planet’s denizens. Created out of a cross-breeding of Funk, Jazz, Salsa and Calypso with Juju, Highlife and African percussive patterns, it was to him a political weapon.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Afrobeat epic contains just one eponymous track clocking in at just over 25 minutes in length, beginning with a mysterious and psychedelic musical interplay between Fela on organ and Tony Allen on drums. As the song takes on a righteously funky groove, Fela evokes the chaos of Lagos — the multitude of regional dialects, the gnarly traffic jams, the absence of a policeman to take charge — as a metaphor for the larger problems of post-colonial Nigeria.\u003c\/p\u003e","published_at":"2022-12-20T12:10:09-05:00","created_at":"2022-12-20T12:10:07-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["afro","Afro Beat","Afro Beats","Afro Breaks","Afro Funk","Afrobeat","Confusion","Fela Ransome Kuti \u0026 The Africa 70"],"price":3000,"price_min":3000,"price_max":3000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43543386128596,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-059 Confusion - Fela Ransome Kuti \u0026 The Africa 70","public_title":null,"options":["Default Title"],"price":3000,"weight":247,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_de76bbd1-a5b7-4cc0-abf3-c3623c4f4ed0.jpg?v=1671556208"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_de76bbd1-a5b7-4cc0-abf3-c3623c4f4ed0.jpg?v=1671556208","options":["Title"],"media":[{"alt":null,"id":31056760897748,"position":1,"preview_image":{"aspect_ratio":0.982,"height":600,"width":589,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_de76bbd1-a5b7-4cc0-abf3-c3623c4f4ed0.jpg?v=1671556208"},"aspect_ratio":0.982,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_de76bbd1-a5b7-4cc0-abf3-c3623c4f4ed0.jpg?v=1671556208","width":589}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eListen:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/x_D-Hh0hglk\" title=\"1\"\u003ehttps:\/\/youtu.be\/x_D-Hh0hglk\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFela Kuti also known as Fela Anikulapo Kuti or simply Fela, was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre, human rights activist, and political maverick. Over a decade after his death, vindication has come to Kuti, Africa’s musical genius. AfroBeat, his gift to the world, is now an international staple.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout his life, Fela contended that AfroBeat was a modern form of danceable, African classical music with an urgent message for the planet’s denizens. Created out of a cross-breeding of Funk, Jazz, Salsa and Calypso with Juju, Highlife and African percussive patterns, it was to him a political weapon.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Afrobeat epic contains just one eponymous track clocking in at just over 25 minutes in length, beginning with a mysterious and psychedelic musical interplay between Fela on organ and Tony Allen on drums. As the song takes on a righteously funky groove, Fela evokes the chaos of Lagos — the multitude of regional dialects, the gnarly traffic jams, the absence of a policeman to take charge — as a metaphor for the larger problems of post-colonial Nigeria.\u003c\/p\u003e"}
22-059 Confusion - Fel...
Listen: https://youtu.be/x_D-Hh0hglk Fela Kuti also known as Fela Anikulapo Kuti or simply Fela, was a...
$ 30.00
{"id":7836527198420,"title":"22-060 Zombie - Fela and Afrika 70","handle":"22-060-zombie-fela-and-afrika-70","description":"\u003cp\u003eListen \u003ca href=\"https:\/\/youtu.be\/SVMmnYp_Zxs\" title=\"1\"\u003ehttps:\/\/youtu.be\/SVMmnYp_Zxs\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eZombie was the most popular and impacting record that Fela Kuti \u0026amp; Africa 70 would record — it ignited the nation to follow Fela’s lead and antagonize the military zombies that had the population by the throat. Fela is direct and humorous in his attack as he barks out commands to the soldiers like: “Attention! Double up! Fall In! Fall out! Fall down! Get ready!” Meanwhile, his choir responds with “Zombie!” in between each statement. Since the groove was so absolutely contagious, it took the nation by storm: People in the street would put on a blank stare and walk with hands affront proclaiming “Zombie!” whenever they would see soldiers. If “Zombie” caught the attention of the populous it also cought the attention of the authority figures — this would cause devastating personal and professional effects as the Nigerian government came down on him with absolute brute force not long after the release of this record.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-12-20T12:17:08-05:00","created_at":"2022-12-20T12:17:06-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["afro","Afro Beat","Afrobeat","Fela","Fela and Afrika 70","Fela Anikulapo Kuti","Fela Ransome Kuti \u0026 Africa 70","Zombie"],"price":3000,"price_min":3000,"price_max":3000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43543399563476,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-060 Zombie - Fela and Afrika 70","public_title":null,"options":["Default Title"],"price":3000,"weight":247,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_b4cedd19-a5a1-4575-b7e3-19ae26cffc9a.jpg?v=1671556628"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_b4cedd19-a5a1-4575-b7e3-19ae26cffc9a.jpg?v=1671556628","options":["Title"],"media":[{"alt":null,"id":31056782524628,"position":1,"preview_image":{"aspect_ratio":0.98,"height":600,"width":588,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_b4cedd19-a5a1-4575-b7e3-19ae26cffc9a.jpg?v=1671556628"},"aspect_ratio":0.98,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_b4cedd19-a5a1-4575-b7e3-19ae26cffc9a.jpg?v=1671556628","width":588}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen \u003ca href=\"https:\/\/youtu.be\/SVMmnYp_Zxs\" title=\"1\"\u003ehttps:\/\/youtu.be\/SVMmnYp_Zxs\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eZombie was the most popular and impacting record that Fela Kuti \u0026amp; Africa 70 would record — it ignited the nation to follow Fela’s lead and antagonize the military zombies that had the population by the throat. Fela is direct and humorous in his attack as he barks out commands to the soldiers like: “Attention! Double up! Fall In! Fall out! Fall down! Get ready!” Meanwhile, his choir responds with “Zombie!” in between each statement. Since the groove was so absolutely contagious, it took the nation by storm: People in the street would put on a blank stare and walk with hands affront proclaiming “Zombie!” whenever they would see soldiers. If “Zombie” caught the attention of the populous it also cought the attention of the authority figures — this would cause devastating personal and professional effects as the Nigerian government came down on him with absolute brute force not long after the release of this record.\u003c\/span\u003e\u003c\/p\u003e"}
22-060 Zombie - Fela a...
Listen https://youtu.be/SVMmnYp_Zxs Zombie was the most popular and impacting record that Fela Kuti & Africa...
$ 30.00
{"id":7830872686804,"title":"22-049 Shamal Wind - Chip Wickham","handle":"22-049-shamal-wind-chip-wickham","description":"\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/ryGCVDeKDTY\" title=\"1\"\u003ehttps:\/\/youtu.be\/ryGCVDeKDTY\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eRecorded in Madrid in July 2017, Shamal Wind combines Chip Wickham’s globetrotting, spiritual jazz expeditions with hard-won schoolings in the funk. Following his critically acclaimed 2017 debut, La Sombra, the record draws on spiritual jazz influences like Yusef Lateef and Sahib Shihab, and rests on Chip’s many-sided experience as a musician, spanning left-field beat experiments to hard-hitting funk heavyweights. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter the Latin and flamenco whispers on La Sombra, Shamal Wind adds some Arab-influence percussion to the mix, most notably on the title track. Elsewhere, ‘Barrio 71’ sees him nodding to Shihab: high energy, lyrical and absorbing, with sax and the vibraphone taking the lead. ‘Snake Eyes’ taps into the meditative exaltations of modal jazz, while ‘Soho Strut’ nods to the jazz fusion, funk-influenced side of Chip’s playing. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike the Persian Gulf winds referenced in the album title, which often mark the shift to a new season, this album signals a new chapter for Chip, opening up a newfound energy and inclusiveness in his music, and further expanding on what he achieved in the past year. “Shamal Wind” is a heavy record, built on strong foundations. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOver the past 3 decades Chip Wickham has worked\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, written, recorded, and toured with the likes of Rae \u0026amp; Christian, Fingathing, The Pharcyde, Jimpster, Nightmares On Wax, Graham Massey, Roy Ayers, Nat Birchall, The New Mastersounds, Lack Of Afro, Craig Charles Fantasy Funk Band, Matthew Halsall, and Dwight Trible.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-12-09T09:07:07-05:00","created_at":"2022-12-07T11:34:12-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["Barrio 71","Chip Wickham","Jazz","Latin Jazz","Lovemonk","Lovemonk Records","Rebel No.23","Shamal Wind","Snakes Eyes","Soho Strut","The Mirage"],"price":2200,"price_min":2200,"price_max":2200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43521619624148,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-049 Shamal Wind - Chip Wickham","public_title":null,"options":["Default Title"],"price":2200,"weight":275,"compare_at_price":null,"inventory_quantity":5,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_4dd49686-29d8-4c78-9d35-c54f60b0f827.jpg?v=1670594540"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_4dd49686-29d8-4c78-9d35-c54f60b0f827.jpg?v=1670594540","options":["Title"],"media":[{"alt":null,"id":31013756109012,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_4dd49686-29d8-4c78-9d35-c54f60b0f827.jpg?v=1670594540"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_4dd49686-29d8-4c78-9d35-c54f60b0f827.jpg?v=1670594540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/ryGCVDeKDTY\" title=\"1\"\u003ehttps:\/\/youtu.be\/ryGCVDeKDTY\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eRecorded in Madrid in July 2017, Shamal Wind combines Chip Wickham’s globetrotting, spiritual jazz expeditions with hard-won schoolings in the funk. Following his critically acclaimed 2017 debut, La Sombra, the record draws on spiritual jazz influences like Yusef Lateef and Sahib Shihab, and rests on Chip’s many-sided experience as a musician, spanning left-field beat experiments to hard-hitting funk heavyweights. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter the Latin and flamenco whispers on La Sombra, Shamal Wind adds some Arab-influence percussion to the mix, most notably on the title track. Elsewhere, ‘Barrio 71’ sees him nodding to Shihab: high energy, lyrical and absorbing, with sax and the vibraphone taking the lead. ‘Snake Eyes’ taps into the meditative exaltations of modal jazz, while ‘Soho Strut’ nods to the jazz fusion, funk-influenced side of Chip’s playing. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike the Persian Gulf winds referenced in the album title, which often mark the shift to a new season, this album signals a new chapter for Chip, opening up a newfound energy and inclusiveness in his music, and further expanding on what he achieved in the past year. “Shamal Wind” is a heavy record, built on strong foundations. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOver the past 3 decades Chip Wickham has worked\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, written, recorded, and toured with the likes of Rae \u0026amp; Christian, Fingathing, The Pharcyde, Jimpster, Nightmares On Wax, Graham Massey, Roy Ayers, Nat Birchall, The New Mastersounds, Lack Of Afro, Craig Charles Fantasy Funk Band, Matthew Halsall, and Dwight Trible.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e"}
22-049 Shamal Wind - C...
Listen: https://youtu.be/ryGCVDeKDTY Recorded in Madrid in July 2017, Shamal Wind combines Chip Wickham’s globetrotting, spiritual jazz...
$ 22.00
{"id":7818259202260,"title":"22-046 Bruce Marshall \/ Bill Thomas","handle":"22-046-bruce-marshall-bill-thomas","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGet ready for psych funk and a cover from far left field. PP12005 has all the makings of an instant classic.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnter the dark opium den — a release reminiscent of those pioneers of funk, early Parliament and Funkadelic. These found tracks by Bruce Marshall and Bill Thomas were likely recorded around the time of “Osmium” and “Maggot Brain” — in fact, the artists featured here may have been directly influenced by the movement as it was happening, making these discoveries remarkable entries into the history of psych funk.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhere to begin with Bruce Marshall’s Gimme My Wife on the A side? Try to imagine a psychedelic football game, with driving wah wah funk as the halftime show. The frenetic instrumentation is guided by an infectious guitar hook, coupled with a loose chorus of voices and whistle blows. They all come together at the end to chant what sounds like “parrrr-tay,” a foreshadowing of that refrain the Beastie Boys would popularize.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor our EP-exclusive track on the A side, we present to you a haunting cover of the Ides of March song, Vehicle. Bruce Marshall’s version is much more sparse — a psychedelic dirge that’s almost unrecognizable compared to the original. Dark, simmering and sensual, it explodes into a soul-splitting vocal wail as the track reaches its end.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThings get a little more solemn on side B with an instant classic by Bill Thomas, Ease My Mind Pt. 1. A surprising dirge of fuzzy guitar leads into a chorus that sings, like a mantra, “I have seen much trouble...ease my mind.” Things morph into tight horns backed by some prominent organ — in fact, this is one of the tightest horn sections on any of our releases to date.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor the exclusive EP B-side, Bill Thomas and band pick up right where they left off with Ease My Mind Pt. 2 — an extended instrumental of “Ease My Mind Pt. 1.” It kicks off with a drum solo, then throws you into some horn-driven funk, with guitars holding down the background. Sax and organ take turns on the lead in this hot and delicious track that’s ready for your enjoyment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFunk is alive and well on our fifth release — adding a new dimension to the amazing body of psych funk that’s already out there. Who knows what could have happened had these cuts reached ears during the 70s — but the time for the Marshall-Thomas ship to land is now. Put this on to get your next party going, and it’ll do most of the work for you. \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-11-27T21:58:39-05:00","created_at":"2022-11-18T17:46:13-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["Bill Thomas","Bruce Marshall","Deep Funk","Ease My Mind","Ease My Mind Pt.2","funk","funk \u0026 soul","Gimme My Wife","Soul","Vehicle"],"price":2500,"price_min":2500,"price_max":2500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43483959787732,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-046 Bruce Marshall \/ Bill Thomas","public_title":null,"options":["Default Title"],"price":2500,"weight":281,"compare_at_price":null,"inventory_quantity":4,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_7ac2eb46-2844-4340-9194-0569ff66ef20.png?v=1668811574"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_7ac2eb46-2844-4340-9194-0569ff66ef20.png?v=1668811574","options":["Title"],"media":[{"alt":null,"id":30912266207444,"position":1,"preview_image":{"aspect_ratio":0.999,"height":736,"width":735,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_7ac2eb46-2844-4340-9194-0569ff66ef20.png?v=1668811574"},"aspect_ratio":0.999,"height":736,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_7ac2eb46-2844-4340-9194-0569ff66ef20.png?v=1668811574","width":735}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGet ready for psych funk and a cover from far left field. PP12005 has all the makings of an instant classic.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnter the dark opium den — a release reminiscent of those pioneers of funk, early Parliament and Funkadelic. These found tracks by Bruce Marshall and Bill Thomas were likely recorded around the time of “Osmium” and “Maggot Brain” — in fact, the artists featured here may have been directly influenced by the movement as it was happening, making these discoveries remarkable entries into the history of psych funk.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhere to begin with Bruce Marshall’s Gimme My Wife on the A side? Try to imagine a psychedelic football game, with driving wah wah funk as the halftime show. The frenetic instrumentation is guided by an infectious guitar hook, coupled with a loose chorus of voices and whistle blows. They all come together at the end to chant what sounds like “parrrr-tay,” a foreshadowing of that refrain the Beastie Boys would popularize.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor our EP-exclusive track on the A side, we present to you a haunting cover of the Ides of March song, Vehicle. Bruce Marshall’s version is much more sparse — a psychedelic dirge that’s almost unrecognizable compared to the original. Dark, simmering and sensual, it explodes into a soul-splitting vocal wail as the track reaches its end.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThings get a little more solemn on side B with an instant classic by Bill Thomas, Ease My Mind Pt. 1. A surprising dirge of fuzzy guitar leads into a chorus that sings, like a mantra, “I have seen much trouble...ease my mind.” Things morph into tight horns backed by some prominent organ — in fact, this is one of the tightest horn sections on any of our releases to date.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor the exclusive EP B-side, Bill Thomas and band pick up right where they left off with Ease My Mind Pt. 2 — an extended instrumental of “Ease My Mind Pt. 1.” It kicks off with a drum solo, then throws you into some horn-driven funk, with guitars holding down the background. Sax and organ take turns on the lead in this hot and delicious track that’s ready for your enjoyment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFunk is alive and well on our fifth release — adding a new dimension to the amazing body of psych funk that’s already out there. Who knows what could have happened had these cuts reached ears during the 70s — but the time for the Marshall-Thomas ship to land is now. Put this on to get your next party going, and it’ll do most of the work for you. \u003c\/span\u003e\u003c\/p\u003e"}
22-046 Bruce Marshall ...
Get ready for psych funk and a cover from far left field. PP12005 has all...
$ 25.00
{"id":7815277936852,"title":"22-042 The Loud Minority - Frank Foster","handle":"22-042-the-loud-minority-frank-foster","description":"\u003cspan data-mce-fragment=\"1\"\u003eDeluxe reissue of Frank Foster's The Loud Minority LP for RSD. Released on Bob Shad's Mainstream Records in 1972, it's a landmark album and one of the key political works of the 70s. Featuring an all-star cast of superb musicians including Elvin Jones, Stanley Clarke, Airto, Cecil Bridgewater and Marvin 'Hannibal' Peterson, it is also Dee Dee Bridgewater's earliest full recordings. This special edition includes a 20-page booklet featuring amazing unseen session photos recently unearthed, an introduction by Judd and Mia Apatow (Shad's grandchildren), an essay by British journalist Kevin Le Gendre and an exclusive interview of Cecil and Dee Dee Bridgewater by Paul Bowler. The album's original artwork as been recreated with original photos and the audio newly remastered from the original tapes.\u003c\/span\u003e","published_at":"2022-11-15T15:04:24-05:00","created_at":"2022-11-15T15:04:22-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["Frank Foster","Gatefold Jacket","Jazz","Jazz Funk","Liner Notes","Mainstream Records","Spoken Word","The Loud Minority","We Want Sounds"],"price":4000,"price_min":4000,"price_max":4000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43474405720276,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-042 The Loud Minority - Frank Foster","public_title":null,"options":["Default Title"],"price":4000,"weight":544,"compare_at_price":null,"inventory_quantity":3,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_200ef07c-d939-4cae-83d8-21ead7732fc5.png?v=1668542663"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_200ef07c-d939-4cae-83d8-21ead7732fc5.png?v=1668542663","options":["Title"],"media":[{"alt":null,"id":30894324809940,"position":1,"preview_image":{"aspect_ratio":1.0,"height":542,"width":542,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_200ef07c-d939-4cae-83d8-21ead7732fc5.png?v=1668542663"},"aspect_ratio":1.0,"height":542,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_200ef07c-d939-4cae-83d8-21ead7732fc5.png?v=1668542663","width":542}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cspan data-mce-fragment=\"1\"\u003eDeluxe reissue of Frank Foster's The Loud Minority LP for RSD. Released on Bob Shad's Mainstream Records in 1972, it's a landmark album and one of the key political works of the 70s. Featuring an all-star cast of superb musicians including Elvin Jones, Stanley Clarke, Airto, Cecil Bridgewater and Marvin 'Hannibal' Peterson, it is also Dee Dee Bridgewater's earliest full recordings. This special edition includes a 20-page booklet featuring amazing unseen session photos recently unearthed, an introduction by Judd and Mia Apatow (Shad's grandchildren), an essay by British journalist Kevin Le Gendre and an exclusive interview of Cecil and Dee Dee Bridgewater by Paul Bowler. The album's original artwork as been recreated with original photos and the audio newly remastered from the original tapes.\u003c\/span\u003e"}
22-042 The Loud Minori...
Deluxe reissue of Frank Foster's The Loud Minority LP for RSD. Released on Bob Shad's...
$ 40.00
{"id":7830873899220,"title":"#22-052 La Sombra - Chip Wickham","handle":"22-052-la-sombra-chip-wickham","description":"\u003cp\u003eListen \u003ca href=\"https:\/\/youtu.be\/LiYdTaiEj4s\" title=\"1\"\u003ehttps:\/\/youtu.be\/LiYdTaiEj4s\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eIn recent times Manchester has produced an impressive slew of jazz musicians, with the likes of Matthew Halsall and Nat Birchall both receiving widespread acclaim. A lesser known figure but no less important in the development of the Manchester scene is Chip Wickham, a flautist and saxophonist who soon releases a spiritually leaning and vintage sounding '70s jazz record called La Sombra via Lovemonk Records. \u003cbr\u003e\u003cbr\u003eTranslated from Spanish as 'The Shade', Chip's debut album drops after a 25-year career touring, recording and experimenting across three decades of jazz, funk, soul, hip-hop, Latin and electronica. La Sombra is a monumental record for Chip as it symbolises the moment he stepped out into the light as a director of his creations with freedom to explore his roots, express and tell his version of jazz and pay testament to his heroes Roland Kirk, Yuseef Lateef \u0026amp; Harold McNair. \u003cbr\u003e\u003cbr\u003eNow living in Doha after an intense and productive six years in Madrid, it was Manchester where Chip studied in the late '80s and became enmeshed in the chaotic and thrilling music scenes emanating from one of the world's most culturally prominent cities of the time. Recording and generally 'keeping\u003cspan\u003e\u003cspan class=\"bcTruncateEllipsis\"\u003e...\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003ca\u003emore\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003ch3 class=\"credits-label\"\u003eChip Wickham: tenor saxophone, flute \u0026amp; alto flute \u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"credits-label\"\u003eGabriel Casanova: piano \u003cbr\u003eDavid Salvador: double bass \u003cbr\u003eAntonio Pax: drums \u0026amp; vibraphone \u003cbr\u003e\u003cbr\u003ePublished by Bonatarda \u003cbr\u003eAll songs written and arranged by Chip Wickham, except La Leyenda Del Tiempo (written by Federico García Lorca\/Ricardo Pachón Capitán) \u003cbr\u003e\u003cbr\u003eRecorded at Red Led Studios, Madrid, Spain \u003cbr\u003eProduced and Mixed by Chip Wickham \u003cbr\u003eMastered by Bruce Wood at Touchwood Audio (UK) \u003cbr\u003eArtwork by Animisiewasz \u003cbr\u003ePhoto © Sergi Panizo (f\/S.P. fotografía)\u003c\/h3\u003e","published_at":"2022-12-09T09:35:15-05:00","created_at":"2022-12-07T11:41:12-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["Chip Wickham","Jazz","La Sombra","Lovemonk","Lovemonk Records"],"price":2200,"price_min":2200,"price_max":2200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43521628274900,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#22-052 La Sombra - Chip Wickham","public_title":null,"options":["Default Title"],"price":2200,"weight":82,"compare_at_price":null,"inventory_quantity":5,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_7b9f598d-fc52-4f4c-b98f-6651d2162dbc.jpg?v=1670596298"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_7b9f598d-fc52-4f4c-b98f-6651d2162dbc.jpg?v=1670596298","options":["Title"],"media":[{"alt":null,"id":31013857132756,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_7b9f598d-fc52-4f4c-b98f-6651d2162dbc.jpg?v=1670596298"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_7b9f598d-fc52-4f4c-b98f-6651d2162dbc.jpg?v=1670596298","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eListen \u003ca href=\"https:\/\/youtu.be\/LiYdTaiEj4s\" title=\"1\"\u003ehttps:\/\/youtu.be\/LiYdTaiEj4s\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eIn recent times Manchester has produced an impressive slew of jazz musicians, with the likes of Matthew Halsall and Nat Birchall both receiving widespread acclaim. A lesser known figure but no less important in the development of the Manchester scene is Chip Wickham, a flautist and saxophonist who soon releases a spiritually leaning and vintage sounding '70s jazz record called La Sombra via Lovemonk Records. \u003cbr\u003e\u003cbr\u003eTranslated from Spanish as 'The Shade', Chip's debut album drops after a 25-year career touring, recording and experimenting across three decades of jazz, funk, soul, hip-hop, Latin and electronica. La Sombra is a monumental record for Chip as it symbolises the moment he stepped out into the light as a director of his creations with freedom to explore his roots, express and tell his version of jazz and pay testament to his heroes Roland Kirk, Yuseef Lateef \u0026amp; Harold McNair. \u003cbr\u003e\u003cbr\u003eNow living in Doha after an intense and productive six years in Madrid, it was Manchester where Chip studied in the late '80s and became enmeshed in the chaotic and thrilling music scenes emanating from one of the world's most culturally prominent cities of the time. Recording and generally 'keeping\u003cspan\u003e\u003cspan class=\"bcTruncateEllipsis\"\u003e...\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003ca\u003emore\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003ch3 class=\"credits-label\"\u003eChip Wickham: tenor saxophone, flute \u0026amp; alto flute \u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"credits-label\"\u003eGabriel Casanova: piano \u003cbr\u003eDavid Salvador: double bass \u003cbr\u003eAntonio Pax: drums \u0026amp; vibraphone \u003cbr\u003e\u003cbr\u003ePublished by Bonatarda \u003cbr\u003eAll songs written and arranged by Chip Wickham, except La Leyenda Del Tiempo (written by Federico García Lorca\/Ricardo Pachón Capitán) \u003cbr\u003e\u003cbr\u003eRecorded at Red Led Studios, Madrid, Spain \u003cbr\u003eProduced and Mixed by Chip Wickham \u003cbr\u003eMastered by Bruce Wood at Touchwood Audio (UK) \u003cbr\u003eArtwork by Animisiewasz \u003cbr\u003ePhoto © Sergi Panizo (f\/S.P. fotografía)\u003c\/h3\u003e"}
#22-052 La Sombra - Ch...
Listen https://youtu.be/LiYdTaiEj4s In recent times Manchester has produced an impressive slew of jazz musicians, with the...
$ 22.00
{"id":7830873637076,"title":"22-051 Blue To Red - Chip Wickham","handle":"22-051-blue-to-red-chip-wickham","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eListen:\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/WqAo_R2BVZY\" title=\"1\"\u003ehttps:\/\/youtu.be\/WqAo_R2BVZY\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/pl0GKamCl7E\" title=\"1\"\u003ehttps:\/\/youtu.be\/pl0GKamCl7E\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/efSvEg58mL0\" title=\"1\"\u003ehttps:\/\/youtu.be\/efSvEg58mL0\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/760LGr6s0sM\" title=\"6\"\u003ehttps:\/\/youtu.be\/760LGr6s0sM\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/OKcDgCsA6tw\" title=\"2\"\u003ehttps:\/\/youtu.be\/OKcDgCsA6tw\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/eSLpb4IvR9U\" title=\"5\"\u003ehttps:\/\/youtu.be\/eSLpb4IvR9U\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eFlautist and saxophonist, Chip Wickham returns with Blue to Red, his most absorbing and cosmically-charged offering to date. Soaring flute melodies, lush harp arpeggios and glistening Rhodes keys interact across six journeying, spiritual jazz compositions, leaning on a rich palette of sounds beyond borders, space and time. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eChanneling the spirit of Alice Coltrane and Yusef Lateef via the lens of a hip-hop, electronic and club music educated ear, Blue to Red encompasses Wickham’s disparate set of production influences with his Manchester and spiritual jazz education. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album, not only seeks to forewarn Earth’s possible Mars-like future but seeks to tap into the interplanetary, cosmic nature of music. “It’s a culture crisis rather than a climate crisis, one that can only be solved if we go right to the core of how we live as human beings”. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn and raised in Brighton, UK, Wickham moved to Manchester to attend college. He soon moved into music going on to perform and record with a formidable and diverse list of artists from his Manchester base including Nightmares on Wax and Andy Votel as well as regular funk excursions with The New Mastersounds. However it was upon his meeting of Mancunian trumpeter\/bandleader of Gondwana Orchestra, Matthew Halsall, and other influential\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e players connected to the Manchester’s spiritual jazz circuit such as Nat Birchall that Wickham’s musical course was re-routed for good. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLeaving the UK for Madrid in 2007, Wickham set out on his Iberian-facing debut a decade later with La Sombra (2017), before moving again from Madrid to Doha (Qatar), where Wickham released his follow up Shamal Wind (2018), a lively and international melding of modal jazz, Arabic sounds and other disparate sonic territories, that blends Wickham’s penchant for ethereal, beatless composition and Dingwalls-esque, jazz dance numbers. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving recorded, produced and mixed everything himself, Wickham’s meticulous approach to production and unswerving ambition for Blue to Red, led him to a phenomenal group of musicians across the UK’s thriving jazz scene, including Sons of Kemet and Mulatu Astatke drummer, Jon Scott, Fingathing head honcho, Simon ‘Sneaky’ Houghton (double bass\/cello) and Nightmares On Wax affiliate Dan ‘JD 73’ Goldman (keys). Making up the lineup is Gondwana Orchestra alumni Amanda Whiting, whose celestial and mystical harp playing is a particularly prominent and enchanting feature of the record. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his group (that will feature British jazz pillar, Greg Foat on keys), Wickham will be embarking on a tour across the UK and Europe this April with headline dates at London’s Ronnie Scott’s and Paris’s La Petite Halle. Alongside playing with Dwight Tribble, Allysha Joy (30\/70), The Sorcerers, Scrimshire and Joe Tatton (The New Mastersounds), Chip's previous and recent live endeavours saw him perform at the mainstage of Love Supreme last year and he continues to tour the world with Halsall and The Gondwana Orchestra. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhilst we pray Wickham’s prediction that the planet’s decline from Blue to Red is proven incorrect, it’s hard to imagine a time in the future where pieces of music do not represent markers of our own personal growth or catalysts for structural, societal change. The vanguard of spiritual jazz past and present are no stranger to this, and on Blue to Red, Wickham not only salutes but earnestly contributes to this legacy. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen life started 4 billion years ago, Mars was also a blue planet. It lost its atmosphere and ever since then, there has been red and dead. It’s our own senselessness that we’re pushing our planet in the same direction. It’s a culture crisis rather than a climate crisis, one that can only be solved if we go right to the core of how we live as human beings. Jazz has always had a big spiritual connection with life and our place in the cosmos, searching for answers and finding meaning above us, but now we need to stop looking up and look around before its too late and blue becomes red. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eChip Wickham, Flute and Sax \u003cbr data-mce-fragment=\"1\"\u003eJon Scott, Drums \u003cbr data-mce-fragment=\"1\"\u003eSimon ‘Sneaky’ Houghton, Double Bass and Cello \u003cbr data-mce-fragment=\"1\"\u003eDan ‘JD 73’ Goldman, Keys \u003cbr data-mce-fragment=\"1\"\u003eAmanda Whiting, Harp \u003cbr data-mce-fragment=\"1\"\u003eRick Weedon, Percussion \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written and arranged by Chip Wickham \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded at Big Noise Studios in Essex + \u003cbr data-mce-fragment=\"1\"\u003eRecording Engineer: Simon ‘Stingray’ Davies \u003cbr data-mce-fragment=\"1\"\u003eMastering: Pete Maher \u003cbr data-mce-fragment=\"1\"\u003eMixed \u0026amp; Produced: Chip Wickham\u003c\/div\u003e","published_at":"2022-12-09T09:30:27-05:00","created_at":"2022-12-07T11:39:29-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["Blue To Red","Chip Wickham","Double Cross","Interstellar","Jazz","Lovemonk","Lovemonk Records","Mighty Yusef","Route One","Spiritual Jazz","The Cosmos"],"price":2200,"price_min":2200,"price_max":2200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43521627291860,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-051 Blue To Red - Chip Wickham","public_title":null,"options":["Default Title"],"price":2200,"weight":198,"compare_at_price":null,"inventory_quantity":5,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_a8c9820b-fccd-4c6b-a4bf-bdf7633490c1.jpg?v=1670595754"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_a8c9820b-fccd-4c6b-a4bf-bdf7633490c1.jpg?v=1670595754","options":["Title"],"media":[{"alt":null,"id":31013823152340,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_a8c9820b-fccd-4c6b-a4bf-bdf7633490c1.jpg?v=1670595754"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_a8c9820b-fccd-4c6b-a4bf-bdf7633490c1.jpg?v=1670595754","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eListen:\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/WqAo_R2BVZY\" title=\"1\"\u003ehttps:\/\/youtu.be\/WqAo_R2BVZY\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/pl0GKamCl7E\" title=\"1\"\u003ehttps:\/\/youtu.be\/pl0GKamCl7E\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/efSvEg58mL0\" title=\"1\"\u003ehttps:\/\/youtu.be\/efSvEg58mL0\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/760LGr6s0sM\" title=\"6\"\u003ehttps:\/\/youtu.be\/760LGr6s0sM\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/OKcDgCsA6tw\" title=\"2\"\u003ehttps:\/\/youtu.be\/OKcDgCsA6tw\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/youtu.be\/eSLpb4IvR9U\" title=\"5\"\u003ehttps:\/\/youtu.be\/eSLpb4IvR9U\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eFlautist and saxophonist, Chip Wickham returns with Blue to Red, his most absorbing and cosmically-charged offering to date. Soaring flute melodies, lush harp arpeggios and glistening Rhodes keys interact across six journeying, spiritual jazz compositions, leaning on a rich palette of sounds beyond borders, space and time. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eChanneling the spirit of Alice Coltrane and Yusef Lateef via the lens of a hip-hop, electronic and club music educated ear, Blue to Red encompasses Wickham’s disparate set of production influences with his Manchester and spiritual jazz education. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album, not only seeks to forewarn Earth’s possible Mars-like future but seeks to tap into the interplanetary, cosmic nature of music. “It’s a culture crisis rather than a climate crisis, one that can only be solved if we go right to the core of how we live as human beings”. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn and raised in Brighton, UK, Wickham moved to Manchester to attend college. He soon moved into music going on to perform and record with a formidable and diverse list of artists from his Manchester base including Nightmares on Wax and Andy Votel as well as regular funk excursions with The New Mastersounds. However it was upon his meeting of Mancunian trumpeter\/bandleader of Gondwana Orchestra, Matthew Halsall, and other influential\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e players connected to the Manchester’s spiritual jazz circuit such as Nat Birchall that Wickham’s musical course was re-routed for good. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLeaving the UK for Madrid in 2007, Wickham set out on his Iberian-facing debut a decade later with La Sombra (2017), before moving again from Madrid to Doha (Qatar), where Wickham released his follow up Shamal Wind (2018), a lively and international melding of modal jazz, Arabic sounds and other disparate sonic territories, that blends Wickham’s penchant for ethereal, beatless composition and Dingwalls-esque, jazz dance numbers. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving recorded, produced and mixed everything himself, Wickham’s meticulous approach to production and unswerving ambition for Blue to Red, led him to a phenomenal group of musicians across the UK’s thriving jazz scene, including Sons of Kemet and Mulatu Astatke drummer, Jon Scott, Fingathing head honcho, Simon ‘Sneaky’ Houghton (double bass\/cello) and Nightmares On Wax affiliate Dan ‘JD 73’ Goldman (keys). Making up the lineup is Gondwana Orchestra alumni Amanda Whiting, whose celestial and mystical harp playing is a particularly prominent and enchanting feature of the record. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his group (that will feature British jazz pillar, Greg Foat on keys), Wickham will be embarking on a tour across the UK and Europe this April with headline dates at London’s Ronnie Scott’s and Paris’s La Petite Halle. Alongside playing with Dwight Tribble, Allysha Joy (30\/70), The Sorcerers, Scrimshire and Joe Tatton (The New Mastersounds), Chip's previous and recent live endeavours saw him perform at the mainstage of Love Supreme last year and he continues to tour the world with Halsall and The Gondwana Orchestra. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhilst we pray Wickham’s prediction that the planet’s decline from Blue to Red is proven incorrect, it’s hard to imagine a time in the future where pieces of music do not represent markers of our own personal growth or catalysts for structural, societal change. The vanguard of spiritual jazz past and present are no stranger to this, and on Blue to Red, Wickham not only salutes but earnestly contributes to this legacy. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen life started 4 billion years ago, Mars was also a blue planet. It lost its atmosphere and ever since then, there has been red and dead. It’s our own senselessness that we’re pushing our planet in the same direction. It’s a culture crisis rather than a climate crisis, one that can only be solved if we go right to the core of how we live as human beings. Jazz has always had a big spiritual connection with life and our place in the cosmos, searching for answers and finding meaning above us, but now we need to stop looking up and look around before its too late and blue becomes red. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eChip Wickham, Flute and Sax \u003cbr data-mce-fragment=\"1\"\u003eJon Scott, Drums \u003cbr data-mce-fragment=\"1\"\u003eSimon ‘Sneaky’ Houghton, Double Bass and Cello \u003cbr data-mce-fragment=\"1\"\u003eDan ‘JD 73’ Goldman, Keys \u003cbr data-mce-fragment=\"1\"\u003eAmanda Whiting, Harp \u003cbr data-mce-fragment=\"1\"\u003eRick Weedon, Percussion \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written and arranged by Chip Wickham \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded at Big Noise Studios in Essex + \u003cbr data-mce-fragment=\"1\"\u003eRecording Engineer: Simon ‘Stingray’ Davies \u003cbr data-mce-fragment=\"1\"\u003eMastering: Pete Maher \u003cbr data-mce-fragment=\"1\"\u003eMixed \u0026amp; Produced: Chip Wickham\u003c\/div\u003e"}
22-051 Blue To Red - C...
Listen: https://youtu.be/WqAo_R2BVZY https://youtu.be/pl0GKamCl7E https://youtu.be/efSvEg58mL0 https://youtu.be/760LGr6s0sM https://youtu.be/OKcDgCsA6tw https://youtu.be/eSLpb4IvR9U Flautist and saxophonist, Chip Wickham returns with Blue...
$ 22.00
{"id":7818276045012,"title":"22-047 New York Underground Funk Band","handle":"22-047-new-york-underground-funk-band","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJoin us as we welcome back New York Underground Funk Band with “Funk \u0026amp; Soul”, “Wanna Be Free”, and an EP-bonus track \"By The Time I Get To Phoenix\" — all a more psychedelic take on their funk sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFunk \u0026amp; Soul states, “I’ve got funk and soul...don’t have to worry about a doggone thing” — and we’d have to agree. Yet another excellent track from NYUFB, though a little more psyched-out this time: imagine Sly and the Family Stone getting Jimi Hendrix for a session, then asking him to drop a fuzzed-out guitar solo. You might then end up with “Funk \u0026amp; Soul” — the heaviest, fuzz-driven Sly track you’ve never heard. Though it’s also NYUFB from start to finish.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow, you’re in the right frame of mind for “Wanna Be Free” — the deep funk B-side that trades out the spirit of Jimi Hendrix for the spirit of Jim Morrison. With all the respect that is due to these greats, NYUFB crafts their own psychedelic sound in this raucous cut that features thunderous drums and alluring interplay between organ and guitar. This was certainly designed to free your mind, and we believe the group succeeds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe B Side holds a very special treat— dig New York Underground Funk Band’s version of “By the Time I Get to Phoenix,” the Jimmy Webb-penned classic that gets a heavy soul treatment on PP12007. While covered many times, this hyper-syncopated interpretation is a standout with its long rap intro, call-and-response style singing and shimmering vocal harmonies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese three tracks comprise one of our most exciting releases yet, as that promising band from the New York or New Jersey area further displays their remarkable range. These songs simply cannot remain buried. They’ve finally found their way to you on PP12007, and we hope you’ll get a hold of it while you can.\u003c\/p\u003e","published_at":"2022-11-27T22:02:07-05:00","created_at":"2022-11-18T17:50:20-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["By The Time I Get To Phoenix","funk","funk \u0026 soul","New York Underground Funk Band","Wanna Be Free"],"price":2500,"price_min":2500,"price_max":2500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43483978629332,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"22-047 New York Underground Funk Band","public_title":null,"options":["Default Title"],"price":2500,"weight":366,"compare_at_price":null,"inventory_quantity":4,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_b598039c-3427-42b6-8ca0-2a147b6a5205.png?v=1668811821"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_b598039c-3427-42b6-8ca0-2a147b6a5205.png?v=1668811821","options":["Title"],"media":[{"alt":null,"id":30912273318100,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_b598039c-3427-42b6-8ca0-2a147b6a5205.png?v=1668811821"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_b598039c-3427-42b6-8ca0-2a147b6a5205.png?v=1668811821","width":1000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJoin us as we welcome back New York Underground Funk Band with “Funk \u0026amp; Soul”, “Wanna Be Free”, and an EP-bonus track \"By The Time I Get To Phoenix\" — all a more psychedelic take on their funk sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFunk \u0026amp; Soul states, “I’ve got funk and soul...don’t have to worry about a doggone thing” — and we’d have to agree. Yet another excellent track from NYUFB, though a little more psyched-out this time: imagine Sly and the Family Stone getting Jimi Hendrix for a session, then asking him to drop a fuzzed-out guitar solo. You might then end up with “Funk \u0026amp; Soul” — the heaviest, fuzz-driven Sly track you’ve never heard. Though it’s also NYUFB from start to finish.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow, you’re in the right frame of mind for “Wanna Be Free” — the deep funk B-side that trades out the spirit of Jimi Hendrix for the spirit of Jim Morrison. With all the respect that is due to these greats, NYUFB crafts their own psychedelic sound in this raucous cut that features thunderous drums and alluring interplay between organ and guitar. This was certainly designed to free your mind, and we believe the group succeeds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe B Side holds a very special treat— dig New York Underground Funk Band’s version of “By the Time I Get to Phoenix,” the Jimmy Webb-penned classic that gets a heavy soul treatment on PP12007. While covered many times, this hyper-syncopated interpretation is a standout with its long rap intro, call-and-response style singing and shimmering vocal harmonies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese three tracks comprise one of our most exciting releases yet, as that promising band from the New York or New Jersey area further displays their remarkable range. These songs simply cannot remain buried. They’ve finally found their way to you on PP12007, and we hope you’ll get a hold of it while you can.\u003c\/p\u003e"}
22-047 New York Underg...
Join us as we welcome back New York Underground Funk Band with “Funk & Soul”,...
$ 25.00
{"id":606953046044,"title":"KDLP-04 Kay-Dee Breaks \u0026 Beats","handle":"kdlp-04-kay-dee-breaks-beats","description":"16 Bangers produced and recorded by\u003cbr\u003eKenny Dope in the Kay Dee studios perfect\u003cbr\u003efor DJ’s, beat heads and producers alike.\u003cbr\u003eUnreleased Till Now,Limited Quantities !","published_at":"2020-08-31T18:04:35-04:00","created_at":"2018-01-24T16:08:19-05:00","vendor":"Kay-Dee Records","type":"Album","tags":["12","12's","12inch","Album","Breaks","Breaks \u0026 Beats","Deep Funk","funk","Kay-Dee Breakbeats","Kay-Dee Records","KAYDEE","Kenny Dope","Kenny Dope Breakbeats","LP"],"price":1800,"price_min":1800,"price_max":1800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7451220246556,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"KDLP-04 Kay-Dee Breaks \u0026 Beats","public_title":null,"options":["Default Title"],"price":1800,"weight":204,"compare_at_price":null,"inventory_quantity":382,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6114.jpg?v=1598911364","\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6115.jpg?v=1598911369","\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6116.jpg?v=1598911373","\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6117.jpg?v=1598911376"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6114.jpg?v=1598911364","options":["Title"],"media":[{"alt":null,"id":8026520879203,"position":1,"preview_image":{"aspect_ratio":0.986,"height":2206,"width":2175,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6114.jpg?v=1598911364"},"aspect_ratio":0.986,"height":2206,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6114.jpg?v=1598911364","width":2175},{"alt":null,"id":8026522255459,"position":2,"preview_image":{"aspect_ratio":1.005,"height":2058,"width":2068,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6115.jpg?v=1598911369"},"aspect_ratio":1.005,"height":2058,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6115.jpg?v=1598911369","width":2068},{"alt":null,"id":8026522648675,"position":3,"preview_image":{"aspect_ratio":1.001,"height":947,"width":948,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6116.jpg?v=1598911373"},"aspect_ratio":1.001,"height":947,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6116.jpg?v=1598911373","width":948},{"alt":null,"id":8026523500643,"position":4,"preview_image":{"aspect_ratio":0.991,"height":1141,"width":1131,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6117.jpg?v=1598911376"},"aspect_ratio":0.991,"height":1141,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/IMG_6117.jpg?v=1598911376","width":1131}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"16 Bangers produced and recorded by\u003cbr\u003eKenny Dope in the Kay Dee studios perfect\u003cbr\u003efor DJ’s, beat heads and producers alike.\u003cbr\u003eUnreleased Till Now,Limited Quantities !"}
KDLP-04 Kay-Dee Breaks...
16 Bangers produced and recorded byKenny Dope in the Kay Dee studios perfectfor DJ’s, beat...
$ 18.00
{"id":7793853497556,"title":"OP-004 Ultimate Breaks \u0026 Beats Vol.24 SBR-524 (Sealed)","handle":"op-004-dusty-fingers-vol-1-various-artists","description":"\u003cp\u003eOriginal 1997 Strictly Breaks Records Pressing \u003c\/p\u003e\n\u003cp\u003e1.Tramp\u003c\/p\u003e\n\u003cp\u003e2.You Got What I Need\u003c\/p\u003e\n\u003cp\u003e3.You Can't Love Me,If You Don't Respect Me\u003c\/p\u003e\n\u003cp\u003e4.Blind Alley\u003c\/p\u003e\n\u003cp\u003e5.Expansions Part 1\u003c\/p\u003e\n\u003cp\u003e6.Hard To Handle\u003c\/p\u003e\n\u003cp\u003e7.You Ad Love Are The Same\u003c\/p\u003e\n\u003cp\u003e8.Sneakin' In The Back\u003c\/p\u003e","published_at":"2024-09-18T13:29:05-04:00","created_at":"2022-10-19T14:23:59-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["Blind Alley","Breaks","Breaks \u0026 Beats","Breaks 12","Drumbreaks 45","Expansions","Expansions Part 1","Hard To Handle","If You Don't Respect Me","Samples","SBR 524","Sneaking' In The Back","Tramp","Ultimate Breaks \u0026 Beats Vol.24","Uptown Breaks","You And Love Are The Same","You Can't Love Me"],"price":3500,"price_min":3500,"price_max":3500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43402048372948,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"OP-004 Ultimate Breaks \u0026 Beats Vol.24 SBR-524 (Sealed)","public_title":null,"options":["Default Title"],"price":3500,"weight":275,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/files\/image_aa433345-dc68-49ac-b7a0-e1b3be0b7fa3.jpg?v=1726680215","\/\/kaydeerecords.com\/cdn\/shop\/files\/image_44efe496-7790-42d1-be4e-da0fc57b6cd5.jpg?v=1726680312","\/\/kaydeerecords.com\/cdn\/shop\/files\/image_685a1fa6-dc80-4e88-993a-feea1abb0587.jpg?v=1726680320"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_aa433345-dc68-49ac-b7a0-e1b3be0b7fa3.jpg?v=1726680215","options":["Title"],"media":[{"alt":null,"id":34392229576916,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_aa433345-dc68-49ac-b7a0-e1b3be0b7fa3.jpg?v=1726680215"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_aa433345-dc68-49ac-b7a0-e1b3be0b7fa3.jpg?v=1726680215","width":600},{"alt":null,"id":34392241733844,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_44efe496-7790-42d1-be4e-da0fc57b6cd5.jpg?v=1726680312"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_44efe496-7790-42d1-be4e-da0fc57b6cd5.jpg?v=1726680312","width":600},{"alt":null,"id":34392242520276,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_685a1fa6-dc80-4e88-993a-feea1abb0587.jpg?v=1726680320"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/files\/image_685a1fa6-dc80-4e88-993a-feea1abb0587.jpg?v=1726680320","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eOriginal 1997 Strictly Breaks Records Pressing \u003c\/p\u003e\n\u003cp\u003e1.Tramp\u003c\/p\u003e\n\u003cp\u003e2.You Got What I Need\u003c\/p\u003e\n\u003cp\u003e3.You Can't Love Me,If You Don't Respect Me\u003c\/p\u003e\n\u003cp\u003e4.Blind Alley\u003c\/p\u003e\n\u003cp\u003e5.Expansions Part 1\u003c\/p\u003e\n\u003cp\u003e6.Hard To Handle\u003c\/p\u003e\n\u003cp\u003e7.You Ad Love Are The Same\u003c\/p\u003e\n\u003cp\u003e8.Sneakin' In The Back\u003c\/p\u003e"}
OP-004 Ultimate Breaks...
Original 1997 Strictly Breaks Records Pressing 1.Tramp 2.You Got What I Need 3.You Can't Love...
$ 35.00
{"id":6873516966072,"title":"#718 Play Disco Specials The Star Beams","handle":"718-play-disco-specials-the-star-beams","description":"\u003cp\u003eListen :\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtube.com\/playlist?list=OLAK5uy_n0Db6J3IWaCtsBvbogtYcXjRIUYApRKtg\" title=\"1\"\u003ehttps:\/\/youtube.com\/playlist?list=OLAK5uy_n0Db6J3IWaCtsBvbogtYcXjRIUYApRKtg\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Star Beams\u003c\/em\u003e album is a bit of an enigma. When we first came across their epic dance-floor monster 'Disco Stomp’ it was on a Disco Calypso compilation, so we assumed it originated from the Caribbean. Years later we worked out how wrong we were and that this nugget was actually from South Africa and taken off an ultra scarce album on JAS Pride records from 1976. The next problem was tracking down an original copy and we don’t think we’ve ever seen our Bongo team member Gary Johnson as happy as the day he turned up clutching a copy under his arm. \u003c\/p\u003e\n\u003cp\u003e'Play Disco Specials' was produced by Ray Nkwe who also worked with Mankunku Quartet and The Soul Jazzmen, with all writing credits on the album going to Ray, the recording credited to engineer Robin Ritchie and the artwork to Carol Knowles. Other than this, the personnel of the record remains a mystery, but sometimes a bit of mystery is a good thing.\u003c\/p\u003e\n\u003cp\u003eAside from the disco-jazz-funk of '\u003cem\u003eDisco Stomp’, \u003c\/em\u003ewhich has found it’s way into the DJ sets of \u003cem\u003eTheo Parrish\u003c\/em\u003e, \u003cem\u003e'Play Disco Specials’\u003c\/em\u003e will appeal to fans of\u003cem\u003e The Star Beams\u003c\/em\u003e South African contemporaries \u003cem\u003eThe Drive, Batsumi\u003c\/em\u003e and \u003cem\u003ePacific Express.\u003c\/em\u003e\u003c\/p\u003e","published_at":"2021-08-31T21:59:35-04:00","created_at":"2021-08-31T20:10:17-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["\u0026 Friends","limited edition","The Star Beams"],"price":3000,"price_min":3000,"price_max":3000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40414929748152,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#718 Play Disco Specials The Star Beams","public_title":null,"options":["Default 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:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtube.com\/playlist?list=OLAK5uy_n0Db6J3IWaCtsBvbogtYcXjRIUYApRKtg\" title=\"1\"\u003ehttps:\/\/youtube.com\/playlist?list=OLAK5uy_n0Db6J3IWaCtsBvbogtYcXjRIUYApRKtg\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Star Beams\u003c\/em\u003e album is a bit of an enigma. When we first came across their epic dance-floor monster 'Disco Stomp’ it was on a Disco Calypso compilation, so we assumed it originated from the Caribbean. Years later we worked out how wrong we were and that this nugget was actually from South Africa and taken off an ultra scarce album on JAS Pride records from 1976. The next problem was tracking down an original copy and we don’t think we’ve ever seen our Bongo team member Gary Johnson as happy as the day he turned up clutching a copy under his arm. \u003c\/p\u003e\n\u003cp\u003e'Play Disco Specials' was produced by Ray Nkwe who also worked with Mankunku Quartet and The Soul Jazzmen, with all writing credits on the album going to Ray, the recording credited to engineer Robin Ritchie and the artwork to Carol Knowles. Other than this, the personnel of the record remains a mystery, but sometimes a bit of mystery is a good thing.\u003c\/p\u003e\n\u003cp\u003eAside from the disco-jazz-funk of '\u003cem\u003eDisco Stomp’, \u003c\/em\u003ewhich has found it’s way into the DJ sets of \u003cem\u003eTheo Parrish\u003c\/em\u003e, \u003cem\u003e'Play Disco Specials’\u003c\/em\u003e will appeal to fans of\u003cem\u003e The Star Beams\u003c\/em\u003e South African contemporaries \u003cem\u003eThe Drive, Batsumi\u003c\/em\u003e and \u003cem\u003ePacific Express.\u003c\/em\u003e\u003c\/p\u003e"}
#718 Play Disco Specia...
Listen : https://youtube.com/playlist?list=OLAK5uy_n0Db6J3IWaCtsBvbogtYcXjRIUYApRKtg The Star Beams album is a bit of an enigma. When we...
$ 30.00
{"id":6645921579192,"title":"#496 Slickaphonic","handle":"496-slickaphonic","description":"\u003cp\u003eNext up from Albina Music Trust is a previously unreleased reel-to-reel session\u003c\/p\u003e\n\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/1cFbPMPmbuE\" title=\"1\"\u003ehttps:\/\/youtu.be\/1cFbPMPmbuE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eby Slickaphonic, a nine-piece powerhouse in Portland’s lost funk scene. Recorded in 1975 at Recording Associates by engineer Bob Stoutenberg (The Wipers, Baba Yaga, Mel Brown), this carefully restored collection places the listener in the thick of a watertight disco-funk session done the Albina way.These songs unfold like a dream. The record ignites with Andre Billingsley's custom break to “Doin’ It,” a neighborhood classic written by Pleasure guitarist Doug Lewis. From there, the blistering instrumental “Bubba” unfolds with symphonic horn arrangements setting the scene. But it’s bassist Randy Smith and Jimmy Washington’s locked-in percussion that takes you higher.Throughout the record, this band drops the tempo and mood with ease. Milton Davis' dynamic vocal burns tracks into flames then swiftly pivots into a ballad zone, sending things out to all the ladies in the house. “Back Into My Life Again,” with its chicken scratch guitar and pithy horns, expands and contracts with Davis' vocal enmeshed in the point-counterpoint of dueling guitarists Lewis and Kit Garoutte.\u003cbr data-mce-fragment=\"1\"\u003e\"I Shot Him Down\" is the group's take on a canonical Bob Marley cut and features a spoken word intro from Davis. Set to a brilliant pseudo-country waltz, Davis narrates the listener through a\u003cbr data-mce-fragment=\"1\"\u003eGreen Book-themed sojourn with Southern Gothic underpinnings. In great detail, he describes a road trip and fateful interactions with law enforcement, tragically no different for Black Americans\u003cbr data-mce-fragment=\"1\"\u003ein 1975 as it is today. There are cover songs on this record but the listeningexperience is...well,different.\u003cbr data-mce-fragment=\"1\"\u003eCarefully mastered by Gus Elg (Nu Shooz, Funky Drive Band, First Touch), this diamond in the rough has been rescued from a North Portland basement and returned to the conversation in which\u003cbr data-mce-fragment=\"1\"\u003eAlbina's legacy music belongs. And with current members of Slickaphonic still active in the city's club circuit, this record takes the listener back, to a simpler time where the origin of these musicians, their stories, and the underrepresented Albina musical culture can once again be discovered.\u003c\/p\u003e","published_at":"2021-04-27T12:14:44-04:00","created_at":"2021-04-27T12:14:43-04:00","vendor":"Kay-Dee Records","type":"Album","tags":["\u0026 Friends","Albina Music Trust","Funk","limited edition","Portland","Slickaphonic","Soul"],"price":2400,"price_min":2400,"price_max":2400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39603315966136,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"#496 Slickaphonic","public_title":null,"options":["Default Title"],"price":2400,"weight":261,"compare_at_price":null,"inventory_quantity":6,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/kaydeerecords.com\/cdn\/shop\/products\/image_bb5a000d-d7cf-4f3f-b7af-eaf5f2ded149.jpg?v=1619540085","\/\/kaydeerecords.com\/cdn\/shop\/products\/image_a7b581f2-ec4b-4e57-8d00-437fbf3c7f98.jpg?v=1619540085"],"featured_image":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_bb5a000d-d7cf-4f3f-b7af-eaf5f2ded149.jpg?v=1619540085","options":["Title"],"media":[{"alt":null,"id":21350790922424,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1252,"width":1252,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_bb5a000d-d7cf-4f3f-b7af-eaf5f2ded149.jpg?v=1619540085"},"aspect_ratio":1.0,"height":1252,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_bb5a000d-d7cf-4f3f-b7af-eaf5f2ded149.jpg?v=1619540085","width":1252},{"alt":null,"id":21350790955192,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_a7b581f2-ec4b-4e57-8d00-437fbf3c7f98.jpg?v=1619540085"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/kaydeerecords.com\/cdn\/shop\/products\/image_a7b581f2-ec4b-4e57-8d00-437fbf3c7f98.jpg?v=1619540085","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eNext up from Albina Music Trust is a previously unreleased reel-to-reel session\u003c\/p\u003e\n\u003cp\u003eListen: \u003ca href=\"https:\/\/youtu.be\/1cFbPMPmbuE\" title=\"1\"\u003ehttps:\/\/youtu.be\/1cFbPMPmbuE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eby Slickaphonic, a nine-piece powerhouse in Portland’s lost funk scene. Recorded in 1975 at Recording Associates by engineer Bob Stoutenberg (The Wipers, Baba Yaga, Mel Brown), this carefully restored collection places the listener in the thick of a watertight disco-funk session done the Albina way.These songs unfold like a dream. The record ignites with Andre Billingsley's custom break to “Doin’ It,” a neighborhood classic written by Pleasure guitarist Doug Lewis. From there, the blistering instrumental “Bubba” unfolds with symphonic horn arrangements setting the scene. But it’s bassist Randy Smith and Jimmy Washington’s locked-in percussion that takes you higher.Throughout the record, this band drops the tempo and mood with ease. Milton Davis' dynamic vocal burns tracks into flames then swiftly pivots into a ballad zone, sending things out to all the ladies in the house. “Back Into My Life Again,” with its chicken scratch guitar and pithy horns, expands and contracts with Davis' vocal enmeshed in the point-counterpoint of dueling guitarists Lewis and Kit Garoutte.\u003cbr data-mce-fragment=\"1\"\u003e\"I Shot Him Down\" is the group's take on a canonical Bob Marley cut and features a spoken word intro from Davis. Set to a brilliant pseudo-country waltz, Davis narrates the listener through a\u003cbr data-mce-fragment=\"1\"\u003eGreen Book-themed sojourn with Southern Gothic underpinnings. In great detail, he describes a road trip and fateful interactions with law enforcement, tragically no different for Black Americans\u003cbr data-mce-fragment=\"1\"\u003ein 1975 as it is today. There are cover songs on this record but the listeningexperience is...well,different.\u003cbr data-mce-fragment=\"1\"\u003eCarefully mastered by Gus Elg (Nu Shooz, Funky Drive Band, First Touch), this diamond in the rough has been rescued from a North Portland basement and returned to the conversation in which\u003cbr data-mce-fragment=\"1\"\u003eAlbina's legacy music belongs. And with current members of Slickaphonic still active in the city's club circuit, this record takes the listener back, to a simpler time where the origin of these musicians, their stories, and the underrepresented Albina musical culture can once again be discovered.\u003c\/p\u003e"}
#496 Slickaphonic
Next up from Albina Music Trust is a previously unreleased reel-to-reel session Listen: https://youtu.be/1cFbPMPmbuE by Slickaphonic,...
$ 24.00